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Simon Baker charged with drink driving offences

The Mentalist star Simon Baker has been charged with two drink driving related offences. The 55-year-old is set to appear in Mullumbimby Local court next month in northern NSW, and he was charged with “attempt to drive while under influence of alcohol – first offence” and “drive vehicle under influence of alcohol – first offence”. He was granted bail with no conditions. The Hollywood actor has been nominated for a TV Week Logie Award on Sunday night for his leading role in the Netflix adaptation of Australian author Trent Dalton's Boy Swallows Universe. The hit Netflix series has been nominated for 11 awards - the most of any other actor or show. The actor earned a star on the Hollywood Walk of Famefor his portrayal of Patrick Jane in The Mentalist between 2008 and 2015. He has also won multiple AACTA awards and been nominated for Emmy and Golden Globe awards. Baker's career began in Aussie soaps like E Street, A Country Practice and Home and Away. He has also featured in movies including LA Confidential, The Devil Wears Prada, and earlier in his career featured in the original Heartbreak High. The actor split with his wife Rebecca Rigg in 2021 following 23 years of marriage, and the pair have three children and own a property together in Nashua, near Byron Bay. Images: Jean Cummings/THA/ Shutterstock editorial

Legal

From lettuce fields to opera stages – the brilliant journey of Helen Sherman

How does a young girl growing up on a lettuce farm in rural New South Wales, surrounded by the quiet rustle of leaves and the hum of daily farm life, go on to become such a powerful voice on the operatic scene? This is the unlikely beginning of Helen Sherman, the Australian-British mezzo-soprano who has taken the world of opera by storm. Sherman’s musical journey began at the Sydney Conservatorium of Music, where her extraordinary voice started to attract attention. It wasn't long before her ambition led her to the prestigious Royal Northern College of Music (RNCM) in the UK. There, she honed her craft, setting the stage for a remarkable career that would see her representing Australia at the BBC Cardiff Singer of the World competition and the Francisco Viñas International Singing Competition. Sherman's rise to operatic fame has been nothing short of meteoric. Her versatility and talent have seen her perform a wide range of roles across the globe. Recent highlights include Flora in La traviata at the Royal Opera House, Covent Garden, and Octavian in Der Rosenkavalier and Cherubino in Le nozze di Figaro with Opera North. Her portrayal of Tamiri in Farnace with Pinchgut Opera and Dorabella in Così fan tutte at Teatru Manoel in Malta further cemented her reputation as a mezzo-soprano of extraordinary range and depth. One of Sherman’s standout performances was her interpretation of the title role in Carmen with the State Opera South Australia. Her embodiment of Carmen’s fiery spirit and complex emotions captivated audiences and critics alike. Equally compelling was her portrayal of Giulio Cesare with Bury Court Opera, a role that showcased her ability to navigate the demanding vocal and dramatic challenges of baroque opera. In 2024, Sherman’s calendar is as busy as ever, as she will be singing Dorabella in Così fan tutte and Mistress of the Novices in Suor Angelica for Opera Australia, roles that promise to highlight her versatility and emotional depth. <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">Over60 was lucky enough to be able to interview Sherman in the lead-up to her Sydney performances of <a href="https://opera.org.au/productions/il-trittico-sydney/" target="_blank" rel="noopener">Il Trittico</a> and <a href="https://opera.org.au/productions/cosi-fan-tutte-sydney/" target="_blank" rel="noopener">Così fan tutte</a>: O60: How did you become an opera singer after growing up on a lettuce farm in rural NSW? “It was quite a journey. My father was an incredible piano accordionist (think Flight of the Bumblebee, Malagueña etc). In the 1970s his teaching studio in Bathurst peaked at about 40 accordion students, which I think is quite remarkable. After his father died, Dad stepped back from his teaching to take over the family farm, though he still plays to this day. “My mother is a music lover, and wanted her children to have the opportunity to explore creative outlets that she wasn't fortunate enough to explore in her youth, so my brother, sister and I all had lessons in piano accordion, piano, dancing, drama and singing. We were fortunate to live in a town that had many thriving arts organisations, such as the Dolly McKinnon School of Dance, Bathurst Eisteddfod Society and Mitchell Conservatorium of Music. “Bathurst's Carillon Theatrical Society (for which my dad's cousin, the late, great, Carole Eastment, was choreographer) afforded us the opportunity to be part of full-scale classic musical productions. I was also fortunate to attend MacKillop College, a local Catholic high school of humble proportions, that had a very passionate and resourceful music teacher, Mr David Eyles. Thanks to him, students like me were able to star in wittily re-written and orchestrated G&S productions. With such a plethora of opportunities at my feet, my love of the stage was pretty much pre-determined. “Upon graduating high school, aged seventeen, I moved to Sydney to take up a place at the Sydney Conservatorium of Music, where I completed a Bachelor of Music and a post graduate diploma in opera. At this stage, I wasn't really in love with opera, that came later, when I found myself covering third novice in OA's 2007 production of Suor Angelica. “During the last studio run of the show, mere metres away from me, star soprano Cheryl Barker was singing the final solo notes of the title role: ‘Madonna! Madonna! Salva me! Salva me!’, tears streaming down her face, and the most incredible voice soaring out; I had chills all over my body and in my soul, and I have loved opera ever since.” O60: You were based in London for years; how did you find the opera world overseas versus in Australia – in both your studies and performing? “I guess the main differences are that the UK scene is a bigger one with more companies and more music schools; a more international one, that students and professionals from around the world flock to, and one with – historically – more financial backing and patronage. However, the scene in the UK has suffered dramatically in the last few years, particularly with the effects of Brexit compounded by COVID, cost-of-living crisis and embarrassingly ignorant cuts made by the Arts Council. “Generally, abroad, there are many more opportunities for musicians, but many, many more musicians competing for them. It is an awe-inspiring thing to meet and work with musical idols like Roger Vignols, Julius Drake, Yvonne Kenny etcetera, to sing a piece of music in the venue in which it premiered or was composed for; to tread the same cobblestones that the likes of Mozart and Handel trod and to delight in the discovery that the shoes or trousers you're wearing in a production bear the name of the likes of Dame Sarah Connolly.” “However, I would say that there is plenty of exciting stuff going on in Australia and an optimism and openness in the Australian people, which is impactful on our industry and its creative output. “More needs to be done in our country to insure all children are given creative learning outlets for the benefit of their development, their communities and for the future of our industry.” O60: Why did you return to Sydney and how are you enjoying it? Any future plans to head back overseas? “After a health scare in 2022 that forced me to cancel all my work, my husband received a job offer to relocate to Sydney. It felt like the universe was opening a door for us, so we gladly walked through it, and onto a flight to Sydney in mid 2023. I have felt welcomed (back!) with open arms both personally and professionally and I have no imminent plans to return abroad, at this stage.” O60: You’ve appeared in many staged productions as well as concerts. What do you like about these two types of performances? “Concert performances are a chance to home in on the music and the words without worrying about physical action. Staged productions afford the performer the luxury of inhabiting and exploring a character, physically, right down to their shoes and petticoats. Both are wonderful ways of working and some works naturally lend themselves to one or the other – though, I think for opera, context is key, and can be a challenge to properly manufacture on the concert platform.” O60: Tell us about your two characters and how do you prepare for performing two roles in different operas in the same season? “I've been playing the role of Mistress of Novices in Suor Angelica and am currently preparing the role of Dorabella in Così fan Tutte. One is a senior nun and the other an excitable teenage girl, so they are rather disparate. “The big challenge is in the early days of learning and memorising the role. Once you have a grasp of the music, the libretto and who you are, it's about showing up and reacting to your world. Preparing disparate roles concurrently can be a vocal challenge, since tessitura and vocal gesture have a big impact on how one might approach a score. I like to keep in touch, daily, with technical exercises that encourage economy and flexibility in my voice, especially when I'm working on contrasting roles. Thankfully, the human voice is a very sensitive instrument and responds intuitively to intention and emotion, so developing the character arc and subtext helps a lot with that. O60: What should audiences be watching and/or listening out for Il Trittico versus in Così fan tutte? “There's so much to enjoy so let it wash over you in broad, beautiful, very human brushstrokes!! Or, if you love little details, in Il Trittico see if you can spot which singers appear in all three operas and watch out for Frugola's bag of strange objects in Il Tabarro. You'll learn a lot from the body language and small glances between characters in the world of Suor Angelica, and in Gianni Schicchi, well, I am told there is a very interesting door stop! “In Così fan Tutte, listen out for the way Mozart creates subtext for his characters; tiny details, like Dorabella needing to sing a third higher than Fiordiligi (because she is the competitive younger sister!) when emotionally fraught in some of their act one recitatives! Mozart is a genius of musical detail!” O60: Do you have any dream roles you’re yet to perform? “There are too many to list, but I adore the role of Octavian in der Rosenkavalier by Strauss (a role I have sung, but would love to revisit) and I would love to sing Ariodante by Händel.” --- <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px; background-color: #ffffff;"><span style="color: #212529; font-family: -apple-system, 'system-ui', 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px;">Click here for more information on <a href="https://opera.org.au/productions/il-trittico-sydney/" target="_blank" rel="noopener">Il Trittico</a> and <a href="https://opera.org.au/productions/cosi-fan-tutte-sydney/" target="_blank" rel="noopener">Così fan tutte</a>.

