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From cheeky thrill to grande dame – the Moulin Rouge celebrates 135 years of scandal and success

<div class="theconversation-article-body"> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> When the Moulin Rouge first opened on October 6 1889, it drew audiences from across classes and countries. The Moulin offered an array of fin-de-siècle (end-of-the-century) entertainments to Paris locals and visitors. Located in <a href="https://www.metmuseum.org/toah/hd/mont/hd_mont.htm">Montmartre</a>, its name, the “red windmill”, alluded to Montmartre’s history as a rural idyll. The neighbourhood was also associated with artistic bohemia, crime, and revolutionary spirit. This setting added a certain thrill for bourgeois audiences. From irreverent newcomer to a French institution, the Moulin Rouge has survived scandal, an inferno and found new ways to connect with audiences. <h2>Red and electric</h2> In 1889, the Moulin Rouge was not the only red landmark to open in Paris. The <a href="https://www.toureiffel.paris/en/news/history-and-culture/133-years-and-1083-feet#:%7E:text=The%20Tower%20would%20open%20to,Eiffel%20workshop%20in%20Levallois%2DPerret.">Eiffel Tower</a>, built as part of the <a href="https://www.britannica.com/topic/worlds-fair#ref1122093">Universal Exhibition</a> and originally painted red, had opened earlier that same year. What set them apart, however, was their popularity. The Moulin Rouge was an instant hit, capitalising on the global popularity of a dance called <a href="https://www.moulinrouge.fr/en/french-cancan-2/">the cancan</a>. Dancers like Moulin Rouge headliner <a href="https://commons.wikimedia.org/wiki/File:Portrait_de_la_danseuse_de_cancan_Louise_Weber_(1866-1929)_dite_la_Goulue_(%C3%A0_gauche)_et_de_Grille_d%27%C3%A9gout_(%C3%A0_droite),_da,_PH41845.jpg">La Goulue </a>(“The Glutton”, real name Louise Weber) were seen as more appropriate emblems for the city than the Tower, which many <a href="https://www.toureiffel.paris/en/news/130-years/artists-who-protested-eiffel-tower">considered an eyesore</a>. In an illustration from Le Courrier Français newspaper, a dancer modelled on a photograph of La Goulue holds her leg aloft, flashing her underwear with the caption “<a href="https://gallica.bnf.fr/ark:/12148/bpt6k1070090h/f1.image">Greetings to the provinces and abroad!</a>”. Every aspect of the Moulin spoke to the zeitgeist, from its design to the performances, the use of electric lights that adorned its façade, and its advertising. Its managers, the impresario team of <a href="https://www.moulinrouge.fr/en/the-great-periods/#:%7E:text=The%20masters%20of%20the%20place%20were%20Joseph%20Oller%20and%20Charles%20Zidler">Joseph Oller and Charles Harold Zidler</a>, had a string of successful venues and businesses to their names. They recognised the importance of modern marketing, using print media, publicity photographs, and <a href="https://commons.wikimedia.org/wiki/File:Cheret_Bal_au_moulin_rouge.jpg">posters</a> to spark public interest. Among the most iconic images of the Moulin is <a href="http://hdl.handle.net/10934/RM0001.COLLECT.339766">Henri de Toulouse-Lautrec’s 1891 poster</a>. At its centre is La Goulue, kicking her legs amid swirling petticoats. <h2>She certainly can cancan</h2> Found primarily in working-class dance halls from as early as the 1820s, the cancan became a staple of popular entertainment the world over. Part of the dance’s thrill lay in the dancers’ <a href="https://commons.wikimedia.org/wiki/File:La_Goulue_y_Valentin_le_D%C3%A9soss%C3%A9_bailando_en_el_Moulin_Rouge,_Th%C3%A9ophile_Steinlen.jpg">freedom of movement</a> and titillation of spectators, as well as its anti-establishment energy. Women used the cancan to thumb their nose at authority via steps like the coup de cul (“arse flash”) or coup du chapeau (removing men’s hats with a high kick). The cancan was not the only attraction at the Moulin. There were themed spaces, sideshows, and variety performances ranging from belly dancers and conjoined twins to <a href="https://www.weirdhistorian.com/le-petomane/">Le Pétomane</a> (“The Fartomaniac”) who was a flatulist and the highest-paid performer. People watching was equally popular. <h2>Scandals, riots, and royalty</h2> Over the years, the Moulin has been no stranger to controversy. In its early years, it cultivated an air of misbehaviour and featured in pleasure guides for visiting sex tourists. In 1893 it hosted the <a href="https://read.dukeupress.edu/french-historical-studies/article-abstract/33/1/69/9638/The-Art-of-Posing-Nude-Models-Moralists-and-the?redirectedFrom=PDF">Bal des Quat’z’Arts</a> (Four-Arts Ball) held by students from local studios. Accusations of public indecency were made against the models and dancers in attendance, and violent protests followed after the women were arrested. In 1907 the writer Colette appeared onstage at the Moulin in an Egyptian-inspired pantomime with her then-lover, <a href="https://daily.jstor.org/the-cross-dressing-superstar-of-the-belle-epoque/">Missy, the Marquise de Belbeuf</a>. When the act culminated in a passionate kiss, a riot broke out. <figure><iframe src="https://www.youtube.com/embed/7N_dvUptKX8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Historical footage shows the Moulin Rouge as it was.</figcaption></figure> <h2>Kicking on and on</h2> Over time, the Moulin Rouge shows changed their format to keep pace with public taste, though the cancan remained. The venue hosted revues and operettas, and various stars including Edith Piaf, Ella Fitzgerald, Frank Sinatra and Liza Minnelli. Famous guests have included British royalty: from Edward VII (while Prince of Wales) to his great-granddaughter, Queen Elizabeth II, and her son, Prince Edward. Since its opening, the Moulin’s fortunes have waxed and waned. In 1915 the Moulin Rouge <a href="https://archive.nytimes.com/iht-retrospective.blogs.nytimes.com/2015/02/27/1915-fire-destroys-moulin-rouge/">burned down</a> but was rebuilt in 1921. Its famous windmill sails <a href="https://www.bbc.com/news/world-europe-68895836">fell off overnight</a> earlier this year but were swiftly repaired. In the 1930s, it survived the Depression and rise of cinema (also <a href="https://www.imdb.com/title/tt0019186/?ref_=fn_al_tt_4">capturing the attention</a> of <a href="https://www.imdb.com/title/tt0025520/?ref_=fn_al_tt_3">several filmakers</a>). It also survived the <a href="https://www.thetimes.com/article/i-took-nazis-to-the-moulin-rouge-they-sent-me-to-auschwitz-s3lzxcwwn8q">Nazi occupation</a> of Paris in the 1940s. By the early 1960s, <a href="https://www.moulinrouge.fr/en/the-moulin-rouge/history/the-great-periods/#:%7E:text=Charles%20Trenet-,F%20FOR%20FORMIDABLE,-In%201962%2C%20Jacki">Jacki Clerico</a> was managing the Moulin’s show after his father had revamped the venue as a dinner theatre destination. The younger Clérico oversaw additions like a giant aquarium where dancers swam with snakes, and its now-famous “nude line” – a chorus of topless dancers – in its shows. In 1963, the Moulin Rouge struck upon a winning formula: revues, all named by Clérico with titles beginning with the letter “F” – from Frou Frou to Fantastique and Formidable. Since 1999, the revue Féerie (“Fairy”, also a <a href="https://dspace.library.uu.nl/bitstream/handle/1874/383977/Feeries.pdf?sequence=1">French genre</a> of stage extravaganza) has been performed almost without interruption. Ticket sales were boosted thanks to Baz Luhrmann’s 2001 film <a href="https://www.imdb.com/title/tt0203009/">Moulin Rouge!</a> and more recently <a href="https://moulinrougemusical.com/new-york/home/">Moulin Rouge! The Musical</a>. Since COVID, the Moulin Rouge management have diversified. The windmill’s interior has been <a href="https://news.airbnb.com/the-iconic-moulin-rouge-windmill-reveals-a-secret-room-for-an-overnight-stay-with-airbnb/">rented out via AirBnB</a> and the Moulin’s <a href="https://www.sbs.com.au/ondemand/tv-series/moulin-rouge-yes-we-can-can">dance troupe</a> has performed on France’s televised New Year’s Eve celebrations. This year, the Moulin Rouge and its dancers were part of the <a href="https://www.tiktok.com/@saskyacnn/video/7398138810984320288?is_from_webapp=1&sender_device=pc&web_id=7384693687676749320">Paris Olympics celebrations</a>, dancing in heavy rain. Though people have come to appreciate the Eiffel Tower too, the Moulin Rouge can still argue its status as the pinnacle of live entertainment in the French capital: immediately recognisable, internationally visible, and quintessentially Parisian.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/239849/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, Teacher and researcher, Art History, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-cheeky-thrill-to-grande-dame-the-moulin-rouge-celebrates-135-years-of-scandal-and-success-239849">original article</a>. </div>

