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Family breaks silence after five-year-old son fatally hit by car

The devastated family of five-year-old boy Alby Thompson have remembered him for his "laughter and love". The young boy died after being struck by a four-wheel-drive in Broome, Western Australia about 5.20pm last Thursday. The five-year-old was rushed to Broome Regional Hospital where he later died. His family have issued a statement to the ABC on Wednesday and thanked the community for their “outpouring of love". “It is with profound sorrow that we share the news of our beloved son, Alby, who tragically lost his life in a road accident,” the statement began. “His laughter and love filled our hearts and home. “We kindly request privacy during this period of mourning as we come to terms with this devastating loss. “We thank the community for their outpouring of love and support during this heart-wrenching time.” The 34-year-old driver of the Landcruiser is assisting police with inquiries, and no charges have been laid. Image: 7News

Caring

Whether we carve out an exemption or not, Trump’s latest tariffs will still hit Australia

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/scott-french-2254956">Scott French</a>, <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> US President Donald Trump and Prime Minister Anthony Albanese have <a href="https://theconversation.com/trump-agrees-to-consider-australian-exemption-from-tariffs-describing-albanese-as-very-fine-man-248886">stated</a> an exemption for Australia from Trump’s executive order placing 25% tariffs on all steel and aluminium imported into the US is “under consideration”. But prospects remain uncertain. Albanese would do well to secure an exemption using <a href="https://www.smh.com.au/politics/federal/exemptions-are-under-consideration-albanese-reports-warm-chat-with-trump-over-tariffs-20250211-p5lb4r.html">similar arguments</a> as then-Prime Minister Malcolm Turnbull did in 2018. If Australia cannot obtain a carve-out from the tariffs, the main group affected will be the Australian producers of steel and aluminium. But the size of the hit they will take is difficult to predict. Regardless of whether Australia gets an exemption, the world economy – and Australians – will be affected by Trump’s latest round of tariffs. <h2>Producers will be hit</h2> If ultimately imposed by the US, these tariffs will make steel and aluminium produced in Australia more expensive for US manufacturers relative to domestically produced alternatives. This will certainly result in reduced demand for the Australian products. However, three factors will help limit the effects: 1. The price of metals produced in the US will rise It will take time to ramp up US production to fill the gap of reduced imports, and the extra production will likely come from <a href="https://theconversation.com/what-are-tariffs-243356">less efficient</a> domestic producers. This means that US manufacturers will continue to buy imported metals, despite the higher prices. 2. The US is not a huge market for Australian steel and aluminium Australia produced A$113 billion of primary and fabricated metal in the 2022-23 financial year, according to the <a href="https://www.abs.gov.au/statistics/industry/industry-overview/australian-industry/latest-release">ABS</a>. By comparison, less than $1 billion of steel and aluminium was exported to the US in 2023, according to data <a href="https://comtradeplus.un.org/">from UN Comtrade</a>, consisting of about $500 million of aluminium and less then $400 million of steel. Exports to the US account for about 10% of Australia’s total exports of these metals. 3. Major markets If major markets such as China and the European Union enact retaliatory tariffs on US metals, this could make Australian metals more competitive in these markets. <h2>Some stand to benefit</h2> While workers in Australian steel and aluminium plants will be watching the news with trepidation, some of Australia’s biggest manufacturing companies may be less concerned. For example, BlueScope Steel has significant US steel operations, and saw its <a href="https://www.abc.net.au/news/2025-02-10/asx-markets-business-news-live-updates-feb-10/104916360">share price increase</a> on news of the tariffs. US-based Alcoa, which owns <a href="https://www.theaustralian.com.au/business/mining-energy/trump-tariff-threat-puts-aussie-aluminium-smelters-on-edge/news-story/1bba5321af89fd817a55a4984d98d273">alumina refineries</a> in Western Australia and an aluminium smelter in Victoria, will also expect to see its US operations benefit. And Rio Tinto will be most concerned about its substantial Canadian operations. Its Canadian hub is responsible for close to <a href="https://www.riotinto.com/en/can/canada-operations/saguenay">half of its global aluminium production</a>. <h2>Demand for iron ore could fall</h2> The US tariffs will also have wider ranging effects on the Australian economy, regardless of whether Australia’s products are directly targeted. While aluminium is Australia’s <a href="https://www.dfat.gov.au/trade/trade-and-investment-data-information-and-publications/trade-statistics/trade-in-goods-and-services/australias-trade-goods-and-services-2023">top manufacturing export</a>, it still makes up only about 1% of total exports, and steel makes up <a href="https://comtradeplus.un.org/">less than half that</a>. Iron ore, by contrast, makes up more than 20% of Australia’s exports, with aluminium ores making up an additional 1.5%. This means the effect of the tariffs on demand for the raw materials to make steel and aluminium may have the largest detrimental effect on the Australian economy. Because the tariffs will make steel and aluminium more expensive to US manufacturers, they will seek to reduce their use of them. This means global demand for the metals, and the ores used to produce them, will decline. Investors appear to be betting on this, with shares of Australian miners like <a href="https://www.asx.com.au/markets/company/RIO">Rio Tinto</a> and <a href="https://www.asx.com.au/markets/company/bhp">BHP</a> falling since Trump announced the tariffs. <h2>Imported goods will become more expensive</h2> Many of the things Australians buy are likely to get more expensive. All US products that use steel and aluminium at any stage of the production process will also become more expensive. Tariffs will raise the cost of steel and aluminium for US manufacturers, <a href="https://theconversation.com/what-are-tariffs-243356">both directly and by reducing overall productivity</a> in the US. About <a href="https://comtradeplus.un.org/">11% of Australia’s imports</a> come from the US. And about half of this consists of machinery, vehicles, aircraft, and medical instruments, which typically contain steel and aluminium. Further, these goods are used by manufacturers around the world to produce and transport many of the other things Australians buy.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/249493/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/scott-french-2254956">Scott French</a>, Senior Lecturer in Economics, <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> Image credits: Samuel Corum/CNP/Shutterstock Editorial This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/whether-we-carve-out-an-exemption-or-not-trumps-latest-tariffs-will-still-hit-australia-249493">original article</a>. </div>

Money & Banking

"Spineless and cowardly": Grace Tame hits back at Albo

Grace Tame has penned a blistering attack on Anthony Albanese and his Labor government after the PM called out her "disrespectful" outfit choice. T<span style="caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji'; font-size: 16px;">he former Australian of the Year winner was greeted by Albanese and his fiancee, Jodie Haydon, at The Lodge in Canberra on Saturday to honour the 2025 Australian of the Year finalists, as she donned a t-shirt that said "F*** Murdoch". <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Speaking with <a style="box-sizing: border-box; color: #258440; text-decoration: none; transition: all 0.2s ease-in-out 0s;" href="https://www.abc.net.au/listen/live/perth" target="_blank" rel="noopener" data-link-type="article-inline">ABC Radio Perth</a> on Monday, Albanese was asked about his meeting with Tame and his views on her T-shirt, as he said her stunt was <a href="https://oversixty.com.au/finance/legal/disrespectful-pm-hits-out-at-grace-tame-s-australia-day-stunt" target="_blank" rel="noopener">disrespectful</a> towards the award finalists. <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">“I held a function. It is something that, in my view, took away from the people who were there, and my focus was simply on that,” he said. But now, Tame has hit back at the Prime Minister, accusing Mr Albanese of presiding over a "spineless" and "cowardly" government, revealing the real response to her t-shirt inside The Lodge. In a damning 1,500-word essay published by news website <a href="https://www.crikey.com.au/2025/01/29/grace-tame-t-shirt-rupert-murdoch-anthony-albanese/" target="_blank" rel="nofollow noopener">Crikey</a>, Tame took issue with Mr Albanese's suggestion that her outfit took attention away from other award nominees. "Surely these were not the same people who asked to take selfies with me wearing the t-shirt in the courtyard, who commended me for taking a stand and staying true to myself?", she wrote. "These people — including medical doctors, academics, scientists, musicians, writers, entrepreneurs, athletes, advocates and even a former soldier who proudly showed me their own anti-Murdoch merchandise?" "As I was leaving The Lodge, one of the prime minister’s staff remarked, 'There are many of us here who wish we could wear that shirt.' Afterwards, journalists wanted to pose beside me." Tame also called out the Prime Minster and his government for having "weak knees" over its stance on Israel during the country's devastating occupation of Gaza. "We’ve all watched in disgust over the past 16 months as the once-impassioned politician, who used to make speeches in Parliament supporting Palestinian liberation, has overseen the contortion of his government’s PR apparatus in defence of Israel’s genocidal operation," she wrote. She went on to describe Australia as a "spineless colony of the United States" and accused both Labor and the Coalition of being in hock to the Murdoch-owned Press. "When presented with a petition that received more than half a million signatures demanding a royal commission into the Murdoch regime, Anthony Albanese did nothing," Ms Tame wrote. She added, "Anthony’s predictable response to my two-word statement has reinforced just how poisonous Murdoch’s grip on the Western world still is." "It’s also revealed that while Australia casts itself as a laidback larrikin, game for a laugh, it is in fact a cowardly cop bought by the illusion of civility politics." Despite her decimation of the PM and his government, Tame conceded that Opposition Leader Peter Dutton would be a "more dangerous prime minister than Anthony Albanese". Tame concluded her essay by writing that "Big conversations start with simple, effective messages," and despite the PM's disapproval of her statement, she does not regret her actions. Image credits: Instagram