Music

Are you a victim of elder abuse without even realising it?

A wealthy widow being told how to manage her money. A retired couple being denied access to their grandchildren. A single woman paying her high income-earning son’s credit card debt with her superannuation. Very different Australians with one unfortunate thing in common – they are all victims of elder abuse. While most people are familiar with the term ‘domestic violence’, the term ‘elder abuse’ is less well known. Which in itself is part of the problem: a lack of awareness helps perpetuate the cycle. The World Health Organization (WHO) <a href="https://www.who.int/news-room/fact-sheets/detail/abuse-of-older-people" target="_blank" rel="noopener">defines elder abuse</a> as: “a single or repeated act, or lack of appropriate action, occurring within any relationship where there is an expectation of trust, which causes harm or distress to an older person. This type of violence constitutes a violation of human rights.” It isn’t necessarily restricted to actions that leave physical scars – which can make it harder to identify, even for victims themselves. The absence of physical violence or financial theft can provide a false sense of security. Not recognising the signs that something is amiss lets mistreatment go unnoticed altogether. Alternatively, excuses are made for a loved one’s behaviour or concerns aren’t raised in order to ‘keep the peace’. How prevalent is elder abuse in Australia? The limited discussion of elder abuse in the media and society in general would suggest it isn’t common in Australia. Sadly, this couldn’t be more wrong. <a href="https://www.aihw.gov.au/family-domestic-and-sexual-violence/population-groups/older-people#abuse" target="_blank" rel="noopener">Government figures</a> estimate that one in six older people – around 598,000 individuals – were directly affected in 2023. Psychological abuse was the most widespread, while 2.1 per cent of older Australians – 83,800 people – experienced financial abuse. Who is responsible? The saddest fact of all is that elder abuse is typically committed by people their victims should be able to trust the most. More than half (53 per cent) of perpetrators are family members: adult children are the most common, with partners/spouses ranking third. Friends are the second most common perpetrators. What are the impacts? Impacts of elder abuse are typically far-reaching and depend on the type of abuse involved. Among them are: <ul> <li>Loss of control and independence</li> <li>Physical and mental health issues</li> <li>Relationship breakdowns</li> <li>Financial losses</li> <li>Insecure living arrangements</li> </ul> It is not uncommon for older people to be pressured over how to manage their finances and estate planning, influencing everything from how much they have to live off in retirement to care arrangements in their final years and who benefits from their estate. Much of the abuse and subsequent fallout centres around the family home. Charity <a href="https://www.theforgottenwomen.org.au/" target="_blank" rel="noopener">The Forgotten Women</a> notes there are over 40,000 women aged 55-plus who are homeless in Queensland alone. Elder abuse is often a contributing – if not causal – factor, such as one woman forced to live in her car while her son occupies her home. Meanwhile, the current housing crisis creates ideal conditions for abuse to flourish. Multi-generational households risk reduced independence and increased control over older people. A lack of proper agreements and structures when the Bank of Mum and Dad assists with a home deposit and/or loan guarantee opens the door to expectations of further financial assistance or threats to default on guaranteed loans. Warning signs of elder abuse Besides physical violence, red flags to look for include: <ul> <li>Coercive control – undue pressure over decision-making, living arrangements, spending and investment strategies, pensions, superannuation, tax, legal affairs and wills, ownership of assets, power of attorney.</li> <li>Guilt – emotional manipulation and ‘guilt-tripping’ for not meeting particular demands.</li> <li>Isolation – from family and friends as well as from independent professional advisers (your accountant, financial adviser, lawyer, healthcare professionals etc.).</li> <li>Money mismanagement – taking cash without consent; restricting access to money and assets; pressure to pay expenses that aren’t yours.</li> <li>Neglect and abandonment – withholding essentials or anything that is needed to maintain quality of life.</li> <li>Blackmail – a tragically common example is withholding access to grandchildren unless financial or legal demands are met.</li> </ul> Given the potentially disastrous consequences, it is important to recognise the signs and act quickly. Don’t suffer in silence or hope that things will sort themselves out. If you or someone you know is experiencing elder abuse, seek help straight away. Speak to a trusted relative or friend. Seek independent legal and financial advice about your affairs. Or call the government’s <a href="https://www.health.gov.au/contacts/elder-abuse-phone-line" target="_blank" rel="noopener">free elder abuse line on 1800 353 374</a>. And if your life is in danger, call triple zero (000) immediately. About the Author: Helen Baker is a licensed Australian financial adviser and author of On Your Own Two Feet: The Essential Guide to Financial Independence for all Women. Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at <a href="http://www.onyourowntwofeet.com.au/" target="_blank" rel="noopener">www.onyourowntwofeet.com.au</a> Disclaimer: The information in this article is of a general nature only and does not constitute personal financial or product advice. Any opinions or views expressed are those of the authors and do not represent those of people, institutions or organisations the owner may be associated with in a professional or personal capacity unless explicitly stated. Helen Baker is an authorised representative of BPW Partners Pty Ltd AFSL 548754. Image: Getty