International Travel

Harry Potter stars pay tribute to Dame Maggie Smith

The stars of the Harry Potter franchise have paid tribute to Dame Maggie Smith, after the Oscar-winning actress passed away on Friday at the age of 89. Smith, who played the role of Professor McGonagall throughout the eight movies, was honoured by dozens of her co-stars, including Harry Potter himself: Daniel Radcliffe. Radcliffe shared a statement to Entertainment Weekly, writing, "She was a fierce intellect, a gloriously sharp tongue, could intimidate and charm in the same instant and was, as everyone will tell you, extremely funny." "I will always consider myself amazingly lucky to have been able to work with her, and to spend time around her on set. The word legend is overused but if it applies to anyone in our industry then it applies to her. Thank you Maggie." Emma Watson also shared a tribute on Instagram alongside the two actresses working together, reflecting on Smith's impact on set. She said, "When I was younger I had no idea of Maggie's legend — the woman I was fortunate to share space with. It is only as I've become an adult that I've come to appreciate that I shared the screen with a true definition of greatness." "She was real, honest, funny and self-honouring. Maggie, there were a lot of male professors and by God you held your own. Thank you for all of your kindness. I'll miss you." Rupert Grint also shared a photo of the pair together, referencing a particular fan favourite scene from the fourth Harry Potter film, writing, "Heartbroken to hear about Maggie. She was so special, always hilarious and always kind. I feel incredibly lucky to have shared a set with her and particularly lucky to have shared a dance. I'll miss you, Maggie. Sending all my love to her family." Gary Oldman, who played Sirius Black in the franchise, shared a statement with Entertainment Weekly on Maggie's passing, praising her acting talents, saying, "Maggie Smith, one of the true Greats along with [Laurence] Olivier and [John] Gielgud… those who saw her dazzling talent on the stage say they can never forget her. Her magnificent film performances remain for all to see and enjoy. Such an artist comes along about every other generation. If one is lucky." The news of Maggie Smith's passing was confirmed by her sons Chris Larkin and Toby Stephens who said in a statement, “She passed away peacefully in hospital early this morning, Friday 27 September." “An intensely private person, she was with friends and family at the end. She leaves two sons and five loving grandchildren who are devastated by the loss of their extraordinary mother and grandmother.” Image credits: Warner Brothers/Paul Marriott/Shutterstock Editorial

Caring

From lettuce fields to opera stages – the brilliant journey of Helen Sherman

How does a young girl growing up on a lettuce farm in rural New South Wales, surrounded by the quiet rustle of leaves and the hum of daily farm life, go on to become such a powerful voice on the operatic scene? This is the unlikely beginning of Helen Sherman, the Australian-British mezzo-soprano who has taken the world of opera by storm. Sherman’s musical journey began at the Sydney Conservatorium of Music, where her extraordinary voice started to attract attention. It wasn't long before her ambition led her to the prestigious Royal Northern College of Music (RNCM) in the UK. There, she honed her craft, setting the stage for a remarkable career that would see her representing Australia at the BBC Cardiff Singer of the World competition and the Francisco Viñas International Singing Competition. Sherman's rise to operatic fame has been nothing short of meteoric. Her versatility and talent have seen her perform a wide range of roles across the globe. Recent highlights include Flora in La traviata at the Royal Opera House, Covent Garden, and Octavian in Der Rosenkavalier and Cherubino in Le nozze di Figaro with Opera North. Her portrayal of Tamiri in Farnace with Pinchgut Opera and Dorabella in Così fan tutte at Teatru Manoel in Malta further cemented her reputation as a mezzo-soprano of extraordinary range and depth. One of Sherman’s standout performances was her interpretation of the title role in Carmen with the State Opera South Australia. Her embodiment of Carmen’s fiery spirit and complex emotions captivated audiences and critics alike. Equally compelling was her portrayal of Giulio Cesare with Bury Court Opera, a role that showcased her ability to navigate the demanding vocal and dramatic challenges of baroque opera. In 2024, Sherman’s calendar is as busy as ever, as she will be singing Dorabella in Così fan tutte and Mistress of the Novices in Suor Angelica for Opera Australia, roles that promise to highlight her versatility and emotional depth. <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Over60 was lucky enough to be able to interview Sherman in the lead-up to her Sydney performances of <a href="https://opera.org.au/productions/il-trittico-sydney/" target="_blank" rel="noopener">Il Trittico</a> and <a href="https://opera.org.au/productions/cosi-fan-tutte-sydney/" target="_blank" rel="noopener">Così fan tutte</a>: O60: How did you become an opera singer after growing up on a lettuce farm in rural NSW? “It was quite a journey. My father was an incredible piano accordionist (think Flight of the Bumblebee, Malagueña etc). In the 1970s his teaching studio in Bathurst peaked at about 40 accordion students, which I think is quite remarkable. After his father died, Dad stepped back from his teaching to take over the family farm, though he still plays to this day. “My mother is a music lover, and wanted her children to have the opportunity to explore creative outlets that she wasn't fortunate enough to explore in her youth, so my brother, sister and I all had lessons in piano accordion, piano, dancing, drama and singing. We were fortunate to live in a town that had many thriving arts organisations, such as the Dolly McKinnon School of Dance, Bathurst Eisteddfod Society and Mitchell Conservatorium of Music. “Bathurst's Carillon Theatrical Society (for which my dad's cousin, the late, great, Carole Eastment, was choreographer) afforded us the opportunity to be part of full-scale classic musical productions. I was also fortunate to attend MacKillop College, a local Catholic high school of humble proportions, that had a very passionate and resourceful music teacher, Mr David Eyles. Thanks to him, students like me were able to star in wittily re-written and orchestrated G&S productions. With such a plethora of opportunities at my feet, my love of the stage was pretty much pre-determined. “Upon graduating high school, aged seventeen, I moved to Sydney to take up a place at the Sydney Conservatorium of Music, where I completed a Bachelor of Music and a post graduate diploma in opera. At this stage, I wasn't really in love with opera, that came later, when I found myself covering third novice in OA's 2007 production of Suor Angelica. “During the last studio run of the show, mere metres away from me, star soprano Cheryl Barker was singing the final solo notes of the title role: ‘Madonna! Madonna! Salva me! Salva me!’, tears streaming down her face, and the most incredible voice soaring out; I had chills all over my body and in my soul, and I have loved opera ever since.” O60: You were based in London for years; how did you find the opera world overseas versus in Australia – in both your studies and performing? “I guess the main differences are that the UK scene is a bigger one with more companies and more music schools; a more international one, that students and professionals from around the world flock to, and one with – historically – more financial backing and patronage. However, the scene in the UK has suffered dramatically in the last few years, particularly with the effects of Brexit compounded by COVID, cost-of-living crisis and embarrassingly ignorant cuts made by the Arts Council. “Generally, abroad, there are many more opportunities for musicians, but many, many more musicians competing for them. It is an awe-inspiring thing to meet and work with musical idols like Roger Vignols, Julius Drake, Yvonne Kenny etcetera, to sing a piece of music in the venue in which it premiered or was composed for; to tread the same cobblestones that the likes of Mozart and Handel trod and to delight in the discovery that the shoes or trousers you're wearing in a production bear the name of the likes of Dame Sarah Connolly.” “However, I would say that there is plenty of exciting stuff going on in Australia and an optimism and openness in the Australian people, which is impactful on our industry and its creative output. “More needs to be done in our country to insure all children are given creative learning outlets for the benefit of their development, their communities and for the future of our industry.” O60: Why did you return to Sydney and how are you enjoying it? Any future plans to head back overseas? “After a health scare in 2022 that forced me to cancel all my work, my husband received a job offer to relocate to Sydney. It felt like the universe was opening a door for us, so we gladly walked through it, and onto a flight to Sydney in mid 2023. I have felt welcomed (back!) with open arms both personally and professionally and I have no imminent plans to return abroad, at this stage.” O60: You’ve appeared in many staged productions as well as concerts. What do you like about these two types of performances? “Concert performances are a chance to home in on the music and the words without worrying about physical action. Staged productions afford the performer the luxury of inhabiting and exploring a character, physically, right down to their shoes and petticoats. Both are wonderful ways of working and some works naturally lend themselves to one or the other – though, I think for opera, context is key, and can be a challenge to properly manufacture on the concert platform.” O60: Tell us about your two characters and how do you prepare for performing two roles in different operas in the same season? “I've been playing the role of Mistress of Novices in Suor Angelica and am currently preparing the role of Dorabella in Così fan Tutte. One is a senior nun and the other an excitable teenage girl, so they are rather disparate. “The big challenge is in the early days of learning and memorising the role. Once you have a grasp of the music, the libretto and who you are, it's about showing up and reacting to your world. Preparing disparate roles concurrently can be a vocal challenge, since tessitura and vocal gesture have a big impact on how one might approach a score. I like to keep in touch, daily, with technical exercises that encourage economy and flexibility in my voice, especially when I'm working on contrasting roles. Thankfully, the human voice is a very sensitive instrument and responds intuitively to intention and emotion, so developing the character arc and subtext helps a lot with that. O60: What should audiences be watching and/or listening out for Il Trittico versus in Così fan tutte? “There's so much to enjoy so let it wash over you in broad, beautiful, very human brushstrokes!! Or, if you love little details, in Il Trittico see if you can spot which singers appear in all three operas and watch out for Frugola's bag of strange objects in Il Tabarro. You'll learn a lot from the body language and small glances between characters in the world of Suor Angelica, and in Gianni Schicchi, well, I am told there is a very interesting door stop! “In Così fan Tutte, listen out for the way Mozart creates subtext for his characters; tiny details, like Dorabella needing to sing a third higher than Fiordiligi (because she is the competitive younger sister!) when emotionally fraught in some of their act one recitatives! Mozart is a genius of musical detail!” O60: Do you have any dream roles you’re yet to perform? “There are too many to list, but I adore the role of Octavian in der Rosenkavalier by Strauss (a role I have sung, but would love to revisit) and I would love to sing Ariodante by Händel.” --- <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px; background-color: #ffffff;"><span style="color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px;">Click here for more information on <a href="https://opera.org.au/productions/il-trittico-sydney/" target="_blank" rel="noopener">Il Trittico</a> and <a href="https://opera.org.au/productions/cosi-fan-tutte-sydney/" target="_blank" rel="noopener">Così fan tutte</a>.