Legal

"Disrespectful": PM hits out at Grace Tame's Australia Day stunt

Prime Minister Anthony Albanese has condemned Grace Tame for "taking focus away" from the 2025 Australian of the Year finalists with her choice of outfit. The former Australian of the Year winner was greeted by Albanese and his fiancee, Jodie Haydon, at The Lodge in Canberra on Saturday, as she donned a t-shirt that said "F*** Murdoch". Speaking with <a href="https://www.abc.net.au/listen/live/perth" target="_blank" rel="noopener" data-link-type="article-inline">ABC Radio Perth</a> on Monday, Albanese was asked about his meeting with Tame and his views on her T-shirt, as he said her stunt was disrespectful towards the award's finalists. “I held a function. It is something that, in my view, took away from the people who were there, and my focus was simply on that,” he said. Albanese believed Tame’s decision to wear the t-shirt had clearly been designed to get attention, as he said, “I don’t intend to add to that attention because I do think that it takes away from what the day should be about, which is the amazing people who were nominated as Australians of the Year.” When asked if he agreed with the message of what Tame was trying to portray, Albanese said that he “clearly disagreed” and he wants debate to be respectful, adding, “People are allowed to express themselves, but I thought it was disrespectful of the event and of the people who that event was primarily for.” Tame explained her decision to wear the shirt to the event to <a href="https://www.theguardian.com/australia-news/2025/jan/25/grace-tame-wears-anti-murdoch-shirt-to-prime-minister-anthony-albanese-australian-of-the-year-morning-tea-ntwnfb" target="_blank" rel="noopener">The Guardian Australia</a>, saying, “[The T-shirt is] clearly not just about Murdoch, it’s the obscene greed, inhumanity and disconnection that he symbolises, which are destroying our planet.” “For far too long this world and its resources have been undemocratically controlled by a small number of morbidly wealthy oligarchs. If we want to dismantle this corrupt system, if we want legitimate climate action, equity, truth, justice, democracy, peace, land back, etc, then resisting forces like Murdoch is a good starting point.” Image credits: Instagram

Legal

Six covers of Bob Dylan songs that were better than the originals

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/glenn-fosbraey-424079">Glenn Fosbraey</a>, <a href="https://theconversation.com/institutions/university-of-winchester-743">University of Winchester</a> He may never have strayed far from the minds of many music fans, but with his biopic A Complete Unknown hitting UK cinemas on January 17 and heartthrob Timothée Chalamet in the lead role, Bob Dylan may be about to gain an entirely new audience. Considered by many to be the <a href="https://faroutmagazine.co.uk/bob-dylan-on-the-simple-reason-he-became-a-songwriter/">greatest songwriter of all time</a>, Dylan’s influence on music can’t be understated. His voice, however, has divided listeners over the decades. Some find it <a href="https://www.insidehook.com/music/bob-dylan-singing-voice#:%7E:text=His%20voice%20has%20articulated%20an,has%20sounded%20like%20him%20since.">“mesmeric”</a> and others have likened it to that of <a href="https://www.insidehook.com/music/bob-dylan-singing-voice#:%7E:text=His%20voice%20has%20articulated%20an,has%20sounded%20like%20him%20since.">“a dog with his leg caught in barbed wire”</a>. Despite having, as a researcher of songwriting, something of a penchant for Dylan’s idiosyncratic and character-filled style, here are six covers of his songs which I believe outperform his versions. <iframe style="border-radius: 12px;" src="https://open.spotify.com/embed/playlist/7epeDOmTqTFJbJ4q8P5RtW?utm_source=generator" width="100%" height="152" frameborder="0" allowfullscreen="allowfullscreen" loading="lazy"></iframe> <h2>1. Girl from the North Country by Eels</h2> Girl from the North Country first appeared on Dylan’s 1963 album The Freewheelin’ Bob Dylan. But it featured again on <a href="https://www.youtube.com/watch?v=Je4Eg77YSSA">Nashville Skyline</a> in 1969 as a duet with Johnny Cash. That version has been praised for the <a href="https://www.musicradar.com/news/bob-dylan-making-of-nashville-skyline">skip and groove of the acoustic guitar performances</a> and how Dylan and Cash’s vocals are <a href="https://www.musicradar.com/news/bob-dylan-making-of-nashville-skyline">instinctive and spontaneous</a>. Another view would be that the guitars are out of time and the vocals are under-rehearsed – and the same shortcomings are on display during the song’s performance on the <a href="https://faroutmagazine.co.uk/johnny-cash-bob-dylan-duet-girl-north-country/">Johnny Cash show</a>. Far superior in my humble opinion is the 2005 version by alt-rock band Eels. <figure><iframe src="https://www.youtube.com/embed/OOCOxRIB2Zo?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Girl from the North Country by Eels.</figcaption></figure> The band performed the song for their <a href="https://www.dailymotion.com/video/xv3eel">Eels with Strings: Live at Town Hall</a> DVD and album. Band leader Mark Everett switched it from acoustic guitar to piano. His gentle arpeggiated playing complemented his <a href="https://www.theguardian.com/music/2008/feb/27/popandrock.mainsection">gruff yet tender</a> vocals and drew every drop of emotion out of the lyrics and melody. He keeps in time, too. <h2>2. Mr Tambourine Man by The Byrds</h2> A masterclass in lyric writing, Mr Tambourine Man (1965) saw Dylan <a href="https://genius.com/Bob-dylan-mr-tambourine-man-lyrics">flexing his linguistic muscles</a> to reel off dozens of intricate internal and end rhymes, including my personal favourite: <blockquote> Though I know that evening’s empire has returned into sand Vanished from my hand Left me blindly here to stand, but still not sleeping. </blockquote> The Byrds’ version, released in the same year and hitting number one in both the US and the UK, isn’t better than the brilliant original (how could it be?) but it is brilliantly different. <figure><iframe src="https://www.youtube.com/embed/Swqw5a8I4b4?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>The Byrds’ version of Mr Tambourine Man.</figcaption></figure> Abridging Dylan’s version in order to make for a more palatable running time for the singles market, what it lacks in lyrics it more than makes up for in melody. The harmonies in the chorus add to Dylan’s main vocal line. It was an era-defining moment that launched the folk-rock genre. <h2>3. All Along The Watchtower by The Jimi Hendrix Experience</h2> Dylan may have released the <a href="https://www.youtube.com/watch?v=bT7Hj-ea0VE">original version</a> of All Along The Watchtower on his John Wesley Harding album in 1967, but it was <a href="https://www.youtube.com/watch?v=TLV4_xaYynY">The Jimi Hendrix Experience’s cover</a>, released just six months later, which has largely been accepted as the definitive recording. <figure><iframe src="https://www.youtube.com/embed/NdSyFxTDQUM?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>All Along the Watchtower performed by Jimi Hendrix.</figcaption></figure> Taking Dylan’s gentle acoustic guitar and harmonica number and feeding it through his legendary white Strat, Hendrix rocks seven shades of summer out of the song until it takes on a completely new life. So great was his reinterpretation (it seems derisive to merely label it a “cover”) that as well as being ranked at number 40 in Rolling Stone’s <a href="https://au.rollingstone.com/music/music-lists/best-songs-of-all-time-30065/the-jimi-hendrix-experience-all-along-the-watchtower-30527/">500 Greatest Songs of All Time</a> list, Dylan amended the song’s structure for <a href="https://faroutmagazine.co.uk/what-did-bob-dylan-think-jimi-hendrix-version-along-the-watchtower/">later live performances</a> in order for it to be more like Hendrix’s. <h2>4. If Not For You by George Harrison</h2> Granted, I only heard Dylan’s recording of <a href="https://www.youtube.com/watch?v=yyouhbgAiCA">If Not For You</a> after already being familiar with George Harrison’s version included on his 1970 album <a href="https://www.youtube.com/watch?v=XscuV_R6tr4">All Things Must Pass</a> for several years, so it was always going to feel slightly foreign to me. <figure><iframe src="https://www.youtube.com/embed/E28E1hEZN8g?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>George Harrison performs If Not For You.</figcaption></figure> What I wasn’t expecting, though, was how unimpressive and <a href="https://www.youtube.com/watch?v=yyouhbgAiCA">strangely flat</a> it seems compared to Harrison’s recording. Dylan’s run-together vocal lines were backed by oddly jaunty and accented side-stick drumming (with the snare struck on the second beat but then a quaver before the fourth instead of on the fourth itself) and punctuated with glockenspiel. It all adds up to a slightly confused and messy arrangement, which takes attention away from the sincerity of the lyrics. <h2>5. If Not For You by Olivia Newton John</h2> When Olivia Newton-John issued her own cover of If Not For You in 1971, she wisely opted for the <a href="https://americansongwriter.com/how-bob-dylan-and-george-harrison-helped-olivia-newton-john-land-her-first-hit/">same arrangement</a> as Harrison’s, thankfully, minus Phil Spector’s muddy over-production – and scored an international hit with it in the process. <figure><iframe src="https://www.youtube.com/embed/aJvwcpkBN3A?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>If Not For You performed by Olivia Newton John.</figcaption></figure> To my mind If Not For You remains one of Dylan’s most simplistic, beautiful songs – so long as he’s not singing it. <h2>6. Ballad of Hollis Brown by David Lynch</h2> Appearing on The Times They Are A-Changin’ (1964), Dylan presents the five-minute <a href="https://www.youtube.com/watch?v=_8xkxy3tXTA">Ballad of Hollis Brown</a> as its title suggests, as a <a href="https://pressbooks.pub/shawangunktest/chapter/pounding-in-your-brain-form-in-dylans-ballad-of-hollis-brown/#:%7E:text=%E2%80%9CHollis%20Brown%E2%80%9D%20is%20most%20assuredly,that%20plays%20is%20Dylan%27s%20guitar.">traditional ballad in both form and theme</a>. His voice is backed by a lone acoustic guitar, minus even his ever-present harmonica. <figure><iframe src="https://www.youtube.com/embed/AXnqohIm9g4?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>The Ballad of Hollis Brown by David Lynch.</figcaption></figure> Nearly half a century later, director David Lynch took time out from his day job to <a href="https://www.youtube.com/watch?v=AXnqohIm9g4">reimagine the song</a> as drum-heavy claustrophobia, twisting the original until it would have been unrecognisable if not for its title and lyrics. Dylan diehards may want to give this one a miss, but for those of us who enjoyed the music from the Roadhouse in Twin Peaks series three, this is a winner.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/246909/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/glenn-fosbraey-424079">Glenn Fosbraey</a>, Associate Dean of Humanities and Social Sciences, <a href="https://theconversation.com/institutions/university-of-winchester-743">University of Winchester</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/six-covers-of-bob-dylan-songs-that-were-better-than-the-originals-246909">original article</a>. </div>