Retirement Income

Marcia Hines returns as Australian Idol fans cry foul over upset win

The Australian Idol 2024 grand finale left viewers stunned and divided as Dylan Wright emerged victorious, leaving many fans feeling that Amy Reeves had been unjustly denied the crown. The electrifying finale aired on Monday evening, showcasing the talents of Denvah Baker-Moller, Dylan Wright and Amy Reeves as they vied for the coveted title. However, it was Wright who clinched the top spot, much to the disappointment of numerous fans who had rallied behind Reeves. Throughout the season, Wright had consistently impressed both judges and audiences alike with his remarkable performances. His emotional reaction upon winning the recording contract with Sony Music Entertainment Australia and a $100,000 cash prize was palpable: “I’m about to cry!" he told the cheering crowd. "So, thanks!” The finale kicked off with hosts Ricki Lee and Scott Tweedie addressing the absence of judge Marcia Hines, who <a href="https://www.oversixty.com.au/health/caring/marcia-hines-rushed-to-hospital" target="_blank" rel="noopener">had been hospitalised</a> due to health issues potentially related to her Type 1 diabetes. The void left by Hines was temporarily filled by guest judge Guy Sebastian, <a href="https://www.oversixty.com.au/health/caring/guy-sebastian-reveals-what-happened-when-marcia-hines-collapsed" target="_blank" rel="noopener">who stepped in</a> to ensure the show's continuity. Despite her absence, Hines' spirit remained present as she conveyed her apologies via Instagram, assuring fans of her eagerness to return. “I feel fine,” she said on Monday night's show in response to Ricki Lee and Scott Tweedie. “I want to thank everybody who reached out towards me, you know. I do appreciate it. And you guys need to know – I couldn’t have missed this for the world. I couldn’t have.” Hines admitted to having had stitches after collapsing backstage, and briefly lifted her hair to show the stitches on her forehead. “It is all good," she explained. "I’m good. I go back to the hospital tonight,” she added jokingly. As the finalists delivered their last performances, Reeves' rendition of Jessie J's "Bang Bang" stood out, earning praise from judge Kyle Sandilands and igniting a wave of support from viewers. However, despite her standout performance, it was Wright who ultimately clinched the title after a tense battle with Reeves. The decision sparked a flurry of reactions on social media, with many expressing disbelief and frustration over Reeves' loss. Some fans proclaimed Reeves as the most deserving contestant in Idol history. “Call the police!" they wrote. "A robbery has taken place on #AustralianIdol. Amy has been absolutely shafted. Easily the best performer in idol history.” Amidst the chorus of disappointment, there were voices of congratulations for Wright, acknowledging his talent and triumph in the competition. Despite the divided opinions, one thing remained certain – the passion and fervour of Australian Idol fans, who eagerly await the next chapter in the musical journeys of all the finalists. Images: Channel Seven

Queen Camilla meets . . . Princess Margaret?!

In a collision of regal proportions, the world witnessed an unforgettable convergence of the fictitious and the real, as the one and only Helena Bonham Carter, famous for her portrayal of the indomitable Princess Margaret in seasons three and four of The Crown, found herself in the splendid company of none other than the Queen Consort herself, Camilla, at Clarence House. The rendezvous occurred at a glitzy reception held to celebrate 30 years of the Forward Arts Foundation. The Foundation, on a mission to spread the love of poetry throughout the United Kingdom and Ireland, decided to throw this soiree just as London was gearing up for another artistic extravaganza: Frieze Week. Clearly, this was a battle for the city's cultural heart, and poetry had the honour of setting the stage. The highlight of the evening, however, was the majestic meeting of the minds between Bonham Carter and the Queen Consort. As they locked eyes, it was hard to tell who was more starstruck. The actress executed a curtsey so profound it nearly reached the Earth's core before engaging the Queen in delightful conversation. In a refreshing break from her usual attire, which would make even the most extravagant peacock jealous, Bonham Carter sported a dress adorned with bright florals and black feathers, accented by pink ribbons in her hair. Camilla, on the other hand, stole the sartorial spotlight in an arresting peacock feather print shirt dress that must've made any nearby birds quite envious. But Bonham Carter wasn't content with merely being a guest; she also graced the audience with her talents by reciting a poem. Her choice was William Stafford's "Yes," a poem that would have moved Shakespeare himself to stand up, clap and stomp his booted feet. William Sieghart, the founder of the Forward Arts Foundation, expressed his immense pride in the work of the foundation and thanked the Queen for her involvement, calling it "proof of the pudding" that they were indeed making progress. Among the distinguished guests at this intimate soirée were previous winners of the Forward Prizes for Poetry, including the Poet Laureate Simon Armitage, the actress Karen Bryson, and Bonham Carter’s former The Crown co-star, Natascha McElhone. Speaking of royalty, Netflix's juggernaut series, The Crown, has once again captured our attention. The recent announcement of the November and December release dates for the final season has ignited a whirlwind of excitement and speculation. The promotional artwork for this last hurrah features a moody and atmospheric image of the Queen, played by the talented Imelda Staunton, and a reimagining of the iconic photograph of Princess Diana poised on the diving board of a yacht in Portofino, just a week before her untimely departure from this world. While fans eagerly anticipate the upcoming season, it hasn't been without its controversies. Critics have <a href="https://www.oversixty.com.au/entertainment/tv/major-twist-in-store-for-final-season-of-the-crown" target="_blank" rel="noopener">raised their eyebrows at reports</a> suggesting that the show will include depictions of Princess Diana's "ghost". Bonham Carter herself, who graciously passed her fictitious tiara to Leslie Manville for the final seasons, has spoken out about the show's duty to distinguish between fact and artistic license. During a chat on the show's official podcast back in 2020, she insisted that The Crown carries a "moral responsibility" to remind viewers that this is a work of fiction inspired by facts, not an educational documentary. It's a reminder to us all that even the fanciest of crowns can come with a little disclaimer. So, as the final season of The Crown approaches, we can only wonder what other regal surprises are in store for us. In the meantime, let's raise a glass to the poetic evening at Clarence House, where fact met fiction, and where, for a brief moment, we were all kings and queens of our own whimsical kingdom. Images: Getty