Music

Dame Judi Dench gives tragic health update

Beloved Oscar-winning actress Dame Judi Dench has shared a deeply moving update about her health, revealing that she may never appear on-screen again. At 89, Dench has been a cherished figure in cinema for decades, with her last appearance in the 2022 film Spirited, a Christmas comedy featuring Will Ferrell and Ryan Reynolds. This sad news emerged when Dench attended the Chelsea Flower Show in London recently. Approached by a journalist inquiring about her future projects, she candidly responded, “No, no, I can’t even see!” Her representative later confirmed that there was nothing more to add to this heartbreaking statement. Dench suffers from age-related macular degeneration, a condition affecting around 700,000 people in the UK alone. This progressive eye disease has significantly deteriorated her vision over the past year. In a previous interview, she admitted that she required assistance to read scripts. “I can’t see on a film set any more,” Dench shared. “And I can’t see to read. So I can’t see much. It’s difficult for me if I have any length of a part. I haven’t yet found a way. But you just deal with it. I have so many friends who will teach me the script.” In a candid conversation with BBC journalist Louis Theroux, Dench revealed she had “no plans” to retire but acknowledged that her worsening eyesight was forcing her to take a break from acting. Despite these challenges, Dench’s indomitable spirit and positive outlook remain inspiring. She has often expressed her gratitude for the support of her partner, David Mills, who has been a steadfast presence in her life since the death of her husband, Michael Williams, in 2001. Reflecting on her relationship with Mills, she once told The Mirror, “I never expected, not for a minute, that there would be anybody else in my life after Michael died. I’ve had many, many good friends, but it’s been very unexpected to have somebody new who is as caring as my partner, David.” She continued, “Someone to be able to share things with … I feel very lucky indeed. And to laugh with somebody is terribly important! Laughing is the most important thing. We laugh about everything.” While her fans will undoubtedly miss seeing her on the screen, Dame Judi Dench's legacy in film and the hearts she has touched will remain timeless. Image: Fred Duval / Shutterstock

Caring

Are you a victim of elder abuse without even realising it?