Music

Awkwardness can hit in any social situation – here are a philosopher’s 5 strategies to navigate it with grace

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/alexandra-plakias-1512990">Alexandra Plakias</a>, <a href="https://theconversation.com/institutions/hamilton-college-2966">Hamilton College</a> The holidays offer many opportunities for awkward moments. Political discussions, of course, hold plenty of potential. But any time opinions differ, where estrangements have caused lingering rifts, or when behaviors veer toward the inappropriate, awkwardness can set in. Awkwardness is what happens in social interactions when you suddenly find yourself without a script to guide you through. Maybe the situation is new or catches you off guard. Maybe you don’t know what’s expected of you, or you aren’t sure what role you’re playing in the social drama around you. It’s characterized by feelings of self-consciousness, uncertainty and discomfort. As a <a href="https://scholar.google.com/citations?user=vyBxhaQAAAAJ&hl=en&oi=ao">philosopher who studies moral psychology</a>, I’m interested in awkwardness because I wanted to understand the ways social discomfort stops people from engaging with difficult topics and challenging conversations. Awkwardness seems to inhibit people, even when their moral values suggest they should speak up. But it has a positive role to play, too – it <a href="https://www.collectiveinkbooks.com/zer0-books/our-books/awkwardness">can alert people to areas where their social norms are lacking</a> or outdated. People often blame themselves when things take a turn toward the awkward. But awkwardness is really a collective failure – people aren’t awkward, situations are. And they become awkward because you don’t have the resources to navigate your way through tricky social situations. Awkwardness is often confused with embarrassment, but the two are different in important ways, and so are their remedies. Embarrassment is a response to <a href="https://www.jstor.org/stable/2772920">a personal failing or gaffe</a>, and the <a href="https://greatergood.berkeley.edu/article/item/born_to_blush">right response is to acknowledge it, own it and move on</a>. Because awkwardness is caused by a lack of social guidance, you can try to anticipate and head it off before it happens, or you can respond to it by trying to develop better or clearer social scripts to help you – and others – navigate similar situations in the future. After researching and writing an entire <a href="https://doi.org/10.1093/oso/9780197683606.001.0001">book on awkwardness</a>, I’ve come to the conclusion that it’s not something we can – or should – avoid altogether. But there are a few strategies people can use to minimize awkwardness and deal with it when it does, inevitably, happen. <h2>1. Know your goals, know your roles</h2> Uncertainty is the oxygen of awkwardness. Before you engage in a potentially awkward or contentious interaction, ask yourself: What do I want to get out of this? When you’re clear on your goals for the interaction, not only are you better able to perform your role in it, but you’re also giving clearer signals to others, helping them perform their roles in the unfolding social drama. So, if you’re worried it’ll be awkward when your uncle starts in on his annual political rant, think about what you want the outcome to be. Do you want to convince him he’s wrong? Unlikely to happen. Do you want other family members to feel less anxious? Do you want your own views to be heard? I’m not suggesting that some forethought will make things go smoothly or guarantee that no one’s feelings will be hurt. But it will help you feel more confident in your ability to navigate toward your desired outcome. <h2>2. There’s no ‘I’ in awkward</h2> <a href="https://doi.org/10.1177/1368430212441637">Awkward situations</a> breed <a href="https://doi.org/10.1080/14780887.2010.500357">intense self-consciousness</a>. This is both uncomfortable and counterproductive. By focusing on yourself, you’re not attuned to the people around you or the signals they’re sending – signals that could offer you a pathway out of the awkward situation. So make sure you’re paying attention to the other players in the drama, not just your own discomfort. <h2>3. Plan, coordinate and be explicit</h2> People do so much planning in other areas of their lives, yet they expect social interactions to just flow effortlessly. But like a vacation or a hike in the woods, sometimes a conversation goes better when you approach it with a map. Have some go-to topics or questions at hand. And you don’t have to go it alone. If you’re worried about broaching a sensitive topic, or interacting with a particularly prickly guest, coordinate with a friend or relative. If you expect to see someone with whom you have an unresolved relationship – an estranged family member, an old friend you ghosted – try to do some prep work in advance. Emails or letters can give people a chance to process reactions without putting them on the spot. Even having a scripted activity on deck can make things less awkward. It doesn’t have to be anything formal, like a board game. Just keep some tasks available for guests who might otherwise lurk uncomfortably – like shaking up the salad dressing or putting forks on the table. <h2>4. Laugh it off</h2> If, despite your best efforts, awkwardness does strike, offer people a way out – they’ll probably grab it. This doesn’t need to be momentous; it could be a little joke, a small-talk topic, or even – and only if things get very desperate – knocking a spoon off the table to break the silence. <h2>5. Consider the alternatives</h2> These strategies might help you avoid awkwardness. But take a moment to consider whether you really want to. Awkwardness is the result of social uncertainty; it slows things down and curbs your confidence. In its absence, other emotions can set in. Having things out in the open can be a relief, but it can also lead to anger, sadness and other feelings that might best be saved for another occasion. So if things are awkward, it’s worth looking around to see what role that awkwardness is playing, and what might take its place if it’s gone.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/244107/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/alexandra-plakias-1512990">Alexandra Plakias</a>, Associate Professor of Philosophy, <a href="https://theconversation.com/institutions/hamilton-college-2966">Hamilton College</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/awkwardness-can-hit-in-any-social-situation-here-are-a-philosophers-5-strategies-to-navigate-it-with-grace-244107">original article</a>. </div>