Beauty & Style

Helen Mirren debuts new look on the runway at Paris Fashion Week

Helen Mirren has proven yet again that style, glamour and beauty have no age limit, as she hit the runway at Paris Fashion Week to debut her new look. The 78-year-old acting legend showed off a wild crimped hairstyle as she donned a sparkly silver ballgown for L’Oreal's Walk Your Worth event, which took place under the Eiffel Tower on Sunday. Mirren beamed as she walked down the catwalk, exuding confidence and charm, with the who's-who of the fashion world watching on. Mirren appeared alongside fellow actress Elle Fanning, who also sparkled in a plunging gold fringed dress as the unexpected duo held hands. One fan tweeted, “Elle Fanning and Helen Mirren both played Catherine the Great in 2 TV series and I’m so here for this nod.” A host of other celebrities also walked in the fashion show, including Eva Longoria, Cindy Bruna, Andie MacDowell, Viola Davis, and many more. L’Oreal's event focused on women's empowerment, as messages of sisterhood and supporting women and female strength were displayed as stars walked the runway. The brand's website reads that the star-studded event is "inspiring all women to unapologetically show up in the world and walk towards their destiny in confidence" by "celebrating the beauty, the strength, and the potential of all women." Image credits: Getty Images

Beauty & Style

Sir Michael Palin opens up on grief

Sir Michael Palin has made a candid admission about his grief, following the loss of his beloved wife <a href="https://www.oversixty.com.au/news/news/indescribable-loss-sir-michael-palin-shares-tragic-news" target="_blank" rel="noopener">Helen Gibbins</a>. Gibbins passed away just weeks after the couple celebrated their 57th wedding anniversary, following a long battle with kidney failure and chronic pain. In an interview with The Sunday Times, Palin opened up about the "great emptiness" he felt in the wake of Gibbins' death. “When someone’s gone, someone who has been so much part of your life for the past 60 years, you can’t believe they’re not there to enjoy a little joke, or an observation, or a b**** about somebody,” he said. “A great sort of emptiness comes in.” Palin shared that his wife relied on dialysis for "so many years" to "keep her alive" that when she, and their children, ultimately made the decision to stop the treatment, he had “never seen her happier". “She’d accepted it, we’d accepted it, she was in a wonderful hospice,” Palin said about the days before his wife's passing. “The children and grandchildren had all come to see her, so her death was a great deliverance for her.” Despite everything, the comedy legend tried to look at the bright side, sharing that he experienced a full circle moment when he had to register Gibbins' death, and a couple with a baby were also at the at the registry office. “I saw the father, I presume, holding on his chest this tiny, tiny little newborn baby,” he said. “And I thought, yes, that’s it, a new person – one in, one out.” Images: Getty

Caring

"It feels like losing her all over again": Missing woman's remains identified

Human remains discovered in a grassland area in New South Wales have been positively identified as those belonging to Samah Baker, a victim of a tragic murder. The individual responsible for her murder, James Hachem, who had an intermittent relationship with her, was convicted last year for the crime that occurred in January 2019. He was subsequently handed a 24-year prison sentence in May of this year. The recent discovery, made on July 28th, involved a woman stumbling upon the remains approximately 100 metres to the south of the Windellama Overpass in Goulburn. Law enforcement officials have now officially confirmed the identity of these remains as belonging to Samah Baker. The Baker family, in response to this development, released a statement expressing the persistent anguish they have endured since Samah's untimely death. While the identification of her remains offers some solace after four-and-a-half years, it doesn't provide a complete sense of closure. The family highlighted how each new twist in the case exacerbates the wounds that have barely started healing, serving as a stark reminder of their profound loss. The statement poignantly conveys the feeling that even though her physical remains have been located, it evokes the sensation of losing her all over again. Samah, a 30-year-old resident of Sydney, had been engaged in a tumultuous and occasionally violent relationship with Hachem, who was 37 years old, ever since their initial encounter at work in 2015. Despite numerous breakups, Baker eventually moved on and found a new partner in December 2018. The court proceedings unveiled that Hachem had obsessively watched Baker, even waiting outside her apartment and growing increasingly furious when he observed her with her new partner on the early morning of January 4. He concocted a ruse involving a fabricated story about his parents being in a car accident to lure Baker out of her apartment before committing the heinous act. Hachem's premeditation extended to purchasing materials, such as a double sheet, gloves, cleaning supplies and a digging trowel from a Bunnings store, before embarking on a journey to remote regions in rural New South Wales. At the time of Hachem's sentencing, Baker's body had not yet been discovered, compounding the grief experienced by her family and friends. The full statement from the Baker family reads: "On Friday 4 January 2019, Samah was taken away from us in the cruellest way. "In the years that followed, our grief has been compounded by the fact that we have not been able to have a funeral or lay her to rest. "We never got to say goodbye to her or tell her we loved her for the last time. "The news of her remains being discovered four and a half years later isn't a neat resolution, but it does offer a small measure of what we've been longing for all this time. "Each development in the case feels like a reopening of our barely healed wounds, reminding us of the harsh reality of our loss. "Even though what remains of Samah has been found, it feels like losing her all over again. We ask for privacy in dealing with our grief." Images: PR Handout / Facebook