A wealthy widow being told how to manage her money. A retired couple being denied access to their grandchildren. A single woman paying her high income-earning son’s credit card debt with her superannuation. Very different Australians with one unfortunate thing in common – they are all victims of elder abuse. While most people are familiar with the term ‘domestic violence’, the term ‘elder abuse’ is less well known. Which in itself is part of the problem: a lack of awareness helps perpetuate the cycle. The World Health Organization (WHO) <a href="https://www.who.int/news-room/fact-sheets/detail/abuse-of-older-people" target="_blank" rel="noopener">defines elder abuse</a> as: “a single or repeated act, or lack of appropriate action, occurring within any relationship where there is an expectation of trust, which causes harm or distress to an older person. This type of violence constitutes a violation of human rights.” It isn’t necessarily restricted to actions that leave physical scars – which can make it harder to identify, even for victims themselves. The absence of physical violence or financial theft can provide a false sense of security. Not recognising the signs that something is amiss lets mistreatment go unnoticed altogether. Alternatively, excuses are made for a loved one’s behaviour or concerns aren’t raised in order to ‘keep the peace’. How prevalent is elder abuse in Australia? The limited discussion of elder abuse in the media and society in general would suggest it isn’t common in Australia. Sadly, this couldn’t be more wrong. <a href="https://www.aihw.gov.au/family-domestic-and-sexual-violence/population-groups/older-people#abuse" target="_blank" rel="noopener">Government figures</a> estimate that one in six older people – around 598,000 individuals – were directly affected in 2023. Psychological abuse was the most widespread, while 2.1 per cent of older Australians – 83,800 people – experienced financial abuse. Who is responsible? The saddest fact of all is that elder abuse is typically committed by people their victims should be able to trust the most. More than half (53 per cent) of perpetrators are family members: adult children are the most common, with partners/spouses ranking third. Friends are the second most common perpetrators. What are the impacts? Impacts of elder abuse are typically far-reaching and depend on the type of abuse involved. Among them are: <ul> <li>Loss of control and independence</li> <li>Physical and mental health issues</li> <li>Relationship breakdowns</li> <li>Financial losses</li> <li>Insecure living arrangements</li> </ul> It is not uncommon for older people to be pressured over how to manage their finances and estate planning, influencing everything from how much they have to live off in retirement to care arrangements in their final years and who benefits from their estate. Much of the abuse and subsequent fallout centres around the family home. Charity <a href="https://www.theforgottenwomen.org.au/" target="_blank" rel="noopener">The Forgotten Women</a> notes there are over 40,000 women aged 55-plus who are homeless in Queensland alone. Elder abuse is often a contributing – if not causal – factor, such as one woman forced to live in her car while her son occupies her home. Meanwhile, the current housing crisis creates ideal conditions for abuse to flourish. Multi-generational households risk reduced independence and increased control over older people. A lack of proper agreements and structures when the Bank of Mum and Dad assists with a home deposit and/or loan guarantee opens the door to expectations of further financial assistance or threats to default on guaranteed loans. Warning signs of elder abuse Besides physical violence, red flags to look for include: <ul> <li>Coercive control – undue pressure over decision-making, living arrangements, spending and investment strategies, pensions, superannuation, tax, legal affairs and wills, ownership of assets, power of attorney.</li> <li>Guilt – emotional manipulation and ‘guilt-tripping’ for not meeting particular demands.</li> <li>Isolation – from family and friends as well as from independent professional advisers (your accountant, financial adviser, lawyer, healthcare professionals etc.).</li> <li>Money mismanagement – taking cash without consent; restricting access to money and assets; pressure to pay expenses that aren’t yours.</li> <li>Neglect and abandonment – withholding essentials or anything that is needed to maintain quality of life.</li> <li>Blackmail – a tragically common example is withholding access to grandchildren unless financial or legal demands are met.</li> </ul> Given the potentially disastrous consequences, it is important to recognise the signs and act quickly. Don’t suffer in silence or hope that things will sort themselves out. If you or someone you know is experiencing elder abuse, seek help straight away. Speak to a trusted relative or friend. Seek independent legal and financial advice about your affairs. Or call the government’s <a href="https://www.health.gov.au/contacts/elder-abuse-phone-line" target="_blank" rel="noopener">free elder abuse line on 1800 353 374</a>. And if your life is in danger, call triple zero (000) immediately. About the Author: Helen Baker is a licensed Australian financial adviser and author of On Your Own Two Feet: The Essential Guide to Financial Independence for all Women. Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at <a href="http://www.onyourowntwofeet.com.au/" target="_blank" rel="noopener">www.onyourowntwofeet.com.au</a> Disclaimer: The information in this article is of a general nature only and does not constitute personal financial or product advice. Any opinions or views expressed are those of the authors and do not represent those of people, institutions or organisations the owner may be associated with in a professional or personal capacity unless explicitly stated. Helen Baker is an authorised representative of BPW Partners Pty Ltd AFSL 548754. Image: Getty

Retirement Income

King Charles' final message to Barry Humphries hours before he died

In a touching tribute to the late comedian Barry Humphries, the King has sent a personal message to be read out at the state memorial. The King, who shared a close friendship with the legendary comedian, expressed his deep sadness following Humphries' passing at the age of 89. The King, at 75, was not just a monarch but a friend who spoke to Humphries mere hours before his passing on April 22. A Buckingham Palace spokesperson at the time conveyed the King's profound sadness and mentioned that he was privately reaching out to Mr Humphries' family. Charles' connection with Humphries extended beyond formalities. The duo's friendship was a source of joy and laughter, exemplified by Humphries' memorable performance as Dame Edna at the 2013 Royal Variety Performance. Lord Archer, a close friend of Humphries, has also revealed that the King attended many of the comedian's shows, even bringing his sons, Prince William and Prince Harry, backstage when they were young boys. The Australian newspaper also revealed recently that Charles sent Humphries an email just hours before his passing, with film director Bruce Beresford sharing the story: "Barry said, 'Well, I always admired him. We always got on well and I really liked his company and enjoyed being with him'," Mr Beresdord told the newspaper. "Barry was one of those people, he had a great capacity for friendship. He was so interested in people." Now, years later, the state memorial service at the Sydney Opera House promises to be a fitting tribute to Humphries as family, friends and fans gather to celebrate the comedian's illustrious career. The Australian Chamber Orchestra, a favourite of Humphries, will perform, adding a touch of elegance to the proceedings. The presence of Humphries' widow, Lizzie Spender, and his children at the memorial underscores the profound impact he had on those closest to him. Humphries' association with royalty was not limited to the King; he was a mainstay at royal performances, meeting Queen Elizabeth II and Princess Diana at various events. The comedian's contributions were acknowledged with a CBE by the late Queen in 2007, and he continued to be a familiar face at royal gatherings, including a delightful encounter with Queen Camilla at The Oldie of the Year Awards in 2021. The state memorial, with its mix of laughter, music and shared memories, will undoubtedly be a fitting tribute to a man who brought joy and laughter to millions around the world. Images: Getty

Caring

The unfunny fallout: Richard Wilkins causes bizarre boycott of Barry Humphries memorial

In what can only be described as a plot twist worthy of its own sitcom, the <a href="https://www.oversixty.com.au/health/caring/free-tickets-up-for-grabs-to-barry-humphries-state-memorial" target="_blank" rel="noopener">memorial service for Australian comedy icon Barry Humphries</a> is shaping up to be more dramatic than the very finest of soap operas. The cause of this uproar? None other than the involvement of Richard Wilkins, the silver fox of entertainment reporting, as the MC/host of the event. It seems Wilkins' mere presence has caused such distress among some of Humphries' nearest and dearest that they've decided to boycott the memorial altogether. One of Humphries' longtime friends, Professor Ross Fitzgerald, <a href="https://www.dailytelegraph.com.au/entertainment/family-friends-slam-richard-wilkins-as-mc-for-barry-humphries-memorial/news-story/b6e4dd1ddcd20237a4b88e83cac40e33" target="_blank" rel="noopener">expressed his disbelief</a>, saying, "Like a number of Barry's friends, I was amazed and aghast that Channel 9 personality Richard Wilkins was chosen to be the MC at this important event, Barry's memorial." Fitzgerald continued, "I find it very hard to believe that members of the family and the children, for example, would have approved this." And now, while the upcoming memorial turns into a high-stakes game of 'Who Wants to Avoid Richard Wilkins?', Sydney Confidential went on to report that while Humphries' widow Lizzie Spender played a role in organising the service, Humphries' daughter Emily was not consulted and won't be attending. But Wilkins has his fair share of defenders. Australian TV producer Mark Llewellyn took to Twitter to proclaim, "Humphries would have abhorred these snobs," adding, "Shove a gladioli up their boycotting bottoms!" That's one way to settle a family dispute. Meanwhile, Seven entertainment reporter Peter Ford, in an attempt to play peacemaker, tweeted, "It's all very unfortunate and obviously not Richard's fault. He's a great M.C." Images: Getty

Caring

Queen Camilla meets . . . Princess Margaret?!