Mind

Readers response: What's one song that never fails to make you cry?

We asked our readers what song always fills them with emotion, whether because of the lyrics or being associated with a heartfelt memory. Here's what they said. Kathryn Sands - Dance with my Father by Luther Vandross. Carol Hanson - Amazing Grace. Was played on the bagpipes at my mum's funeral. Matthew Walter - Probably "When You Kiss Me" by Shania Twain, as it's the song my wife walked down the aisle to on our wedding day. The other one would be "What I Never Knew I Always Wanted" by Carrie Underwood, which played after my son was born. Just sums up parenthood perfectly! Patricia Sundin - “I was only 19”. Makes me think of all my friends who were conscripted to go to fight in Vietnam. Not a happy time. Janette Willis - What a Wonderful World - Louis Armstrong. Trish Watts - If Tomorrow Never Comes by Garth Brooks. Jan Palmer - Imagine by John Lennon. Adelle Ellmers - Sounds of Silence cover by Disturbed. Played at my husband's funeral. It was one of his favourites. Gay Sharran Gold - At Last…. I have to turn it off when it plays. My daughter married her partner two days before she died and had that playing for their song. Heather Widjaja - Monsters by James Blunt. Always reminds me of the last days of my Dad's life. Jeanette Heaton - Forever Young by Bob Dylan. Reminds me of my beloved - lost too soon. Laraine Hughes - Because by Mario Lanza. Walked down the aisle and played at my beloved husband's funeral. Started and ended our life together. Rhonda Leaman - Somewhere Over The Rainbow from The Wizard of Oz. Image credits: Shutterstock

Music

Sir Bob Geldof reveals new version of iconic Christmas song

Sir Bob Geldof has shared the details of the 2024 reprise of the iconic song Do They Know It's Christmas?, revealing why the new version of the song will be the last. Do They Know It's Christmas? was first released in 1984, and was sparked by Bob Geldof being disturbed by a news report on the famine in Ethiopia. He enlisted big names such as Bono, Boy George, Sting and George Michael to join in on the song to raise awareness and money for the famine. "I was sickened by it. I mean, that is really it," Geldof told A Current Affair. "I sat down and turned on the TV, and here was this devastating thing that put, you know, my pathetic, puny personal problems in a horrifying perspective." Since then, three more versions of the charity song have been made, in 2004, 2014 and now, in 2024 to mark the 40th anniversary of the original track. <iframe title="YouTube video player" src="https://www.youtube.com/embed/CDiYk07FG1Y?si=TwdiduKB5vPX56V7" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Instead of recruiting new artists, this time Bob Geldof has remixed famous renditions from previous versions to combine the greatest voices of our time. Despite each iteration of the song having its own unique charm and voice, Geldof says it will be the last hurrah for the iconic Christmas tune. "I personally think, it's the definitive one and there will be no more," Geldof said. "The world has never been more fragile in my life, and I'm old, and I don't think people can take on board any more horror. They cannot absorb any more, but it's happening." Image credits: A Current Affair

Music

Alan Jones hit with 24 charges of indecent assault

Alan Jones has been changed over allegations of indecent assault and sexual touching offences. The former radio host is accused of 24 offences against eight victims, with the youngest aged 17 at the time the alleged crime took place. The charges include 11 counts of aggravated indecent assault where the alleged victim was under his authority, nine counts of indecent assault, two of unwanted sexual touching and two common assault charges. NSW Police announced they had charged Jones, 83, on Monday following an investigation into claims spanning two decades. The months-long investigation into the allegations culminated on Monday morning when Jones was <a href="https://oversixty.com.au/finance/legal/alan-jones-arrested-over-sexual-assault-allegations" target="_blank" rel="noopener">arrested</a> in his Circular Quay home and taken to the police station, where officers made a statement on his arrest. “In March 2024, State Crime Command’s Child Abuse Squad established Strike Force Bonnefin to investigate a number of alleged indecent assaults and sexual touching incidents between 2001 and 2019,” police said in a statement. “Following extensive inquiries, about 7.45am (Monday), strike force detectives executed a search warrant at a unit in Circular Quay where they arrested an 83-year-old man.” NSW Police Assistant Commissioner Michael Fitzgerald said the work of the task force was still ongoing. "We believe that we will have more people coming forward with information," Mr Fitzgerald said on Monday. "(Investigators) are currently talking to people, and will continue talking to people," he said. “We will allege the accused knew some of them personally, some of them professionally, and we will also allege that some of the victims when the alleged offence took place, was the first time they ever met the accused,” the Assistant Commissioner added. Jones was granted conditional bail and disputes the allegations against him, his representative said, with his lawyer Christopher Murphy saying, “Alan Jones will assert his innocence appropriately in the courtroom. He denies any misconduct.” Image credits: DEAN LEWINS/EPA-EFE/Shutterstock Editorial

Legal

"Shame on you all": Lydia Thorpe hits back after Senate censure

Independent Senator Lidia Thorpe has spoken out after the Senate voted to censure her over a protest she staged during King Charles' Australian visit. During the monarch's visit to Canberra, Thorpe started yelling from the back of the room following King Charles' speech to a room of political and community leaders at Parliament House's Great Hall. “You committed genocide against our people. Give us our land back. Give us what you stole from us, our bones, our skulls, our babies, our people, you destroyed our land,” Thorpe said during her outburst. “We want a treaty in this country. This is not your land. You are not my King, you are not our King. F*** the colony.” The outburst prompted a vote from the Senate to censure Thorpe - meaning to formally share an expression of the Senate's disapproval - as she responded to the decision on Monday saying, the motion was "a clear articulation of the racism that I continually have to deal with in my workplace." Thorpe said the vote was, "A time where you see Labor and the Liberal party come together to shut down a Blak voice — that’s been happening in this country for over 200 years." The Senate passed a motion 46 votes to 12 to censure her over her actions, as Thorpe entered the Senate chamber after the vote and yelled: "Shame on you all". "If (the king) comes back in, I'll do it again." Thorpe was not present for the vote due to a flight delay, although she said she had contacted Labor minister Don Farrell to ask him to delay the vote but claimed she was "denied my right to be in that chamber whilst everybody else voted to shut me down". Thorpe later told reporters she "did not give a damn" about being censured and tore up a piece of paper with the motion on it. Thorpe said in a statement before the vote took place that that motion showed "where the major parties' priorities lie". "They don't stand with First Peoples in this country. They stand against justice for our people, preferring instead to defend a foreign king, rather than listen to the truth," she said. "In no way do I regret protesting the King ... it is time this country reckons with its history, and puts a stop to the continuing genocide on First Peoples." Image credits: MICK TSIKAS/EPA-EFE/Shutterstock Editorial