Legal

"I can't wake Mummy up": Olympian dies at 43

A former Olympic swimmer has passed away suddenly at the age of 43 while on a trip with her family. Helen Smart, a British swimming champion who competed at the 2000 Sydney Olympics, was found unresponsive by her four-year-old daughter Heidi when she tried to climb into bed with her parents. Heidi then woke up her father Craig Smart, saying, "Daddy, I can't wake Mummy up," before Craig discovered his wife lying next to him dead. Smart's mother confirmed the news of her passing, telling the <a href="https://www.dailymail.co.uk/news/article-12413199/Ex-Olympic-swimmer-turned-headteacher-Helen-Smart-dead-four-year-old-daughter-heartbreaking-video-shows-mother-paddleboarding-hours-sudden-death-aged-42.html" target="_blank" rel="noopener">MailOnline</a>, "Heidi had woken up in the night and tried to get into bed with her. She said to her daddy, 'Mummy won't wake up''. He said, 'Oh, she must be very tired Heidi - you go back to bed'." "He put the torch on and he said later that when he looked he could tell." Linda continued, "We're distraught. They don't know what it is but they think it must have happened shortly after she went to bed. She just died in her sleep." Just hours before her sudden passing, Helen and her family had been paddle boarding in the north of England, while on a trip for her brother Robert's 40th birthday. Helen had not been suffering with any illnesses her family knew of. Linda said, "At midnight, she went to bed telling me: 'I'll go to bed now mum as I know I'll be woken at 6am by Heidi. I just want to get some sleep in as I've had a long day.'" Linda was then woken by Robert at 4am who said, "Mum, dad, you need to keep up - we think Helen's died." Smart's father John said he and his wife "can't comprehend how she could simply go to sleep and not wake up." Helen became a school principal after her retirement from swimming and was enjoying her new life. Craig Smart took to her school's Facebook page to say his wife "loved the school, staff, children and parents so much." "She was so proud to reach her goal of being Head Teacher," he continued. "She used to say to me all the time she could never see herself at another school. She was Worsley Mesnes through and through! I remember only last week she said her goal was to get the school to outstanding and that she had the right staff to achieve this!" "I hope you all keep learning like champions. Please learn from this and live your best life, no regrets, take lots of photos, make memories and keep smiling just like Helen always did!" he added. Image credits: Twitter / Getty Images

Caring

Tragic end for pensioner struck by royal motorcade

Helen Holland, the 81-year-old woman who was struck by a police motorcade escorting the Duchess of Edinburgh, has died. <a href="https://www.oversixty.com.au/news/news/elderly-woman-hospitalised-by-royal-motorcycle-escort">Helen was hit on May 10 at the junction of West Cromwell Road and Warwick Road in west London’s Earl’s Court</a>, and was taken to hospital after receiving treatment from paramedics at the scene. Her family confirmed the news of her passing, telling the BBC that while she had fought "for her life for nearly two weeks”, tragically “irreversible damage to her brain finally ended the battle”. Helen had suffered “multiple broken bones and massive internal injuries” in the crash, despite using the “safe route of [a] pedestrian crossing”, according to her son, Martin Holland. In the wake of the devastating incident, her family had announced that Helen was in a coma, with the police later revealing that she remained in a critical condition. In a statement reportedly shared with Sky News, the family had described Helen as a "beautiful, loving, kind, and caring lady who would always put anyone before herself. "The family are deeply saddened and shocked at the news Helen was involved in such a tragic accident.” They went on to share that while she had been 81 years old, she was “sprightly for her age and nothing stopped her living life to the full, spending precious time with her family, muddy walks with the dogs and lunches with friends is what she enjoyed most”, before asking that everyone keep her in their thoughts and prayers. Meanwhile, Buckingham Palace had announced that Sophie - the Duchess of Edinburgh - had offered her “heartfelt thoughts and prayers” to “the injured lady and her family”, and that she was “grateful for the swift response of emergency services and will keep abreast of developments". An investigation was launched by The Independent Office for Police Conduct soon after the event, and it remains ongoing, with the police watchdog assuring Helen’s family that they would keep them “regularly updated as the investigation progresses". That investigation involved examining footage from neary CCTV as well as footage from police body cameras. Additionally, officers who were present at the scene were to be interviewed, while the organisation sought other witnesses to come forward with any more information they might have. While the family waits for answers, they are also coming to terms with their difficult loss, with Helen’s grandson - Joe Strutter Holland - sharing on Facebook, “rest in peace Nanny (Helen) Holland. One of the kindest and most joyful souls you'll ever of had the pleasure of meeting. Taken before her time.” He went on to note that he was glad his grandmother and his son had gotten the chance to meet, writing 'I'll ensure he knows who you are, till we meet again”. Images: Facebook, Getty

Caring

Simon Baker’s stunning transformation

For many, the first thing that comes to mind when thinking of Simon Baker is The Mentalist - a lead role that established him as one of American TV’s highest paid stars. For others, it’s Baker as the face of ANZ. Either way, it’s easy to put a face to the name, though even some of his most hardcore fans may be surprised by the actor’s latest transformation, stepping back from Hollywood to instead embrace his passions and focus on his “creative renaissance”. Simon’s latest project, Limbo, comes in the wake of his homegrown work with High Ground, Blaze, and adaptation of Tim Winton’s Breath - with some going so far as to call it Baker’s “career best”. In Limbo, an outback noir written and directed by award-winning Indigenous filmmaker Ivan Sen, Baker steps into the shoes of jaded police detective and former drug squad officer Travis Hurley. Hurley and his addictions are sent to a small community in the outback that’s surrounded by opal mines and filled with secrets - one of which is a two-decades old disappearance of an Indigenous woman that Hurley is there to investigate. And while some of this may feel familiar to Baker’s regular audiences, the film is a far cry from what they’ve perhaps come to expect from the likes of The Mentalist, and his role even more so, with one reviewer calling his performance “hypnotically sinister”. Sen - who took on the roles of cinematographer, composer, and editor as well - paints a black-and-white picture, and utilises known crime drama tropes without thrusting them into the faces of Limbo’s viewers. Audiences witness the film through Hurley’s perspective, learning of what the town’s community has endured through the eyes of an ‘outsider’. As Hurley learns more about the failures of investigative authorities in the town, so too do the audience, as well as the underlying messages on the value of Indigenous life. It’s not the first time Sen has explored this in his work, and combined with Baker’s ability to tell a story subtly, with quiet nuance and separation from stereotype, it appears a match made in movie heaven. As Sen told The New Daily, “he has got an amazing presence. “He can talk so well without actually having to open his mouth. I wanted to expand that within a cinematic context, so this was our chance.” Images: Bunya Productions, Warner Bros. Television