In a collision of regal proportions, the world witnessed an unforgettable convergence of the fictitious and the real, as the one and only Helena Bonham Carter, famous for her portrayal of the indomitable Princess Margaret in seasons three and four of The Crown, found herself in the splendid company of none other than the Queen Consort herself, Camilla, at Clarence House. The rendezvous occurred at a glitzy reception held to celebrate 30 years of the Forward Arts Foundation. The Foundation, on a mission to spread the love of poetry throughout the United Kingdom and Ireland, decided to throw this soiree just as London was gearing up for another artistic extravaganza: Frieze Week. Clearly, this was a battle for the city's cultural heart, and poetry had the honour of setting the stage. The highlight of the evening, however, was the majestic meeting of the minds between Bonham Carter and the Queen Consort. As they locked eyes, it was hard to tell who was more starstruck. The actress executed a curtsey so profound it nearly reached the Earth's core before engaging the Queen in delightful conversation. In a refreshing break from her usual attire, which would make even the most extravagant peacock jealous, Bonham Carter sported a dress adorned with bright florals and black feathers, accented by pink ribbons in her hair. Camilla, on the other hand, stole the sartorial spotlight in an arresting peacock feather print shirt dress that must've made any nearby birds quite envious. But Bonham Carter wasn't content with merely being a guest; she also graced the audience with her talents by reciting a poem. Her choice was William Stafford's "Yes," a poem that would have moved Shakespeare himself to stand up, clap and stomp his booted feet. William Sieghart, the founder of the Forward Arts Foundation, expressed his immense pride in the work of the foundation and thanked the Queen for her involvement, calling it "proof of the pudding" that they were indeed making progress. Among the distinguished guests at this intimate soirée were previous winners of the Forward Prizes for Poetry, including the Poet Laureate Simon Armitage, the actress Karen Bryson, and Bonham Carter’s former The Crown co-star, Natascha McElhone. Speaking of royalty, Netflix's juggernaut series, The Crown, has once again captured our attention. The recent announcement of the November and December release dates for the final season has ignited a whirlwind of excitement and speculation. The promotional artwork for this last hurrah features a moody and atmospheric image of the Queen, played by the talented Imelda Staunton, and a reimagining of the iconic photograph of Princess Diana poised on the diving board of a yacht in Portofino, just a week before her untimely departure from this world. While fans eagerly anticipate the upcoming season, it hasn't been without its controversies. Critics have <a href="https://www.oversixty.com.au/entertainment/tv/major-twist-in-store-for-final-season-of-the-crown" target="_blank" rel="noopener">raised their eyebrows at reports</a> suggesting that the show will include depictions of Princess Diana's "ghost". Bonham Carter herself, who graciously passed her fictitious tiara to Leslie Manville for the final seasons, has spoken out about the show's duty to distinguish between fact and artistic license. During a chat on the show's official podcast back in 2020, she insisted that The Crown carries a "moral responsibility" to remind viewers that this is a work of fiction inspired by facts, not an educational documentary. It's a reminder to us all that even the fanciest of crowns can come with a little disclaimer. So, as the final season of The Crown approaches, we can only wonder what other regal surprises are in store for us. In the meantime, let's raise a glass to the poetic evening at Clarence House, where fact met fiction, and where, for a brief moment, we were all kings and queens of our own whimsical kingdom. Images: Getty

Beauty & Style

Helen Mirren debuts new look on the runway at Paris Fashion Week

Helen Mirren has proven yet again that style, glamour and beauty have no age limit, as she hit the runway at Paris Fashion Week to debut her new look. The 78-year-old acting legend showed off a wild crimped hairstyle as she donned a sparkly silver ballgown for L’Oreal's Walk Your Worth event, which took place under the Eiffel Tower on Sunday. Mirren beamed as she walked down the catwalk, exuding confidence and charm, with the who's-who of the fashion world watching on. Mirren appeared alongside fellow actress Elle Fanning, who also sparkled in a plunging gold fringed dress as the unexpected duo held hands. One fan tweeted, “Elle Fanning and Helen Mirren both played Catherine the Great in 2 TV series and I’m so here for this nod.” A host of other celebrities also walked in the fashion show, including Eva Longoria, Cindy Bruna, Andie MacDowell, Viola Davis, and many more. L’Oreal's event focused on women's empowerment, as messages of sisterhood and supporting women and female strength were displayed as stars walked the runway. The brand's website reads that the star-studded event is "inspiring all women to unapologetically show up in the world and walk towards their destiny in confidence" by "celebrating the beauty, the strength, and the potential of all women." Image credits: Getty Images

Beauty & Style

Sir Michael Palin opens up on grief

Sir Michael Palin has made a candid admission about his grief, following the loss of his beloved wife <a href="https://www.oversixty.com.au/news/news/indescribable-loss-sir-michael-palin-shares-tragic-news" target="_blank" rel="noopener">Helen Gibbins</a>. Gibbins passed away just weeks after the couple celebrated their 57th wedding anniversary, following a long battle with kidney failure and chronic pain. In an interview with The Sunday Times, Palin opened up about the "great emptiness" he felt in the wake of Gibbins' death. “When someone’s gone, someone who has been so much part of your life for the past 60 years, you can’t believe they’re not there to enjoy a little joke, or an observation, or a b**** about somebody,” he said. “A great sort of emptiness comes in.” Palin shared that his wife relied on dialysis for "so many years" to "keep her alive" that when she, and their children, ultimately made the decision to stop the treatment, he had “never seen her happier". “She’d accepted it, we’d accepted it, she was in a wonderful hospice,” Palin said about the days before his wife's passing. “The children and grandchildren had all come to see her, so her death was a great deliverance for her.” Despite everything, the comedy legend tried to look at the bright side, sharing that he experienced a full circle moment when he had to register Gibbins' death, and a couple with a baby were also at the at the registry office. “I saw the father, I presume, holding on his chest this tiny, tiny little newborn baby,” he said. “And I thought, yes, that’s it, a new person – one in, one out.” Images: Getty

Caring

"I can't wake Mummy up": Olympian dies at 43

A former Olympic swimmer has passed away suddenly at the age of 43 while on a trip with her family. Helen Smart, a British swimming champion who competed at the 2000 Sydney Olympics, was found unresponsive by her four-year-old daughter Heidi when she tried to climb into bed with her parents. Heidi then woke up her father Craig Smart, saying, "Daddy, I can't wake Mummy up," before Craig discovered his wife lying next to him dead. Smart's mother confirmed the news of her passing, telling the <a href="https://www.dailymail.co.uk/news/article-12413199/Ex-Olympic-swimmer-turned-headteacher-Helen-Smart-dead-four-year-old-daughter-heartbreaking-video-shows-mother-paddleboarding-hours-sudden-death-aged-42.html" target="_blank" rel="noopener">MailOnline</a>, "Heidi had woken up in the night and tried to get into bed with her. She said to her daddy, 'Mummy won't wake up''. He said, 'Oh, she must be very tired Heidi - you go back to bed'." "He put the torch on and he said later that when he looked he could tell." Linda continued, "We're distraught. They don't know what it is but they think it must have happened shortly after she went to bed. She just died in her sleep." Just hours before her sudden passing, Helen and her family had been paddle boarding in the north of England, while on a trip for her brother Robert's 40th birthday. Helen had not been suffering with any illnesses her family knew of. Linda said, "At midnight, she went to bed telling me: 'I'll go to bed now mum as I know I'll be woken at 6am by Heidi. I just want to get some sleep in as I've had a long day.'" Linda was then woken by Robert at 4am who said, "Mum, dad, you need to keep up - we think Helen's died." Smart's father John said he and his wife "can't comprehend how she could simply go to sleep and not wake up." Helen became a school principal after her retirement from swimming and was enjoying her new life. Craig Smart took to her school's Facebook page to say his wife "loved the school, staff, children and parents so much." "She was so proud to reach her goal of being Head Teacher," he continued. "She used to say to me all the time she could never see herself at another school. She was Worsley Mesnes through and through! I remember only last week she said her goal was to get the school to outstanding and that she had the right staff to achieve this!" "I hope you all keep learning like champions. Please learn from this and live your best life, no regrets, take lots of photos, make memories and keep smiling just like Helen always did!" he added. Image credits: Twitter / Getty Images