Legal

Aussie rocker hits back at John Farnham's drugging claims

A legendary Australian rockstar has hit back at John Farnham's claims that he was <a href="https://oversixty.com.au/health/caring/so-ashamed-john-farnham-opens-up-about-years-of-abuse" target="_blank" rel="noopener">drugged</a> by a former manager. Peter Tilbrook, who was the guitarist for iconic Aussie rock band The Masters Apprentices in the 1960s, has taken to social media to share his own stories about Darryl Sambell, after Farnham wrote in his memoir that Samuel drugged him in the early days of his career. As Farnham wrote in The Voice Inside, he recalled that Sambell “drugged me for years and I had no f**king idea,” until he found a half-dissolved pill at the bottom of a cup of coffee. Asked what it was, Sambell told Farnham: “That’s just something to keep you awake.” However, Tilbrook took aim at the comments saying he also worked with Sambell and only had good experiences. "Sambell was a brilliant and skilful manager to us, and from what we saw and heard, definitely to Farnham as well," Tilbrook said online. "I find it very hard to believe that any another manager at the time could have done any more to further Johnny's incredible career." Sambell, who managed Farnham's early career from 1967 to 1976, also managed The Masters around the same time, and Tilbrook asserted his experience with the late manager was nothing like Farnham's. "He was an amazing, caring and resourceful manager," Tilbrook said. Image credits: petertilbrookentertainment.com/news.com.au

Legal

When a baby is stillborn, grandparents are hit with ‘two lots of grief’. Here’s how we can help

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/jane-lockton-811825">Jane Lockton</a>, <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a>; <a href="https://theconversation.com/profiles/clemence-due-100240">Clemence Due</a>, <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a>, and <a href="https://theconversation.com/profiles/melissa-oxlad-811406">Melissa Oxlad</a>, <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a> <a href="https://www.stillbirthcre.org.au/resources/stillbirth-facts/">Six babies</a> are stillborn every day in Australia. This significant loss <a href="https://www.sciencedirect.com/science/article/pii/S1744165X12001023">affects parents</a> for years to come, often the rest of their lives. However, stillbirth also affects many others, including grandparents. But until now, we have not heard the experiences of grandparents whose grandchildren are stillborn. Their grief was rarely acknowledged and there are few supports tailored to them. Our recently published <a href="https://www.ncbi.nlm.nih.gov/pubmed/31387781">research</a> is the first in the world to specifically look at grandmothers’ experience of stillbirth and the support they need. In Australia, a baby <a href="https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0037109">is defined as</a> stillborn when it dies in the womb from 20 weeks’ gestation, or weighs more than 400 grams. Other countries have slightly different definitions. <a href="https://www.stillbirthcre.org.au/resources/stillbirth-facts/">About 2,200</a> babies are stillborn each year here meaning stillbirth may be more common than many people think. And people <a href="https://www.thelancet.com/journals/lancet/article/PIIS0140-6736(11)60107-4/fulltext">don’t tend to talk</a> about this openly despite it leading to significant grief. To explore grandparents’ experience of stillbirth, we interviewed 14 grandmothers for our initial study, and a further 23 grandmothers and grandfathers since then. Many grandparents were not aware stillbirth was a risk today. Most felt unprepared. Like parents, grandparents experienced grief like no other after their grandchild was stillborn. Rose said: "The grief is always there, it never leaves you […] I don’t know why but sometimes it is still very raw." Sally said: "I [would do] anything in my power to take it away, even if it meant, you know, something dreadful happening to me, I would have done it." Grandparents also spoke of anticipating the arrival of their grandchild, and disbelief at their loss. Donna said: "It was as bad as it could be and […] I thought it just couldn’t be real, it couldn’t be real." Where grandparents lived a long way from their child, the loss was even more profound. Distance prevented them from holding their grandchild after birth, attending memorials, or helping their own children. Iris said: "I still miss her now […] When she was born and they had her in the hospital they would text me and say you know she’s got hair like her daddy […] and they would describe her and how beautiful she was, and that’s all they have, you know […] that’s all I have really." Grandparents said they wanted to hide their grief to protect their child from pain. This often made them isolated. Their relationships with family members often changed. Mary said: "It’s like two lots of grief […] but I don’t want it to sound like it’s as bad as my daughter’s loss. It’s different, it’s a different grief, because you’re grieving the loss of a grandchild, and you’re also grieving for your daughter and her loss and it’s like yeah you’ve been kicked in the guts twice instead of once." <h2>What grandparents wanted</h2> Grandparents stressed the importance and ongoing value of being involved in “memory making” and spending time with their stillborn grandchild where possible. Creating mementos, such as taking photos and making footprints and hand prints, were all important ways of expressing their grief. These mementos kept the baby “alive” in the family. They were also a way to ensure their own child knew the baby was loved and remembered. Our research also identified better ways to support grandparents. Grandparents said that if they knew more about stillbirth, they would be more confident in knowing how to help support their children. And if people were more aware of grandparents’ grief, and acknowledged their loss, this would make it easier for them to get support themselves, and reduce feelings of isolation. Our research also found families can recognise that grandparents grieve too, for both their child and grandchild. Grandparents can be encouraged to seek support from other family and friends. Families could also encourage grandparents to seek support from professionals if needed. In hospitals, midwives can adopt some simple, time efficient strategies, with a big impact on grandparents. With parent consent, midwives could include grandparents in memory making activities. By acknowledging the connection grandparents have to the baby, midwives can validate the grief that they experience. In recognising the supportive role of grandparents, midwives can also provide early guidance about how best to support their child. Hospitals can help by including grandparents in the education provided after stillbirth. This might include guidance about support for their child, or simply providing grandparents with written resources and guiding them to appropriate supports. In time, development of peer support programs, where grandparents support others in similar situations, could help. And, as a community, we can support grandparents the same way they support their own children. We can be there, listen and learn. <hr /> All grandparents’ names in this article are pseudonyms. If this article raises issues for you or someone you know, contact <a href="http://www.sands.org.au">Sands</a> (stillbirth and newborn death support) on 1300 072 637. Sands also has <a href="https://www.sands.org.au/images/sands-creative/brochures/127517-For-Grandparents-Brochure.pdf">written information specifically for grandparents</a> of stillborn babies.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/122313/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/jane-lockton-811825">Jane Lockton</a>, PhD Candidate (Psychology, Health), <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a>; <a href="https://theconversation.com/profiles/clemence-due-100240">Clemence Due</a>, Senior Lecturer in the School of Psychology, <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a>, and <a href="https://theconversation.com/profiles/melissa-oxlad-811406">Melissa Oxlad</a>, Lecturer in the School of Psychology, <a href="https://theconversation.com/institutions/university-of-adelaide-1119">University of Adelaide</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/when-a-baby-is-stillborn-grandparents-are-hit-with-two-lots-of-grief-heres-how-we-can-help-122313">original article</a>. </div>

Family & Pets

Most popular wedding song revealed

A classic 1980s hit has been crowned the most popular wedding song according to a recent study. According to the new research by Breezit, an online wedding vendor search tool that collates data, Whitney Houston’s pop ballad I Wanna Dance With Somebody is the most popular song for couples tying the knot. The 1987 hit, which was on Houston’s second studio album, ‘Whitney’, appeared 484 times across the 2,000 wedding-themed Spotify playlists the company poured through, which contained a total of 49,091 songs. Among thousands of playlists, I Wanna Dance With Somebody featured on more than 24 per cent of those nuptial-centric compilations. Coming in second on the list of most popular wedding songs was ABBA’s 1976 worldwide hit Dancing Queen. “Music plays an incredibly important role in wedding celebrations, and it’s fascinating to see which songs are still hailed as wedding classics, even years after their initial release,” Arturas Asakavicius, co-founder and CEO of Breezit, told <a href="https://www.brides.com/all-time-most-popular-wedding-song-new-study-8733497">Brides</a>. “Wedding playlists can help create lasting memories” he added, “capturing both the joy of the dance floor and the romance of walking down the aisle. Certain songs have become intertwined with the celebration of a wedding, which is why some have become timeless classics for many couples’ big day.” Image credits: Shutterstock

Music

Music and dementia: researchers are still making discoveries about how songs can help sufferers