Movies

"Indescribable loss": Sir Michael Palin shares tragic news

Sir Michael Palin has revealed that his beloved wife, Helen Gibbins, has died. Palin made the devastating announcement on his own website, with an update titled ‘Helen’. “My dearest wife Helen died peacefully in the early hours of Tuesday morning,” he wrote. “She had been suffering with chronic pain for several years, which was compounded a few years ago by a diagnosis of kidney failure. “We first met on a summer holiday on the Suffolk coast when we were both sixteen and we married in our early twenties. Two and a half weeks ago we celebrated our 57th wedding anniversary. “Her death is an indescribable loss for myself, our three children and four grandchildren. “Helen was the bedrock of my life. Her quietly wise judgement informed all my decisions and her humour and practical good sense was at the heart of our life together. “The family ask that their privacy be respected at this time.” Just one year prior, Palin had also revealed that the then-79-year-old Helen had moved into respite care, with The Guardian reporting it was due to her body not responding to pain medications. As he told The Telegraph at the time, “I don’t think you can cure it, but they will help her manage it. “It’s such a bore. She was so active and still is, mentally. But we’re both getting on a bit. The body is declining. She’s going to be 80 in October, I’m going to be 80 at the beginning of next year. “We live life with our fingers crossed.” The 79-year-old comedian had enjoyed over a half-century of marriage with his “dearest wife”, after the two first crossed paths at the tender age of 16, with the pair even celebrating their 57th wedding anniversary mere weeks before her passing. Gibbins - who spent her days working as both a teacher and a bereavement counsellor - shared three children with Palin - 54-year-old Thomas, 52-year-old William, and 48-year-old Rachel. In his 2015 interview with The Telegraph, the actor opened up about his experience meeting Gibbins on a holiday in Southwold, naming her “a vision of rebellion”, and how they kept in touch after going home. Unfortunately, the pair lost touch again for the next two years, until they ran into each other once again through mutual friends at Oxford University. As Palin himself said of the less-than-ideal start to their lengthy relationship, “you can see fate was actually tightening the screws on us very hard at that time.” Images: Getty

News

Dame Helen Mirren lets her “radical” hair down

Dame Helen Mirren has put her foot down over the idea that older women are meant to keep their hair short. While chatting to Lorraine Kelly on the UK breakfast TV show Lorraine, the award-winning actress - who has openly spoken out in the past against ‘beauty standards’ and the unfair stereotypes imposed on her generation - shared her latest take on the matter. “You’re not supposed to have longer hair after a certain age,” the 77-year-old stated. “But during Covid, I started growing my hair and I hadn’t actually had long hair since I was in my 20s,” she continued. “And it sort of grew and grew and grew, and I couldn’t be bothered to cut it, basically. “I thought, ‘do you know what? It’s pretty cool, I think I’ll stick with it for a little while. It will come off eventually’. “But I’m kind of enjoying it, it’s quite radical.” And when it came to the idea that Helen was “fly[ing] the flag” for women over 60, the actress shared that “life doesn’t stop. And creativity doesn’t stop and passion doesn’t stop and energy doesn’t stop, unless you decide to stop it. “So it’s just [to] be self-motivated, really, and never give up. And find enjoyment, if it’s possible in your life.” Helen has been stunning with her long hair and natural glow for years, on film sets and red carpets alike, and speaking out against ageism in life and the industry alike for many before that. In a 2021 interview with The Cut, she confessed she was opposed to the term ‘anti-ageing’, and that she found it to be quite “demeaning”. “We age. It happened. I’m really sorry, but you know what? It happens, and there’s no way out,” she explained. “It’s a part of the human condition. So to talk about ‘anti-ageing’ is like saying ‘anti-human’, ‘anti-real’, ‘anti-wisdom’, ‘anti-experience’, and so on, you know? “But you can put on your best possible face. It doesn’t mean you have to go, ‘oh my God, it’s all over for me!’ because it’s not all over for you … in a way, with each era, it’s the start of something new, so I absolutely believe in beauty products for all ages, and all skin types, but I don’t like the word ‘anti-ageing’. I think it’s demeaning, actually.” Similarly, in 2019, she told Grazia that ageism had been forced upon her generation for “far too long”. “It’s extremely annoying to women of my generation and others following mine to have beauty products sold on a 15-year-old face,” she said. Helen went on to explain in the interview that she didn’t feel comfortable using terms like “beauty” in that context, as it led those who are insecure about their appearance feel “immediately excluded” from the conversation. As she explained, “they’ll think ‘well, I’m not very beautiful. It’s all very well for these beautiful women, but I don’t feel beautiful’. “I don’t want to exclude these people from feeling fabulous about themselves.” Images: Getty

Beauty & Style

“How do you write to your Queen?” Helen Mirren reveals contents of special letter

Helen Mirren has revealed the secret letter she wrote to Queen Elizabeth when the actress was playing Her Majesty in the 2006 biopic The Queen. The Hollywood legend reflected on crafting the letter in an interview with the <a href="https://www.radiotimes.com/tv/radio-times-new-issue-cover-helen-mirren/" target="_blank" rel="noopener">Radio Times</a>, saying she felt compelled to write after realising the intensity of the Queen's role firsthand. "I realised we were investigating a profoundly painful part of her life, so I wrote to her," she said. "How do you write to your queen? Was it Madam, or Your Highness, or Your Majesty?" "I said: 'We are doing this film. We are investigating a very difficult time in your life. I hope it's not too awful for you'. I can't remember how I put it. I just said that in my research I found myself with a growing respect for her, and I just wanted to say that." The 76-year-old actress won an Oscar and a Bafta for her portrayal in the film, which is set during the time Princess Diana tragically died. While she never received a response to her letter from the Queen, Mirren said she did receive a letter from the Queen's secretary. Upon opening the response she confessed, "I was very relieved subsequently that I had written that letter." Earlier this year, the actress told <a href="https://www.hollywoodreporter.com/movies/movie-features/helen-mirren-interview-f9-golda-meir-1235097461/" target="_blank" rel="noopener">The Hollywood Reporter</a> that she believes the Queen has watched the biopic. "At the time, it had never been done before, playing the queen. It was quite nerve-racking because I didn't know – no one knew – how the public would receive it, let alone the establishment in Britain," Mirren reflected. "But I got the sense that it had been seen and that it had been appreciated. I've never heard directly, and I never will," she added. Image credits: Getty Images

