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New Zealand's tourism campaign targeted at Aussies ridiculed

<p>New Zealand's new tourism campaign aimed at getting Aussies to travel across the ditch has been slammed for its simple three-word slogan. </p> <p>New Zealand Prime Minister Christopher Luxon announced the campaign, which cost $500,000, on Sunday, saying, “My message to Australians is it’s time to swap the thongs for the jandals, the Hunter Valley for the Hawke’s Bay and get the bloody hell over here.”</p> <p>The number of Aussies visiting New Zealand have not bounced back to pre-pandemic levels, sitting at 88 per cent of what they were in 2019.</p> <p>While the investment into the campaign was largely welcomed, some people were not thrilled about the slogan that reads, "Everyone must go". </p> <p>Labour’s tourism spokesperson Cushla Tangaere-Manuel told <em>Radio NZ</em> that “it makes New Zealand sound like we’re in a clearance bin at a sale”.</p> <p>“We’ve had the digital nomad announcement, now we’ve got this – and the attitude of anyone, anytime, anywhere, is concerning,” she said.</p> <p>Meanwhile, Green Party tourism spokesperson Celia Wade-Brown quipped: “I think ‘Everyone Must Go’ might refer to the need for toilets in some of our high-tourist spots. I mean, the queues are ridiculous.”</p> <p>Radio listeners also called up the public broadcaster to criticise the campaign and offer their own hilarious ideas to entice Aussies across the pond. </p> <p>“No crocs, no snakes, no killer spiders, no cane toads, no 50C heat, no red dirt – see you soon,” one person suggested.</p> <p>Other Kiwis across social media claim the slogan better describes the exodus of their own residents, after a record number of people – 72,000 – left the country in 2024, according to Stats NZ.</p> <p>“Everyone is going … to Australia,” one person wrote on the PM’s Instagram announcement, while another added, “Everyone is going, you don’t have to say it."</p> <p>“I think our Aussie mates are getting enough of a Kiwi experience in their own neighbourhood, hiring our nurses, teachers, police, engineers and doctors,” wrote a third.</p> <p><em>Image credits: NZ Tourism </em></p>

Travel Trouble

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From the Big Bogan to Larry the Lobster, why do towns build Big Things?