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/rebecca-atkinson-1288605">Rebecca Atkinson</a>, <a href="https://theconversation.com/institutions/anglia-ruskin-university-1887">Anglia Ruskin University</a> and <a href="https://theconversation.com/profiles/ming-hung-hsu-2215063">Ming-Hung Hsu</a>, <a href="https://theconversation.com/institutions/anglia-ruskin-university-1887">Anglia Ruskin University</a> Music is woven into the fabric of our everyday lives. Whether it’s lifting our spirits, pushing us to run faster or soothing us to sleep, we can all <a href="https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2021.713818/full">recognise its power</a>. So it’s no wonder it is increasingly being used in medical treatment. As well as proving very useful in <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3863265/">cancer treatment</a>, managing <a href="https://www.sciencedirect.com/science/article/pii/S1526590022000153">chronic pain</a> and even helping the brain <a href="https://www.frontiersin.org/articles/10.3389/fnhum.2014.00245/full">recover after a stroke</a>, researchers have also been making great strides in using music to help patients with dementia. It reduces patients’ <a href="https://www.cochranelibrary.com/cdsr/doi/10.1002/14651858.CD003477/full">anxiety and depression</a>, and <a href="https://www.thelancet.com/journals/eclinm/article/PIIS2589-5370(23)00401-7/fulltext">improves wellbeing</a> both for them and their carers <a href="https://www.cambridge.org/core/journals/the-british-journal-of-psychiatry/article/individual-music-therapy-for-depression-randomised-controlled-trial/A1CD72904929CECCB956F4F3B09605AF">by enhancing</a> everyone’s ability to adapt and cope with adversity or stress. <a href="https://www.bamt.org">Music therapy</a> in the form of playing, singing or listening to music can also have a <a href="https://journals.sagepub.com/doi/abs/10.1177/1362361309105660">positive effect</a> on cognitive function – particularly for <a href="https://link.springer.com/article/10.1186/1472-6882-10-39">older adults</a> either with dementia or memory issues. So why does music appear to have such a powerful effect for people with dementia? <h2>Music and the brain</h2> About a decade ago, <a href="https://www.sciencedirect.com/science/article/abs/pii/S1053811911013000">researchers discovered that</a> when people listened to music, multiple areas of the brain were involved in processing it. These included the limbic (which processes emotions and memory), cognitive (involved with perception, learning and reaction) and motor areas (responsible for voluntary movement). This challenged preconceptions that music was processed more narrowly in the brain – and helped explain why it has such a unique neurological impact. Not only that, research has shown that music might help <a href="https://www.sciencedirect.com/science/article/abs/pii/S0306987708002880">regenerate the brain</a> and its connections. Many <a href="https://www.nhs.uk/conditions/dementia/about-dementia/causes/">causes of dementia</a> centre around cell death in the brain, raising the possibility that music could help people with dementia by mending or strengthening damaged neural connections and cells. It’s not just any music that has a regenerative effect on the brain, though. <a href="https://www.frontiersin.org/articles/10.3389/fnhum.2016.00103/full">Familiar and favourite music</a> has been shown to have the biggest impact on the way we feel, and is closely linked with memory and emotions. This is because listening to our favourite songs <a href="https://www.nature.com/articles/nn.2726">releases feel-good hormones</a> that give us a sense of pleasure. Curated music playlists of favourite music could be the key in helping us deal with the <a href="https://journals.sagepub.com/doi/full/10.1177/10298649211030318">stress of everyday life</a>. This is relevant to Alzheimer’s and other forms of dementia because researchers have discovered that parts of the brain linked with <a href="https://academic.oup.com/brain/article/138/8/2438/330016">musical memories</a> are less affected by these conditions than other areas of the brain. This explains why memories and experiences that are linked to <a href="https://link.springer.com/article/10.14283/jpad.2018.19">favourite music</a> are often preserved for people with such conditions. Listening to music can also <a href="https://pubmed.ncbi.nlm.nih.gov/34346261/">help manage</a> their experiences of distress, agitation and “<a href="https://www.alzheimers.org.uk/about-dementia/symptoms-and-diagnosis/symptoms/sundowning">sundowning</a>” – where a person is more confused in the afternoon and evening. In a <a href="https://www.sciencedirect.com/science/article/pii/S0197457224002209?utm_campaign=STMJ_219742_AUTH_SERV_PA&utm_medium=email&utm_acid=224973760&SIS_ID=&dgcid=STMJ_219742_AUTH_SERV_PA&CMX_ID=&utm_in=DM500444&utm_source=AC_">small study</a> conducted by us and our colleagues at the Cambridge Institute for Music Therapy Research, we showed just how great of an effect listening to music can have for people with dementia. We found that when people with dementia repeatedly listened to their favourite music, their heart rate and movements changed in direct response. This showed that people’s physical responses were affected by musical features like rhythm and arrangement. Their heart rate also changed when they sang along to music, or when they began reminiscing about old memories or stories while listening to a song or thinking about the music. These changes are important because they show how music affects movement, emotions and memory recall. Studies have also shown that during and after listening to music, people with dementia <a href="https://www.mdpi.com/2076-3425/13/7/1103">experienced less agitation</a>, aggression and anxiety, and their general mood was improved. They even needed less medication when they had regular music sessions. Other researchers have even begun testing the effects of <a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/gps.4721?casa_token=VufeKQP7aNsAAAAA%3AMSOgiwUQYKqmmrLsUFv9glmSnc5BMxoqeMmmt3HX4BJX2Fs2UKeXjnN2850o1Umz0j1NvmrpQ3W3Pw">music training programmes</a> to support cognition for people with dementia. Results have been promising so far – with adults in the study showing improved executive functioning (problem solving, emotion regulation and attention) compared to those who took part in just physical exercise. So, music is likely to continue to be a useful medical treatment for people with dementia. But based on what we know so far, it’s important that it comes from the patient’s own music collection – and is used alongside other management techniques such as using drugs that can slow the progression of dementia or help manage symptoms to support self-care and wellbeing.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/239446/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/rebecca-atkinson-1288605">Rebecca Atkinson</a>, Researcher in Music Therapy, <a href="https://theconversation.com/institutions/anglia-ruskin-university-1887">Anglia Ruskin University</a> and <a href="https://theconversation.com/profiles/ming-hung-hsu-2215063">Ming-Hung Hsu</a>, Senior Research Fellow, Music Therapy, <a href="https://theconversation.com/institutions/anglia-ruskin-university-1887">Anglia Ruskin University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/music-and-dementia-researchers-are-still-making-discoveries-about-how-songs-can-help-sufferers-239446">original article</a>. </div>

Mind

"Treated as fools": Prime Minister hits out at supermarkets

On Thursday night the Australian Competition and Consumer Commission (ACCC) released an interim report on its supermarket inquiry, and found the price of a typical basket of groceries has increased by more than 20 per cent since 2019. The report found that low-income households spent more than a fifth of their income on food. While prices across all grocery products have increased, the most considerable hikes were in staples such as dairy products by 32 per cent, bread and cereal items by 28 per cent and meat and seafood prices have increased by a fifth. The price of fruit and vegetables has increased by 19 per cent between the March 2019 quarter to the June 2024 quarter. The ACCC released the interim report after examining whether supermarket giants were dudding suppliers and ripping off customers due to a lack of competition. In a statement on Friday, Prime Minister Anthony Albanese has condemned major supermarkets. “Customers don’t deserve to be treated as fools by the supermarkets. They deserve better than that,” he said. “This is an important piece of work and we will study it closely. “My government is taking a range of actions to make sure Australians are paying a fair price at the checkout and Australian suppliers are getting a fair price for their goods.” Assistant Minister for Competition Andrew Leigh said this was the most comprehensive inquiry they've had in 15 years. “Businesses need to do the right thing by Australians,” he said. “Greater competition is critical for lifting dynamism, productivity and wages growth, putting downward pressure on prices and delivering more choice for Australians dealing with cost-of-living pressures.” The report also found that due to "excessive" prices, many shoppers were buying less food and focusing on cheaper products to stay within their budgets. Others were eating less frequently and have smaller meals, or changing their shopping habits by comparing online prices before going in store. As a result, ACCC deputy chair Mick Keogh said Australians were “losing trust in the sale price claims by supermarkets”. “These difficulties reportedly arise from some of the pricing practices of some supermarkets, such as frequent specials, short-term lowered prices, bulk-buy promotions, member-only prices and bundled prices,” he said. In Australia, Woolworths and Coles contribute to 67 per cent of supermarket sales, with Aldi accounting for 9 per cent and IGA contributing 7 per cent. The ACCC will release their recommendations in their final report due in February 2025. This follows the ACCC launching <a href="https://o60.me/2ssagq" target="_blank" rel="noopener">legal action</a> against Coles and Woolworths over allegations of misleading customers with fake discount prices. Image: Daria Nipot / Shutterstock.com/ MICK TSIKAS/EPA-EFE/ Shutterstock Editorial