Movies

Simon Baker discusses his "difficult" relationship with his father

Simon Baker has shared emotional family secrets and details of the strained relationship with his father on the SBS hit series Who Do You Think You Are? The Aussie actor agreed to do the show after being approached for many years, “despite my mum, sister and kids saying ‘you should do it’.” Eventually he decided to take part in the show, saying “I thought, I’ll just see what kind of adventure it is and where it will all take me.” He discussed the early days of his life after he was born in Launceston in 1969 to his father Barry Baker and mother Elizabeth. “And soon after, my parents moved to the highlands of New Guinea, with two kids, to a remote area,” he says. In the show he summarises the family’s brief time there, saying “They went on this incredible adventure – and they didn’t come back together.” He explains how his young mother went on to remarry, but his father remained in his life under a different persona. “I didn’t know he was my dad. He was a family friend, Uncle Barry. I’ve struggled with that.” A reunion between the two finally took place when Baker was 18 years old, but in the meantime, the family moved to the northern NSW beach community of Lennox Head. “It was a small community and back then it was an idyllic place to live,” Baker says. “I felt a really strong sense of belonging in that place and still do. It was a phenomenal childhood in that regard – but the personal family life was difficult.” Before he appeared on Who Do You Think You Are?, Baker “looked back at my immediate family as this sort of mess,” he says. “But the truth is, families have many different forms and I think if you can look at your own past and the past of your ancestors with compassion, you can carry that forward with you with a little bit more wisdom.” He admitted that revealing the story of his parents was "challenging", and likened his difficult childhood to why he became an actor. “I’m pretty shy … But there is a kind of psychological reason in why I became an actor. The initial desire when I was young was about connecting with people, the idea of seeing someone in a story on a screen that you could identify with, and it could help you understand feelings inside you that you didn’t necessarily know how to articulate. When I watched certain episodes of Who Do You Think You Are?, I felt a connection to that person – and with that, you don’t feel as alone.” Image credits: SBS

Family & Pets

Beloved Seinfeld star dead at 90

The prolific and beloved character actor Phillip Baker Hall has died at 90 years of age. Known for his roles in films like Boogie Nights and Magnolia and shows such as Seinfeld and Modern Family, he had an impressive career spanning over six decades. Hall's wife of nearly 40 years, Holly Wolfle Hall, confirmed the news, saying he died on the 12th of June in Glendale, California, surrounded by loved ones. His most memorable roles in film include playing the IRS Boss in Say Anything, Sydney in Hard Eight, Floyd Gondolli in Boogie Nights, Jimmy Gator in Magnolia, Jack Baylor in Bruce Almighty, Sherwood Morrill in Zodiac and a CIA director in Argo. When it came to TV, Hall gave over 200 guest performances, including as library cop Joe Bookman on Seinfeld, Senator Matt Hunt on The West Wing, Dr. Morrison on Curb Your Enthusiasm and Walt Kleezak on Modern Family. Born in Toledo, Ohio on September the 10th, 1931, Hall began his career as a United States Army translator in Germany and a high school teacher before pursuing acting as he entered his 40s. His career in film really picked up during the '80s, when he starred as Richard Nixon in Secret Honor (1984) and held supporting roles in movies like Garry Marshall's Nothing in Common (1986), Midnight Run (1988) starring Robert De Niro, John Hughes' classic rom-com Say Anything (1989) and Ghostbusters II (1989), in which he played the police commissioner. Hall also began working with Paul Thomas Anderson during the decade, starring in his short film Cigarettes & Coffee in 1993, which then led to his directorial debut Hard Eight (1996) in which Hall stars alongside John C. Reilly. Later appearing in Anderson's films Boogie Nights (1997) and Magnolia (1999), playing an adult theatre magnate and a children's game show host. Hall's career in film continued to grow in the '90s and 2000s with films such as The Truman Show (1998), The Talented Mr. Ripley (1999), The Insider (1999), Dogville (2003), Bruce Almighty (2003), Zodiac (2007) and Argo (2012). Phillip is survived by his wife, his brother, four daughters and four grandchildren and will be missed by his fans and family. Image: Getty

News

Inside Simon Baker's new rustic Bondi home with stunning ocean views

Simon Baker has purchased a $6million home in Sydney’s Bondi Beach, a new report has claimed. The Australian actor allegedly bought the three-bedroom cottage after it was offered for sale by social commentator Ruth Ostrow. The property, which also contains three bathrooms, is set in lush tropical gardens and boasts ocean views. There is an idyllic patio area to entertain guests, while interiors take on a neutral colour palette with polished wooden floorboards, whitewashed walls, high ceilings and timber accents. The reported purchase comes after Simon and his ex-wife Rebecca Rigg, reportedly sold their three-bedroom home in Bronte, Sydney, for almost $17million. According to Domain in September, the former couple shocked property watchers with the lucrative sale, especially given they purchased the home for just $6.5million back in 2015. Boasting sweeping ocean views and located in one of Sydney's most sought-after suburbs - the former Baker residence offers the ultimate in coastal living. A number of images were listed by CoreLogic following the sale in 2015, with reports revealing the pair made no major improvements on the property after acquiring it. The couple announced their split last year after having been together for 29 years. Images: Domain