Caring

Tragic end for pensioner struck by royal motorcade

Helen Holland, the 81-year-old woman who was struck by a police motorcade escorting the Duchess of Edinburgh, has died. <a href="https://www.oversixty.com.au/news/news/elderly-woman-hospitalised-by-royal-motorcycle-escort">Helen was hit on May 10 at the junction of West Cromwell Road and Warwick Road in west London’s Earl’s Court</a>, and was taken to hospital after receiving treatment from paramedics at the scene. Her family confirmed the news of her passing, telling the BBC that while she had fought "for her life for nearly two weeks”, tragically “irreversible damage to her brain finally ended the battle”. Helen had suffered “multiple broken bones and massive internal injuries” in the crash, despite using the “safe route of [a] pedestrian crossing”, according to her son, Martin Holland. In the wake of the devastating incident, her family had announced that Helen was in a coma, with the police later revealing that she remained in a critical condition. In a statement reportedly shared with Sky News, the family had described Helen as a "beautiful, loving, kind, and caring lady who would always put anyone before herself. "The family are deeply saddened and shocked at the news Helen was involved in such a tragic accident.” They went on to share that while she had been 81 years old, she was “sprightly for her age and nothing stopped her living life to the full, spending precious time with her family, muddy walks with the dogs and lunches with friends is what she enjoyed most”, before asking that everyone keep her in their thoughts and prayers. Meanwhile, Buckingham Palace had announced that Sophie - the Duchess of Edinburgh - had offered her “heartfelt thoughts and prayers” to “the injured lady and her family”, and that she was “grateful for the swift response of emergency services and will keep abreast of developments". An investigation was launched by The Independent Office for Police Conduct soon after the event, and it remains ongoing, with the police watchdog assuring Helen’s family that they would keep them “regularly updated as the investigation progresses". That investigation involved examining footage from neary CCTV as well as footage from police body cameras. Additionally, officers who were present at the scene were to be interviewed, while the organisation sought other witnesses to come forward with any more information they might have. While the family waits for answers, they are also coming to terms with their difficult loss, with Helen’s grandson - Joe Strutter Holland - sharing on Facebook, “rest in peace Nanny (Helen) Holland. One of the kindest and most joyful souls you'll ever of had the pleasure of meeting. Taken before her time.” He went on to note that he was glad his grandmother and his son had gotten the chance to meet, writing 'I'll ensure he knows who you are, till we meet again”. Images: Facebook, Getty

Caring

"Indescribable loss": Sir Michael Palin shares tragic news

Sir Michael Palin has revealed that his beloved wife, Helen Gibbins, has died. Palin made the devastating announcement on his own website, with an update titled ‘Helen’. “My dearest wife Helen died peacefully in the early hours of Tuesday morning,” he wrote. “She had been suffering with chronic pain for several years, which was compounded a few years ago by a diagnosis of kidney failure. “We first met on a summer holiday on the Suffolk coast when we were both sixteen and we married in our early twenties. Two and a half weeks ago we celebrated our 57th wedding anniversary. “Her death is an indescribable loss for myself, our three children and four grandchildren. “Helen was the bedrock of my life. Her quietly wise judgement informed all my decisions and her humour and practical good sense was at the heart of our life together. “The family ask that their privacy be respected at this time.” Just one year prior, Palin had also revealed that the then-79-year-old Helen had moved into respite care, with The Guardian reporting it was due to her body not responding to pain medications. As he told The Telegraph at the time, “I don’t think you can cure it, but they will help her manage it. “It’s such a bore. She was so active and still is, mentally. But we’re both getting on a bit. The body is declining. She’s going to be 80 in October, I’m going to be 80 at the beginning of next year. “We live life with our fingers crossed.” The 79-year-old comedian had enjoyed over a half-century of marriage with his “dearest wife”, after the two first crossed paths at the tender age of 16, with the pair even celebrating their 57th wedding anniversary mere weeks before her passing. Gibbins - who spent her days working as both a teacher and a bereavement counsellor - shared three children with Palin - 54-year-old Thomas, 52-year-old William, and 48-year-old Rachel. In his 2015 interview with The Telegraph, the actor opened up about his experience meeting Gibbins on a holiday in Southwold, naming her “a vision of rebellion”, and how they kept in touch after going home. Unfortunately, the pair lost touch again for the next two years, until they ran into each other once again through mutual friends at Oxford University. As Palin himself said of the less-than-ideal start to their lengthy relationship, “you can see fate was actually tightening the screws on us very hard at that time.” Images: Getty

News

Video of Dame Edna's antics with the King and Queen Consort resurfaces

As <a href="https://www.oversixty.com.au/news/news/tributes-flow-for-barry-humphries" target="_blank" rel="noopener">tributes</a> start pouring in for Barry Humphries following his death, a viral video of the comedian making King Charles and Queen Consort Camilla lose their composure has resurfaced. The Aussie entertainer, whose persona included Dame Edna Everage and Sir Les Patterson has met the royals on countless occasions, but this one meeting had left a lasting impression. Performing as Dame Edna Everage in the 2013 Royal Variety Performance, Humphries posted a clip of the interaction onto his Dame Edna Everage Facebook page in 2019. “Me with Prince Charles and Camilla at the Royal Variety Show. I absolutely ADORE them!” he captioned the clip, which has now been viewed over 10 million times. In the clip, Dame Edna, who was dressed head to toe in scarlet sequins, her trademark wisteria hair and oversized glasses, bustled into the royal box unannounced. The royal duo immediately burst into laughter at the sight of Dame Edna who acted like she didn’t see them until Charles pointed a finger at her to which she blew a kiss back. Dame Edna, who was enjoying the attention she received from the roaring crowd, sat next to the royal couple and broke protocol by grasping Camilla’s arm. At this point, Charles completely lost it as he audibly guffawed at Dame Edna’s antics. A lackey then walks into the box, taps Dame Edna on the shoulder and whispers into her ear causing her face to drop. “I’m so sorry,” she said remorsefully as she stood up to leave, as the King and Queen lost themselves in a fit of giggles. “They’ve found me a better seat,” she said. <iframe style="border: none; overflow: hidden;" src="https://www.facebook.com/plugins/video.php?height=476&href=https%3A%2F%2Fwww.facebook.com%2FDameEdnaOfficial%2Fvideos%2F740650273031100%2F&show_text=false&width=476&t=0" width="476" height="476" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe> Fans have commented on the video sending their tributes to Barry Humphries. “This is brilliant. What a legend! She'll be missed,” wrote one person. “There will never be another Barry Humphries . You are the best of us! May you rest in peace!😢” wrote another. “Will be missed!! Had endless laughs, so enjoyable to watch. R.i.p,” commented a third. The monarch has also issued a <a href="https://www.oversixty.com.au/news/news/tributes-flow-for-barry-humphries" target="_blank" rel="noopener">statement </a>saying that he was "saddened" by the entertainer’s death. Images: Facebook