Money & Banking

“Song of the summer”: Karl Stefanovic appears in wild 50th birthday music video

Karl Stefanovic has confused and delighted fans in equal measure with the release of a bizarre music video to celebrate his 50th birthday. The Today Show host teamed up with singer Keli Holiday, also known as one half of music duo Peking Duk, to star in a cover of Dolly Parton and Kenny Rogers’ 1983 classic Islands In The Stream. The newly formed duo performed the song with their silk shirts blowing in the wind in full 1980s music video style, showing off their chests. Holiday took to his Instagram on Wednesday to tease the musical team up, sharing screenshots from private messages in which Stefanovic reached out to say, "I'm prepared to do a duet with you". <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/C_bqOAGhfTP/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/C_bqOAGhfTP/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by keli holiday (@keliholiday)</a> </div> </blockquote> “I shared this sentiment online to see if the people shared that same yearning for a Keli-Karl duet and the response was an overwhelming ‘yes’. What you hear and see here is raw, unadulterated fun. A gift from a man on his 50th birthday. That’s how giving Karl is. Enjoy it. Revel in it. We hope you love it as much as we loved making it,” said Holiday. The response to the video has been mostly positive, while some people couldn't contain their confusion. “This is so Australian, it should be used as a tourism advertisement,” reads one top-rated comment read. “Just dropped to my knees in Aldi,” commented one fellow Aussie musician, while another called it the "Song of the year." Another person commented, "What is going on?? I feel like I’ve just woken up from a bender at 3am with Rage playing hilariously bad 80’s videos…", while Karl's wife Jasmine added, "You need to wear eyeliner all the time now. Suits you!" Image credits: Instagram

Music

Australia’s gender pay gap has hit a record low – but we still have work to do

<div class="theconversation-article-body"><a href="https://theconversation.com/profiles/leonora-risse-405312">Leonora Risse</a>, <a href="https://theconversation.com/institutions/university-of-canberra-865">University of Canberra</a> Australia’s gender pay gap – a key measure of economic inequality between men and women – has fallen to a record low of 11.5%. That’s down from 13% this time last year, the steepest annual fall since 2016. Ten years ago, it was almost 19%. The latest figures are great news for our economy and our society – evidence we’re getting better at recognising and fairly valuing women’s capabilities and contributions. More opportunities are now open to women in the workforce, helping them gain and retire with greater financial independence than in previous decades. But national averages don’t tell the whole story. While gender pay gaps have fallen in some industries, they’ve also been rising in others. Today, August 19, is <a href="https://www.wgea.gov.au/pay-and-gender/equal-pay-day-2024">equal pay day</a>. This marks the 50 extra days past the end of the last financial year that Australian women would need to work for their earnings to match those of their male colleagues. This offers us a timely opportunity to reflect on what exactly has driven this year’s improvement – and where we still have work to do. <h2>Women’s earnings picking up pace</h2> We calculate the gender pay gap by comparing the average weekly ordinary-time, full-time <a href="https://www.abs.gov.au/statistics/labour/earnings-and-working-conditions/average-weekly-earnings-australia">earnings</a> for men and women. In dollar terms, women are now earning $231.50, or 11.5%, less than men, on average, in their weekly full-time pay packet. <hr /> <iframe id="HwwJ5" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/HwwJ5/1/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> The recent narrowing is being driven by women’s average earnings growth picking up pace. This contrasts with <a href="https://www.abc.net.au/news/2018-10-02/fact-check-gender-pay-gap/10302358">earlier periods</a> in which the narrowing of the gap tended to be due to a slowdown in the growth of men’s earnings. <hr /> <iframe id="R7uFE" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/R7uFE/1/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> <h2>What’s behind the improvement?</h2> While changes in the gender pay gap reflect a range of economy-wide factors, the Albanese government has been quick to attribute the recent fall to the various <a href="https://www.linkedin.com/feed/update/urn:li:activity:7229747376511447040/">targeted actions</a> it has taken since coming to office. Let’s look at whether and how these actions have played a role. First, the government sought to make wage information more transparent. It <a href="https://theconversation.com/pay-secrecy-clauses-are-now-banned-in-australia-heres-how-that-could-benefit-you-195814">banned pay secrecy clauses</a> and now requires the gender pay gaps of all large companies in Australia to be <a href="https://theconversation.com/qantas-pays-women-37-less-telstra-and-bhp-20-fifty-years-after-equal-pay-laws-we-still-have-a-long-way-to-go-223870">publicly reported</a>. These reforms took effect from 2023, targeting private companies. The gender pay gap in the private sector, though higher to begin with, has fallen more swiftly than that of the public sector, suggesting these actions have had an effect. <hr /> <iframe id="ZKMdm" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/ZKMdm/1/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> Second, the government targeted gender-patterned biases in industrial relations – including the <a href="https://theconversation.com/50-years-after-equal-pay-the-legacy-of-womens-work-remains-118761">legacy effects</a> of past decisions – and instilled gender equity as a new objective of Australia’s Fair Work Act. The Fair Work Commission is now required to take gender equity into account in its wage deliberations, including its <a href="https://www.fwc.gov.au/documents/resources/2024fwcfb3500.pdf">minimum wage decision</a>. The government also introduced multi-employer bargaining in an attempt to strengthen workers’ bargaining capacity in female-concentrated sectors. The effects of these changes will continue to flow across the workforce as the Fair Work Commission undertakes its review of modern awards, prioritising those affecting <a href="https://www.fwc.gov.au/hearings-decisions/major-cases/gender-undervaluation-priority-awards-review">female-concentrated industries</a>. <figure class="align-right zoomable"><figcaption></figcaption></figure> And third, further addressing the historical undervaluation of “women’s work”, the government directly addressed low pay in female-concentrated sectors by supporting a pay rise for <a href="https://www.fairwork.gov.au/newsroom/news/15-per-cent-wage-increase-aged-care-sector">aged care workers</a>. Targeting the low pay and under-valuation of an industry that is about 87% female helped fuel the downward momentum in the overall gender pay gap. The government’s recently announced pay rise for <a href="https://ministers.education.gov.au/anthony-albanese/pay-rise-early-educators-while-keeping-fees-down-families">early childhood education and care workers</a> – a workforce that is around 95% female – will also target gender patterns in low pay once they come into effect. These government actions have been essential for undoing the gender biases embedded in existing systems. And they have complemented other initiatives that have taken effect in the past year, such as the <a href="https://www.respectatwork.gov.au/new-positive-duty-employers-prevent-workplace-sexual-harassment-sex-discrimination-and-victimisation">Respect At Work Act</a>, requiring employers to proactively stamp out sexual harassment. But there is still a way to go to keep closing the gender gaps across all parts of the workforce. <h2>Falling in some industries, rising in others</h2> Breaking down the gender pay gap in earnings by sector paints a more varied picture. In industries like construction, public administration and safety, and retail trade, it has fallen notably over the past two years. <hr /> <iframe id="poLND" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/poLND/1/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> But it remains high in industries like healthcare and social assistance, at over 20%, and finance and insurance at 18%. <hr /> <iframe id="6cLnT" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/6cLnT/2/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> In some industries, the gap has actually increased over the past two years. In arts and recreation services, as well as electricity, gas, waste and water services, it’s been continually rising. <hr /> <iframe id="M8fve" class="tc-infographic-datawrapper" style="border: 0;" src="https://datawrapper.dwcdn.net/M8fve/1/" width="100%" height="400px" frameborder="0" scrolling="no"></iframe> <hr /> <h2>That could reflect a bigger shift</h2> It’s important to interpret these figures carefully. In some instances, a widening of the gender pay gap can reflect a positive shift in an industry’s makeup, if it reflects more women joining a male-dominated sector at entry level, and growing a pipeline of senior women for the future. That’s why the Workplace Gender Equality Agency (WGEA) gives organisations a chance to explain these dynamics in their <a href="https://www.wgea.gov.au/about/our-legislation/publishing-employer-gender-pay-gaps">employer statements</a>, which are published on the WGEA website alongside organisations’ gender pay gaps. Over time, the entry of more women at the junior level can flow through to more gender balance as these women progress to senior and decision-making roles. The real test will be to ensure – by fostering more gender equitable, inclusive and respectful work cultures and systems – that they do.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/236894/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/leonora-risse-405312">Leonora Risse</a>, Associate Professor in Economics, <a href="https://theconversation.com/institutions/university-of-canberra-865">University of Canberra</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/australias-gender-pay-gap-has-hit-a-record-low-but-we-still-have-work-to-do-236894">original article</a>. </div>