Real Estate

Helen Mirren's stepson dead at 52

Actor and club owner Rio Del Valle Hackford has died in California at age 52. Hackford, who appeared in films and TV shows including Jonah Hex, Swingers, Treme and The Mandalorian, was the step-son of British acting legend Helen Mirren. His brother Alex confirmed the news, saying he had died of an illness. Rio Hackford, who was the son of director Taylor Hackford, was known by friends for being a "connector of all sorts of people," said his friend, screenwriter D.V. DeVincentis. "Not simply obsessed with movies and how they mirrored and compelled, he was something more: a superfan of innumerable scenes, of particular gestures of unsung actors, weird career turns, roaring comebacks, cinema swan songs," DeVincentis wrote on <a href="https://www.instagram.com/p/CcWrs87pZgB/?utm_source=ig_web_copy_link" target="_blank" rel="noopener">Instagram</a>. Hackford was known for his joy and excitement of life, and his generous embrace of artists at his clubs including Matador and One-Eyed Jacks in New Orleans, where he also owned Pal's Lounge. In San Francisco, he owned Homestead, and in Los Angeles he renovated the Monty bar just west of downtown. These inclusive venues were often seen as a safe haven for alternative artists, which Rio championed. "He was a great magnet to creative people, with a Zelig-like path that could make a page-turner of a biography. He loved the alchemy of personalities and talents, and was one of the great facilitators in this respect," DeVincentis continued. He is survived by his wife, musician Libby Grace; two children; brother Alex; his father; and stepmother Helen Mirren. Image credits: Getty Images

News

Simon Baker confirms long-held rumour

Aussie actor Simon Baker has had an awkward experience while being interviewed on Today Extra. The 52-year-old was asked by co-hosts David Campbell and Sylvia Jeffreys whether he’d ever watched the 2006 Oscar-nominated movie The Devil Wears Prada, which he played a starring role in. “I need you to set the record straight on this, that you have never watched the film,” Jeffreys <a rel="noopener" href="https://www.news.com.au/entertainment/tv/morning-shows/simon-bakers-awkward-response-to-devil-wears-prada-question-on-today-extra/news-story/36e09e349ac0aa88802a6c2ba3fac991" target="_blank">began</a>. After a long pause while looking away from the camera, Baker said, “No I haven’t. That’s true.” Without elaborating on his answer, a stunned Jeffreys responded, “Oh, it’s a cracker. You should definitely change that.” Again looking off camera, Baker added, “I’ve heard. It’s clearly been … quite successful.” When Jeffreys asked The Mentalist star why he hadn’t seen the film since it premiered 15 years ago, Baker simply said, “I haven’t gotten around to it.” The hosts burst into fits of laughter, and Jeffreys joked, “We’ve been under lockdown orders! There’s been nothing else to do.” Baker gave a longer explanation, saying, “Oh look I don’t know, you’ve got to get a bit of distance from films sometimes.” Since its release, The Devil Wears Prada has gained popularity among viewers and been labelled as a film that’s stood the test of time. In 2016, the film’s legacy was described by <a rel="noopener" href="https://www.vanityfair.com/hollywood/2016/07/july-4-weekend-box-office-flops-and-surprises" target="_blank">Vanity Fair</a> as more pervasive than other more profitable films such as Superman Returns, which beat it at the box office on its opening weekend. “The degree to which The Devil Wears Prada has penetrated pop culture needs no explanation - as does the degree to which Superman Returns didn’t,” the publication wrote. In total, the movie grossed $326 million against a $41 million budget, and saw Meryl Streep receive a nomination for an Academy Award for Best Actress for her starring role. Image: Channel 9

Movies

Simon Baker’s ex speaks for first time since split

Simon Baker’s ex-girlfriend, Laura May Gibbs, fashion designer and founder of the Australian label Nagnata, has spoken publicly for the first time since Baker’s representatives confirmed the <a rel="noopener" href="https://oversixty.com.au/lifestyle/relationships/simon-baker-quietly-splits-from-model-girlfriend" target="_blank">couple had split</a> last week. There were rumours that Baker had decided to end things after Gibbs attended an anti-vaccine protest on November 7. In a video from the event that she uploaded to Instagram, a crowd can be seen dancing to ‘Power to the People’, while some hold signs with anti-vax messages and others hold Australian flags. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/tv/CV-D5MMDtdr/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/tv/CV-D5MMDtdr/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by LAURA MAY (@lauramay_)</a> </div> </blockquote> Taking to Instagram on Tuesday, Gibbs wrote a lengthy post explaining her justification for attending the protest, opposing vaccine mandates more generally, and seeking to quash the rumours that her anti-vax beliefs were the reason for the breakup. Gibbs wrote, “Last weekend, the Northern Rivers community gathered peacefully alongside the local police and around 10,000 others, including nurses, teachers and first responders who are being subject to unreasonable mandates, currently in place in NSW. There was a march, followed by speeches and conversation, music and hope from people across all walks of life coming together to question - what is happening in our beautiful Country? I care about these people. I care about my staff and community, without division or prejudice. Regardless of our differences we are moving through this time together. The decisions being made by those in power effect all of us, including our children and their future freedoms. I have always been here, standing up for Freedom of Speech and Freedom of Choice, despite the politics of the time or what is considered appropriately ‘trendy’. So, to the gossip columnists, who have slandered my name across their platforms and used a false narrative around the relationship I’ve been in this year - it’s simply not true. And to the tabloid media I want to say - try harder. Stop using lies and sloppy journalism to make an example out of me. I never discuss my private life, but I will say this - the friendship and respect I share with this person runs too deep for the media’s noise to have any true impact in our lives. Instead, while we’re here, let’s start talking about the REAL issues facing our country - the mental health crisis, the housing crisis and the very real health crisis. This is not just about me, or my “rights”, this is about Freedom for all. Our freedom is not something that the government gives or takes away. It is our right from the moment we are born. So I won’t apologise for voicing my concerns, when I see so many struggling, losing their livelihoods and being silenced, shamed and ridiculed for wanting to ask questions. Activism is important to me, I’ve attended numerous environmental rallies and Indigenous rights protests, and taken action in all of these areas. If the media is going to cover issues I make a stand on, then report the full scope of the matter - and while you’re at it, lead with my name.” <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CWSNMJ4PBta/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CWSNMJ4PBta/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by LAURA MAY (@lauramay_)</a> </div> </blockquote> Gibbs and her brand previously made headlines for their decision to <a rel="noopener" href="https://www.instagram.com/p/CU1hl96lZTl/" target="_blank">close their Byron Bay store</a> rather than require customers to wear masks and check in using QR codes, per the NSW government’s rules for retailers after NSW’s lockdown lifted last month. Image: Instagram

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