Barry Humphries' family gathers as health worsens

Barry Humphries has taken the time to thank his supporters - and to offer them some much-sought after reassurance - in the wake of his readmission to hospital. The 89-year-old’s family issued a statement updating everyone on the comic’s “serious condition”, and while the message was heartfelt, it came right along with a laugh - in typical Humphries style. “Barry would like to thank everybody for the support and best wishes he has received,” the message read, before noting that “he would like more and more.” His fans and friends, of course, were quick to answer the call, flooding social media with another wave of love and support for the star. “Sending fondest best wishes to my old friend!” one friend wrote. “Take baby steps Barry and don’t argue with the doctors!” “People throw the term “living legend” about fairly freely, but in Barry’s case, it’s true! What a guy!” declared one fan. “Good onya Baz! A true Aussie!” said another, on behalf of them all. “Wishing you all the best and a quick recovery.” <blockquote class="twitter-tweet"> BREAKING: This statement has just come in from the family of Barry Humphries. <a href="https://twitter.com/hashtag/10NewsFirst?src=hash&ref_src=twsrc%5Etfw">#10NewsFirst</a> <a href="https://t.co/3dX1YYlgil">pic.twitter.com/3dX1YYlgil</a> — Angela Bishop OAM (@AngelaBishop) <a href="https://twitter.com/AngelaBishop/status/1648596207437230081?ref_src=twsrc%5Etfw">April 19, 2023</a></blockquote> The update on his health comes after Peter Ford, Humphries’ friend, shared that the comic - better known for his alter ego, Dame Edna Everage - was in a “serious condition” during an appearance on Sunrise. He later shared a clip from the episode on social media, writing that Barry “is being kept comfortable. He’s surrounded by family.” And while Ford noted that “Barry won’t give up easily”, there are concerns that the Australia icon’s health is deteriorating, with his family rushing to be at his side. Ford explained that “ABC radio in Sydney have now reported Barry has gone into an unresponsive state. “It does tally up with information I was given yesterday that Barry’s pain was beginning to increase so in turn they began to give him more morphine, which certainly keeps you comfortable, is a nice way of putting it.” “As we have been reporting all week, Barry has been in an increasingly perilous state of health, all these complications from the fall, the hip replacement, pneumonia … as I told you, his children were told in the beginning it would be advisable if they wanted to come see him to do so … and they are all there right now, along with his wife Lizzie.” And it seems that his children have followed that advice, with his sons - Oscar and Ruper - coming over from London to be with him, alongside their sister, Emily. The latter came as a shock to many, as Humphries and his daughter had been estranged for two decades - with the two reportedly only making amends at his bedside. According to Ford, “he also did reconcile with his daughter who he has not spoken to for over 20 years. They had a bedside meeting and that’s a good thing that that’s happened. “Largely, now it’s just a waiting game … It is a really serious situation. “I don’t expect there’s going to be a good outcome.” However, Humphries' publicist Wendy Day has since denied reports that the beloved comedian was "unresponsive", telling AAP that his condition was unchanged and that he was resting under the care of his doctors. Images: Getty

Caring

Twiggy leads tributes to Dame Mary Quant

Dame Mary Quant has died “peacefully at home in Surrey” at the age of 93. Her family confirmed the news, with tributes pouring in from around the world, led by model Twiggy Lawson. “Dame Mary Quant died peacefully at home in Surrey, UK, this morning,” the statement from her family read. “Dame Mary, aged 93, was one of the most internationally recognised fashion designers of the 20th century and an outstanding innovator of the Swinging Sixties. “She opened her first shop Bazaar in the Kings Road in 1955 and her far sighted and creative talents quickly established a unique contribution to British fashion.” While Dame Mary’s contributions are numerous, the one she is perhaps best known for is her work in inventing - and popularising - the iconic miniskirt, a staple piece that played a major part in defining the Swinging ‘60s. As model Twiggy, an icon of the times, wrote on social media that Dame Mary “was such an influence on young girls in the late 50s early 60s. “She revolutionised fashion and was a brilliant female entrepreneur. The 1960s would have never been the same without her. Condolences to her family, RIP dear Dame Mary”. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cq-36MCNMgO/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cq-36MCNMgO/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Twiggy (@twiggylawson)</a> </div> </blockquote> “A true influencer,” make-up artist Sandy Linter agreed, while comments poured in thanking Twiggy and Dame Mary for their contributions to the world of style, with many fans noting that the pair had been the main influence on their own fashion journeys. It was a similar scene when fellow model Pattie Boyd paid tribute, writing that it was “very sad news today to learn of the passing of the 60s daringly creative, fun genius, much-loved lady, Dame Mary Quant. “Mary insisted on making George's and my wedding coats in 1966; his, Black Mongolian Fur and mine, Red Fox. A true icon.” <blockquote class="twitter-tweet"> Very sad news today to learn of the passing of the 60s daringly creative, fun genius, much-loved lady, Dame Mary Quant. Mary insisted on making George's and my wedding coats in 1966; his, Black Mongolian Fur and mine, Red Fox. A true icon. RIP <a href="https://t.co/qQeNjyFz2T">pic.twitter.com/qQeNjyFz2T</a> — Pattie Boyd (@thepattieboyd) <a href="https://twitter.com/thepattieboyd/status/1646506146063339520?ref_src=twsrc%5Etfw">April 13, 2023</a></blockquote> Like Twiggy, Pattie was a model in the ‘60s, and made leaps and bounds in popularising Dame Mary’s clothing - alongside the likes of Jean Shrimpton and Cilla Black. And it has said that Dame Mary’s working relationship with Twiggy helped propel the signature ‘Chelsea Look’ to historic heights - with shop Bazaar at the centre of London’s ‘Swinging Chelsea’ after opening in 1955 - though she gave credit in 2014 to her customers, too. “It was the girls on King's Road who invented the mini,” she said. “I was making clothes which would let you run and dance and we would make them the length the customer wanted. I wore them very short and the customers would say, ‘shorter, shorter’.” Former Vogue editor Alexandra Shulman called her a “leader of fashion but also in female entrepreneurship” in her tribute, while also noting that she was “a visionary who was much more than a great haircut." <blockquote class="twitter-tweet"> RIP Dame Mary Quant. A leader of fashion but also in female entrepreneurship- a visionary who was much more than a great haircut — Alexandra Shulman (@AShulman2) <a href="https://twitter.com/AShulman2/status/1646483984505884678?ref_src=twsrc%5Etfw">April 13, 2023</a></blockquote> “She was one of the truly influential figures in fashion and defined the way women thought about themselves,” Alexandra also said. "Her influence on both fashion and women's liberation cannot be underestimated. Her sleek, simple designs were a million miles from the kinds of shapes and costumes women were wearing in the 1950s. "As well as short skirts, she had low-heeled pumps rather than high heels and her clothes entice you to behave in a different way after the formality of the past. "Her clothes reflect the way the social changes of the 1960s, with young women taking the pill and working more.” And as the Victoria & Albert Museum wrote, “it’s impossible to overstate Quant’s contribution to fashion. She represented the joyful freedom of 1960s fashion, and provided a new role model for young women. “Fashion today owes so much to her trailblazing vision.” <blockquote class="twitter-tweet"> Dame Mary Quant (1930-2023) It’s impossible to overstate Quant’s contribution to fashion. She represented the joyful freedom of 1960s fashion, and provided a new role model for young women. Fashion today owes so much to her trailblazing vision. <a href="https://t.co/4z3MXp0tZl">pic.twitter.com/4z3MXp0tZl</a> — V&A (@V_and_A) <a href="https://twitter.com/V_and_A/status/1646488354626600964?ref_src=twsrc%5Etfw">April 13, 2023</a></blockquote> Images: Getty

Beauty & Style

Barry Humphries suffers agonising fall

Barry Humphries has shared a health update with fans after a broken hip left him in "agony". The 89-year-old comedian behind the character Dame Edna Everage had a drastic fall which saw him undergo surgery, and is recovering well with the help of "very painful" but regular physiotherapy. Dubbing himself "Bionic Bazza" after receiving a titanium hip as a result of his accident, Barry says he is recovering in a clinic in the eastern suburbs of Sydney. He is well on the road to recovery, and told <a href="https://www.smh.com.au/culture/celebrity/there-s-nothing-like-a-dame-edna-for-barry-humphries-20230323-p5cuoo.html" target="_blank" rel="noopener">Sydney Morning Herald</a> he is "adamant" he will be better for his one man show later this year. "I sit a lot in the show, and there's a bit of pacing... I don't think it's going to be a problem, but I do have to get on with my physio," he said. Barry described his incident as "the most ridiculous thing, like all domestic incidents are," as he recalled, "I was reaching for a book, my foot got caught on a rug or something, and down I went." Humphries said he wanted to ease his fans' fears and assure them he's "on the mend" and his "trajectory is up", and also advised them to avoid breaking their hip if possible. "The medical bills were bloody enormous," he said. "I strongly advise not breaking your hip!" Image credits: Getty Images