Money & Banking

Sacked Olympic commentator hits back at "massive overreaction"

Fired Olympics commentator Bob Ballad has hit back at the "massive overreaction" to the sexist comments he made about the Aussie swim team that cost him his job at the Paris Games. Ballard was <a href="https://oversixty.com.au/entertainment/tv/commentator-sacked-after-sexist-comment-on-aussie-swim-team" target="_blank" rel="noopener">sacked</a> by EuroSport after making a sexist remark about Australia's female swimmers after their gold medal win in the 4x100m freestyle. After the win, the former BBC commentator said, "Well, the women just finishing up. You know what women are like… hanging around, doing their make-up.” Ballard’s co-commentator Lizzie Simmonds laughed at the remark, calling it "outrageous". The commentator was then sacked from the Games, issuing an apology statement online, saying, "It was never my intention to upset or belittle anyone and, if I did, I apologise." However, speaking to British media outlet LBC on Tuesday, Ballard said the public's response to his sexist comments were an "overreaction". He said, "I am overwhelmed by the reaction I’ve had from the British public." "It was a throwaway line - some people might say it’s a bit old-fashioned but it was never meant to offend. It was never meant to upset everybody and I think there’s been a massive overreaction from my employers." "I’m dealing with it as best I can right now." These comments welcomed a fresh wave of backlash, with commenters on social media saying his sacking was the "right message to send" in response to everyday sexism. One person wrote on X, "This sort of “joke” for women is part of the every day, sexist, chipping away we are used to. People (often men, but women too) say it’s harmless but consider very recent news to see how this can contribute to much worse attitudes to women. It was the right message to send." Another person added, "Because even us oldies, who grew up in a different time, know it was inappropriate." After Ballard's comments during the Olympics, his employer EuroSport issued a statement to confirm that he would be let go from his commentating position. "During a segment of Eurosport’s coverage last night, commentator Bob Ballard made an inappropriate comment," EuroSport wrote online. "To that end, he has been removed from our commentary roster with immediate effect." Images: Twitter (X) | Paul Kitagaki, Jr/ZUMA Press Wire | Shutterstock

Robert Irwin hits back over nasty reports about mum

Robert Irwin has hit back at the nasty comments about his close relationship with mum Terri Irwin. The wildlife conservationist appeared with I’m A Celebrity... co-star Julia Morris on The Kyle & Jackie O show on Monday morning to discuss their Gold Logie nominations, when Kyle Sandilands expressed his surprise that Terri didn't join Robert in the studio for the interview. “Are you saying that the press reports are inaccurate that everywhere you go, your mother’s there?” Sandilands asked. “I hear it all the time but I don’t believe it’s even true.” Robert laughed and jokingly responded: “Who would’ve thought press reports are inaccurate?” But, co-host Julia Morris was quick to come to his defence. “Can I just address that because it drives me absolutely nuts,” she said on-air. “It takes all my strength not to go onto the internet and go absolutely spare every time [Robert and Terri headlines are] written. All I want you to do is every time you see that written that, you know, ‘Terri hangs around’, I want you to go directly to who’s written that story and know that that person hates their parents.” “If you’ve got parents that are as unbelievably awesome as Terri, and you have a great relationship, you want them to be around at all times,” she added. “If you’re trying to hide stuff from your parents, or your parents are constantly badgering or at you, then you don’t want them around and you can’t get why anyone would want their parents around, you know?” she concluded. Robert then chimed in and explained that people often don't understand his close relationship with his mother, and how they became especially tight as a family following Steve Irwin's death in 2006. “I think loss brings a family together like nothing else. People forget,” he said. “I think when we lost dad, our little tight knit family unit became incredibly tight.” “And we travel with the whole family everywhere most of the time. It’s nice.” This comes after a few <a href="https://www.oversixty.com.au/travel/international-travel/every-day-is-precious-fans-defend-robert-irwin-over-posts-with-mum" target="_blank" rel="noopener">trolls</a> criticised his close relationship to his mother during a trip to the US back in May. A few outlets have also suggested that the mother and son are unhealthily attached, but many fans have since defended their close relationship. “People saying why Robert has he’s mum in so many photos. Remember every day is precious. Life is fragile. The Irwin’s like millions of other families have experienced loss on a monumental scale,” one wrote on Instagram. Image: The Kyle and Jackie O Show

Family & Pets

Abandoned family hit with huge fine by cruise line

A family of nine has been charged a whopping $13,000 for failing to return to their cruise ship after an excursion in Alaska, leaving them stranded by Norwegian Cruise Lines to find their own way home. The Gault family, from Tulsa in Oklahoma, were travelling with six young kids and a 78-year-old grandmother when they disembarked from the Norwegian Encore in Katchikan, a small town in a string of south Alaskan islands, so they could watch a lumberjack show together. All was going well until they went to board a bus back to the ship, when the local tour operator transporting passengers to and from the vessel miscounted and told the family there was no room and that they had to wait for the next bus. “We see the chaos getting onto the buses. We go to get on the bus and one of the attendees is like, ‘The bus is full, and you know you got to wait for the next bus,’” Joshua Gault told 2 News. However, the next bus never came, and as the family found other means to rush back to the port, they arrived to see the ship sailing away with all their belongings, including passports and medications, onboard. “Six kids on board, minor children, and a 78-year-old mother-in-law, all on medication. We all had to quit cold turkey medication these last few days because it was all on the cruise ship,” Mr Gault said. From there, things only got worse for the Gault family, who had already spent about $44,500 on the trip, as they were immediately hit an almost $13,000 charge from the cruise line — $1,400 per passenger — for missing the boat. That fee stemmed from the US Customs and Border Protection’s Passenger Vessel Services Act, which they violated by not visiting a foreign port before they returned to the US, as their itinerary planned. Unable to rejoin the ship in Canada, the family decided to cut their losses and head home, arranging new accommodation and flights, making their costs continue to pile up. After days of travel - which included stops in numerous cities, cancelled flights, and more than one overnight airport stay — the family finally arrived home, feeling strung out, tired, and having picked up Covid along the way. “So yeah, we’re beat down right now. We’re unhealthy and beaten down,” Mr Gault said. The family is still working with the cruise line to rectify the situation, as Cailyn Gault said Norwegian Cruises keeps telling them, "We’re still looking into it, we haven’t forgotten about you." “And I was like, ‘No, we feel like you pretty much forgot about us when you left us in port and told us to go figure it out,’” Ms Gault added. Norwegian Cruise Lines told The Post it has begun the process of refunding the Gaults the nearly $13,000 in fees they were charged, and will reimburse them for all their travel expenses once receipts have been received. The cruise line also said it tried to contact the Gaults after they missed their bus due to “a misstep by a local tour operator,” and when they were unable to reach them, worked with the local port authority to help the family arrange lodging for the night before they were able to make a flight to Seattle the next day. “In addition, these guests will be receiving a pro-rated refund for the two cruise days they missed,” a Norwegian Cruise Line representative said. “As a gesture of goodwill, the company will also be providing each of the nine guests with a Future Cruise Credit in the form of a 20 per cent discount of their cruise fare that can be used towards their next voyage,” Norwegian added. Image credits: Facebook

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Australia’s gender pay gap has hit a record low – but we still have work to do

Sacked Olympic commentator hits back at "massive overreaction"

Robert Irwin hits back over nasty reports about mum

Abandoned family hit with huge fine by cruise line

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