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/amy-clarke-248726">Amy Clarke</a>, <a href="https://theconversation.com/institutions/university-of-the-sunshine-coast-1068">University of the Sunshine Coast</a></em></p> <p>Big Things first appeared in Australia in the 1960s, beginning with the <a href="https://sahistoryhub.history.sa.gov.au/things/big-scotsman/">Big Scotsman</a> (1962) in Medindie, South Australia, the <a href="https://bigbanana.com">Big Banana</a> (1964) in Coffs Harbour, New South Wales, and the <a href="https://www.visitnsw.com/destinations/country-nsw/the-murray/tocumwal/attractions/big-murray-cod">Big Murray Cod</a> (1968) in Tocumwal, NSW.</p> <p>These structures were inspired by earlier North American examples, such as <a href="https://lucytheelephant.org">Lucy the Elephant</a> (1882) in New Jersey, and several <a href="https://www.laconservancy.org/learn/historic-places/randys-donuts/">big doughnuts in California</a>.</p> <p>While they differed in subject matter, all aimed to attract the attention of passing motorists: in the 1950s–1960s, private car ownership had soared and highway construction spread.</p> <p>Towns and regions across Australia, <a href="https://ourwayoflife.co.nz/11-iconic-big-thing-statues-around-new-zealand/">New Zealand</a> and North America used oversized landmarks to get travellers to stop, take a photo and hopefully spend money at local businesses.</p> <p>As awareness of these giant landmarks grew, so did the desire of other communities to have their own.</p> <p>Within a few decades, Australia’s Big Things had become a beloved fixture of road trips and summer holidays.</p> <h2>A big cultural impact</h2> <p><a href="https://www.tandfonline.com/doi/full/10.1080/14443058.2022.2144928">My research</a> shows the number of Big Things being constructed in Australia hit an initial peak in the 1980s before experiencing a temporary decline.</p> <p>By the 2000s, however, towns as far afield as Tully in Queensland (<a href="https://www.australiantraveller.com/qld/big-gumboot/">Big Golden Gumboot</a>), Cressy in Tasmania (<a href="https://www.aussietowns.com.au/town/cressy-tas">Big Trout</a>), and Exmouth in Western Australia (<a href="https://www.exmouth.wa.gov.au/news/exmouths-iconic-and-much-loved-crustacean-is-back/358">Big Prawn</a>) were reviving the tradition.</p> <p>Soon, Big Things became firmly entrenched in Australian popular culture: featuring on limited edition <a href="https://www.couriermail.com.au/news/queensland/sunshine-coast/redheads-pay-homage-to-icons/news-story/219026f222830073f4db107759e1145c">Redheads matchboxes</a> (2010), and on sets of <a href="https://australiapostcollectables.com.au/stamp-issues/aussie-big-things">Australia Post stamps </a>(2007 and 2023).</p> <p>But some of the older structures experienced declining popularity: the Big Wool Bales in Hamilton, Victoria (closed 2020), Victoria’s Giant Gippsland Earth Worm in Bass (closed 2020) and the Big Cask Wine in Mourquong, NSW (closed 2012), survive only in holiday photos and people’s memories.</p> <p>Icons like Larry the Lobster (Kingston, SA), the Big Prawn (Ballina, NSW), and the Big Pineapple (Nambour, Queensland) have battled <a href="https://www.nytimes.com/2018/08/30/world/australia/larry-lobster-big-things-sale.html">changes in ownership</a>, <a href="https://www.abc.net.au/news/2009-09-24/council-votes-to-sink-big-prawn/1441452">threat of demolition</a>, and <a href="https://www.theguardian.com/australia-news/article/2024/aug/24/big-pineapple-reopen-queensland-woombye-history">closure</a>.</p> <p>Despite these challenges, and debates over heritage conservation, construction of these giant landmarks has not slowed.</p> <p><a href="https://www.visitnsw.com/destinations/outback-nsw/cobar-area/nyngan/attractions/big-bogan">The Big Bogan</a> was erected in 2015 in Nyngan, NSW, by community members who were eager to encourage visitors to the area.</p> <p>A local progress association in the small town of Thallon in Queensland unveiled William the <a href="https://www.stgeorgeregion.com.au/listing/william-the-wombat/">Big Wombat</a> in 2018, also with the aim to bring attention to the area.</p> <p>Similar hopes were held for the <a href="https://www.queensland.com/au/en/things-to-do/attractions/p-5f72991d4390bc7c02ab8547-the-big-melon">Big Watermelon</a> erected in 2018 (Chinchilla, Queensland), and the Big Tractor (Carnamah, WA) <a href="https://www.abc.net.au/news/2024-10-05/midwest-wa-town-carnamah-unveils-worlds-biggest-tractor/104388496">which opened this year</a>.</p> <p>Through my research, I spoke with many people involved with projects such as these, and they said they’d selected objects that were iconic to their area.</p> <p>This could be a product they specialise in, a local native animal, or, in the case of the Big Bogan, a joke based on the name of nearby Bogan River.</p> <p>Most builders openly acknowledge their primary motivation is to promote the region, attract tourist dollars and investment, and revive towns that have seen better days.</p> <p>But do Big Things actually achieve these goals? Unfortunately, there is no easy answer.</p> <h2>An economic return?</h2> <p>Local economies are complex, as are the reasons people choose to visit. Many Big Things are constructed on the sides of highways that connect Australia’s numerous regional towns.</p> <p>People who stop for photos may not set out with the goal of visiting that Big Thing – it may simply be convenient to take a break there while on the way somewhere else.</p> <p>And if people do stop, it doesn’t guarantee they will spend more than the cost of filling up their car with petrol, if that.</p> <p>Over the years, tourism researchers have developed <a href="https://www.sciencedirect.com/science/article/abs/pii/S1447677021000322">several different models </a>for calculating the impact of rural and regional tourism on local economies.</p> <p>However, none of these approaches has proven to be universally effective. Most scholars agree tourists aren’t likely to travel long distances <a href="https://www.tandfonline.com/doi/abs/10.1080/21568316.2019.1673811">for any one reason</a>.</p> <p>They will consider a range of factors including food and accommodation, and the closeness of numerous attractions. In other words: building a Big Thing won’t guarantee a sustained increase in tourism to the area on its own.</p> <p>Communities should factor this in when considering erection of a Big Thing, especially given the cost of construction.</p> <p>The Big Mango in Bowen <a href="http://www.atlasobscura.com/places/the-big-mango">reportedly cost $A90,000</a> when it was built in 2002, while the organisers of the Big Tractor in Carnamah <a href="https://www.abc.net.au/news/2024-10-05/midwest-wa-town-carnamah-unveils-worlds-biggest-tractor/104388496">raised more than $600,000</a> to cover its price tag.</p> <p>The spread of social media and easy access to media outlets via the internet offers communities another reason to build Big Things, however.</p> <p>Australians are not the only ones fascinated by Big Things, and when a new one is unveiled — or an existing one goes “missing”, as <a href="https://www.bbc.com/news/newsbeat-26324023">the Big Mango did in 2014</a> — it is often covered by the press and then shared online.</p> <p>These giant landmarks are also highly “Instagrammable”: <a href="https://www.dailymail.co.uk/news/article-3039474/The-20-hottest-Australian-attractions-Instagram-revealed-spectacular-Sydney-Opera-House-Twelve-Apostles-don-t-forget-Big-Banana.html">a 2015 survey</a> revealed that six of Australia’s 20 most Instagrammed tourist attractions were Big Things.</p> <p>This sort of coverage doesn’t necessarily guarantee the long-term revival of a town’s economy.</p> <p>But it can help to remind people of the town’s existence, and it gives locals a memorable image on which to build.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/241129/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/amy-clarke-248726">Amy Clarke</a>, Senior Lecturer in History, specialising in built heritage and material culture, <a href="https://theconversation.com/institutions/university-of-the-sunshine-coast-1068">University of the Sunshine Coast</a></em></p> <p><em>Image credits: Shutterstock </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-the-big-bogan-to-larry-the-lobster-why-do-towns-build-big-things-241129">original article</a>.</em></p> </div>