Caring

Dame Helen Mirren lets her “radical” hair down

Dame Helen Mirren has put her foot down over the idea that older women are meant to keep their hair short. While chatting to Lorraine Kelly on the UK breakfast TV show Lorraine, the award-winning actress - who has openly spoken out in the past against ‘beauty standards’ and the unfair stereotypes imposed on her generation - shared her latest take on the matter. “You’re not supposed to have longer hair after a certain age,” the 77-year-old stated. “But during Covid, I started growing my hair and I hadn’t actually had long hair since I was in my 20s,” she continued. “And it sort of grew and grew and grew, and I couldn’t be bothered to cut it, basically. “I thought, ‘do you know what? It’s pretty cool, I think I’ll stick with it for a little while. It will come off eventually’. “But I’m kind of enjoying it, it’s quite radical.” And when it came to the idea that Helen was “fly[ing] the flag” for women over 60, the actress shared that “life doesn’t stop. And creativity doesn’t stop and passion doesn’t stop and energy doesn’t stop, unless you decide to stop it. “So it’s just [to] be self-motivated, really, and never give up. And find enjoyment, if it’s possible in your life.” Helen has been stunning with her long hair and natural glow for years, on film sets and red carpets alike, and speaking out against ageism in life and the industry alike for many before that. In a 2021 interview with The Cut, she confessed she was opposed to the term ‘anti-ageing’, and that she found it to be quite “demeaning”. “We age. It happened. I’m really sorry, but you know what? It happens, and there’s no way out,” she explained. “It’s a part of the human condition. So to talk about ‘anti-ageing’ is like saying ‘anti-human’, ‘anti-real’, ‘anti-wisdom’, ‘anti-experience’, and so on, you know? “But you can put on your best possible face. It doesn’t mean you have to go, ‘oh my God, it’s all over for me!’ because it’s not all over for you … in a way, with each era, it’s the start of something new, so I absolutely believe in beauty products for all ages, and all skin types, but I don’t like the word ‘anti-ageing’. I think it’s demeaning, actually.” Similarly, in 2019, she told Grazia that ageism had been forced upon her generation for “far too long”. “It’s extremely annoying to women of my generation and others following mine to have beauty products sold on a 15-year-old face,” she said. Helen went on to explain in the interview that she didn’t feel comfortable using terms like “beauty” in that context, as it led those who are insecure about their appearance feel “immediately excluded” from the conversation. As she explained, “they’ll think ‘well, I’m not very beautiful. It’s all very well for these beautiful women, but I don’t feel beautiful’. “I don’t want to exclude these people from feeling fabulous about themselves.” Images: Getty

Beauty & Style

Dame Joanna Lumley opens up on stress, adventure and ageing gracefully

After a stellar career that has seen her become an award winner, a dame, a comedy legend, and a household name, Joanna Lumley knows a thing or two about balancing priorities. In a candid interview with <a href="https://www.goodhousekeeping.com/uk/lifestyle/a43008716/dame-joanna-lumley-april-interview/" target="_blank" rel="noopener">Good Housekeeping</a>, the 76-year-old opened up about the stress she handles in her everyday life and the importance of realising you can slow down. After speaking honestly about experiencing a stress-induced breakdown in her 20s due to burnout, she says she approaches life very differently these days. "I will never, ever misread anything so badly again in my life," she says. "Now, if I’m tired, I will make sure to put my head down and go to sleep. If there’s something completely awful happening, I deal with it head-on or I let it go. I don’t do stress any more; I won’t let myself go there." Despite learning how to slow down when it comes to work, there's nothing Joanna loves more than adventure, with her work recently taking her to the Banda Islands, Zanzibar and Madagascar for a new series exploring the centuries-old spice trade. "You can have an adventure at any age," she says. "I’m not saying everyone should go and do a 14-day trek up some very steep mountains. But, if you’re like me and you’re scared of something, be brave. Chances are, you’ll come back and say: 'Well, wasn’t that something?"' When not travelling to explore every corner of the globe, Joanna finds solace in her latest creative venture: a podcast, called Joanna & The Maestro, which she hosts with her conductor husband, Stephen Barlow. The couple chat about their shared love of classical music, which Joanna revealed was born out of one of the pair's evening rituals. "Every night, I have a bath and listen to Classic FM while Stevie is in the bedroom reading. During my bath, I’ll shout out questions about the music, such as: 'How old was Tchaikovsky when he wrote this?'" she says. "Without fail, Stevie, who’s a musical genius, patiently puts his book down and answers me. So the podcast is me in conversation with him, asking all the silly questions that somebody like me has." The pair first met when Joanna was 31 and they've been married for more than 35 years, but Joanna explained that marriage wasn't always on the cards. "The truth is, if I wasn’t married to Stevie, I wouldn’t be married," she says. "I’ve always loved men, but I never thought: 'Oh, I want to settle down.' It simply didn’t cross my mind. But there was something different about him; I was drawn to his whole mindset – and his knowledge of music." While Joanna is always keeping busy with her various work ventures, one of her most incredible achievements remains when she was awarded a damehood from Princess Anne: even if she fumbled over her words while meeting the royal. “I was met by Princess Anne, but sadly I was so overwhelmed with emotion that I could barely speak," she says. "I apologised and she said: 'Don’t worry, you have a lovely brim on your hat.' She kept on talking before I curtseyed and went out into the Picture Gallery. Stevie was there waiting and I just burst into tears." Image credits: Getty Images

Mind

Dame Judi Dench slams "crude" and "cruel" new season of The Crown

Dame Judi Dench has defended the royal family against the latest season of The Crown, calling it "crude" and "cruel" in the wake of Queen Elizabeth's death. The actress penned an open letter to Netflix in <a href="https://www.thetimes.co.uk/article/the-crown-is-crude-and-cruel-says-dame-judi-dench-l6wzqpns9" target="_blank" rel="noopener">The Times UK</a>, complaining that the “closer the drama comes to our present times, the more freely it seems willing to blur the lines between historical accuracy and crude sensationalism”. Dench called on Netflix to issue a disclaimer at the beginning of each episode of the highly anticipated new season of the show, reminding audiences that The Crown is a fictionalised drama. Dench, who was made a dame by the late Queen Elizabeth II in 1988, said she was concerned that viewers would take The Crown’s account as historically accurate. She continued in her letter, “Given some of the wounding suggestions apparently contained in the new series – that King Charles plotted for his mother to abdicate, for example, or once suggested his mother’s parenting was so deficient that she might have deserved a jail sentence – this is both cruelly unjust to the individuals and damaging to the institution they represent." “No one is a greater believer in artistic freedom than I, but this cannot go unchallenged. Despite this week stating publicly that The Crown has always been a ‘fictionalised drama’ the program makers have resisted all calls for them to carry a disclaimer at the start of each episode." “The time has come for Netflix to reconsider – for the sake of a family and a nation so recently bereaved, as a mark of respect to a sovereign who served her people so dutifully for 70 years, and to preserve their own reputation in the eyes of their British subscribers.” Dench said she was not asked by any members of the royal family to pen the letter and did so of her own volition. The upcoming fifth season of The Crown has has stirred consternation in royal, aristocratic and political circles, as the season is expected to focus on the acrimonious breakdown of Charles and Diana’s marriage, which was played out publicly at the time under intense media scrutiny. Image credits: Getty Images

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