Domestic Travel

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Airline forced to apologise over controversial tourism ad

<p>An airline has copped major backlash over a controversial tourism campaign that promotes their return flights to Paris.</p> <p>Pakistan International Airlines posted a photo of a plane flying at the Eiffel Tower on X as part of its campaign to mark the first flight from Islamabad to Paris after a safety ban was lifted.</p> <p>“Paris, we’re coming today,” the ad reads. </p> <p>The campaign has been viewed more than 21 million times, but after receiving thousands of negative comments, the airline was forced to issue an apology. </p> <p>Many social media users drew comparisons with the Al-Qaeda attacks on New York’s Twin Towers on September 11th 2001 when two planes were hijacked and flown into the skyscrapers, killing nearly 3,000 people.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="zxx"><a href="https://t.co/qUoNCyL385">pic.twitter.com/qUoNCyL385</a></p> <p>— PIA (@Official_PIA) <a href="https://twitter.com/Official_PIA/status/1877555588533485884?ref_src=twsrc%5Etfw">January 10, 2025</a></p></blockquote> <p>“This advertisement is sickening to see. Please do better with your imagery,” an irate user wrote. “Do you not see the airplane heading for the Eiffel Tower? Do you not know what it will be perceived as?”</p> <p>Another wrote, “Who tf made this graphic to further ruin Pakistan’s image in the world,” while others questioned how the graphic was approved, adding, “Who thought this ad was a good idea?”</p> <p>“Is this (an) advertisement or threat?” another user asked.</p> <p>After being online for a week, the airline issued an apology saying it was “blown out of proportion”.</p> <p>“Unfortunately, this was blown out of proportion with connations and perceptions that were not intended,” PIA spokesman Abdullah Khan told AFP.</p> <p>“It might have triggered some negative emotion, for which we truly apologise.” </p> <p>Despite the controversy, the ad remains on the airline's official X account.</p> <p><em>Image credits: Pakistan International Airlines</em></p>

Travel Trouble

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The astonishing reason Olympians are returning their Paris medals

<p>More than 100 medal-winning Olympic athletes are returning the medals they won at the 2024 Paris Games after claiming they have massively deteriorated. </p> <p>Despite being less than six months on from the Games, many of the medals have lost their lustre and appear much worse for wear, prompting many athletes to turn in the medals for a replacement. </p> <p>One such medallist is Aussie  BMX bronze medallist Natalya Diehm, who took to social media almost immediately after the Games to show just how tarnished the medal had become in a short period of time. </p> <p>“So once I won bronze, I had so many people ask to see a photo of it or that I should post a video on my stories so that everybody could see it and I didn’t because this literally started to happen day one of me having the medal and I guess I just wanted to keep it quiet for a little,” Diehm said in a video in October. </p> <p>“It’s unfortunate because the original bronze colour is so pretty."</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/DA12gnkPrrL/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DA12gnkPrrL/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Natalya Diehm OLY (@_natalyadiehm)</a></p> </div> </blockquote> <p>“I’m not sure why this has happened to mine. I haven’t taken it out partying, it’s not from people touching it so much because this is a comparison to what a bronze medal should look like."</p> <p>“Mine is one of the worst to come out of the Olympics this year. I’m hoping I can get it fixed or replaced. But this is it up and close.”</p> <p><em>Nine News</em> reported that at least six more Aussie athletes aren't happy with the state of their medals, with French website <a title="www.lalettre.fr" href="https://www.lalettre.fr/fr/action-publique_operateurs-de-l-etat/2025/01/13/comment-la-monnaie-de-paris-est-tombee-du-podium-avec-ses-medailles-olympiques,110359982-gel"><em>La Lettre</em> </a>finding that there have been more than 100 replacement requests from Olympic and Paralympic athletes from across the world. </p> <p>The International Olympic Committee (IOC) told <em>AFP</em> that the damaged medals are set to be replaced with identical models. </p> <p>“The Paris 2024 Olympic Games Organising Committee is working closely with the Monnaie de Paris (the French state mint), the institution responsible for the manufacture and quality control of the medals, to assess any complaints about the medals and to understand the circumstances and cause of any damage,” the IOC said.</p> <p>“Defective medals will be systematically replaced by the Monnaie de Paris and engraved identically. The replacement process should begin in the coming weeks.”</p> <p><em>Image credits: Instagram </em></p>

Travel Trouble

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12 dead in mass poisoning at ski resort

<p>The bodies of 12 people have been found dead in a luxury ski resort in Georgia after a suspected carbon monoxide poisoning. </p> <p>The bodies of 11 Indian nationals and one Georgian national were discovered on Saturday at a ski resort in Gudauri, in the north of the Caucasus country, according to local police.</p> <p>Authorities confirmed that “preliminary tests do not indicate any trace of violence on the bodies,” which were found on the second floor of a building housing an Indian food restaurant at the ski resort.</p> <p>“An oil-powered generator was turned on after the building lost electricity” on Friday, police said, which is believed to be the source of the poisoning. </p> <p>The identities of the victims were not immediately released but they are presumed to be employees of the restaurant, according to the Georgian Interior Ministry. </p> <p>The deaths are being treated as negligent manslaughter, as autopsies have been ordered to determine the actual cause of death, while authorities have opened an investigation into the incident.</p> <p>The Indian Embassy in Georgia's capital of Tbilisi said it was "committed to providing all possible support" to the bereaved families and that it was working to repatriate the bodies of the 11 Indian nationals.</p> <p>Gudauri, lodged high up in the Caucasus Mountains close to the border with Russia, is becoming increasingly popular with tourists, offering a cheaper alternative to Europe's main resorts in the Alps.</p> <p><em>Image credits: Shutterstock</em></p>

Travel Trouble

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"Just words on a piece of paper": Olympian's blunt response to lifetime ban

<p>Olympic cycling medallist Matthew Richardson has responded to the <a href="https://www.oversixty.com.au/travel/travel-trouble/olympian-slapped-with-lifetime-ban-after-defection" target="_blank" rel="noopener">lifetime ban</a> he received as "just words on a piece of paper" that "don't carry much weight for me" following his defection to ride for Great Britain. </p> <p>The 25-year-old Olympian received a lot of backlash after his post-Paris defection where he won three medals for Australia despite knowing that he was going to switch to represent his country of birth. </p> <p>While Richardson was proud of his decision, he did express a bit of "shock" at the ban. </p> <p>"I didn't know it was coming," Richardson said during a UCI Track Champions League press conference.</p> <p>"I found it quite interesting. I guess they were just keen to get one last, final blow, one last, final word.</p> <p>"But ultimately, I had left three months ago. I'm not sure where the confusion ... has come from, but I thought it was pretty obvious that, by wanting to ride for GB for the rest of my career, that would mean I didn't want to ride for Australia for the rest of my career. It's almost like you leave your job, and three months later, they go, 'Well, you're fired!'.</p> <p>"It's just words on a piece of paper, really, and they don't really carry much weight for me."</p> <p>In a statement on Monday, AusCycling said that it had investigated the prospect of a two-year non-compete clause being enforced, but discovered it was "legally unenforceable".</p> <p>"The UCI can't enforce regulations on me that I haven't signed for," Richardson said.</p> <p>"That was just words on a piece of paper that, again, don't hold any weight.</p> <p>"As they also said in that review, they're going to have to go back and have a look at that clause, which basically just admits that they're going to have to change it or get rid of it, or whatever, because it clearly has no meaning."</p> <p>Richardson was born in Maidstone, Kent but moved to Perth at the age of nine.</p> <p>He took up cycling with Perth's Midland Cycling Club and not long after was riding with Western Australian Institute of Sport (WAIS).</p> <p>Richardson brushed aside claims that he had threatened AusCycling’s intellectual property by asking to take his bike with him after the Paris Olympics, and said he'd "always been respectful to AusCycling" as well as "thankful for everything" the organisation had done for him.</p> <p>"I really did think I repaid them with all the results, you know — the world championship, the three Olympic medals that I returned," Richardson added.</p> <p>"Unfortunately, noise was created around the issue, but I sleep well at night knowing that noise didn't come from myself.</p> <p>"Hopefully in the years to come, myself and AusCycling can come to some sort of understanding.</p> <p>"But for now, there we go. They've had their final word.</p> <p>"Hopefully we can just put it to bed and just enjoy riding in circles."</p> <p><em>Images: Instagram</em></p>

Legal

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Foreign victims killed in mass methanol poisoning identified

<p>The victims of the mass methanol poisoning in Laos have been identified, with the death toll now rising to six. </p> <p>Danish women Anne-Sofie Orkild Coyman, 20, Freja Vennervald Sorensen, 21, and American man James Louis Hutson, 57, were among those who died after a group of backpackers consumed alcoholic drinks spiked with methanol in the party town of Vang Vieng.</p> <p>Bianca Jones and Holly Bowles, both 19, had already been named as two Melbourne teenagers who lost their lives last week while on their gap year, along with British woman Simone White, 28.</p> <p>Ms Jones and Ms Bowles were staying at Nana Backpackers Hostel, which has been closed since November 14th, just days after the incident occurred. </p> <p>It is understood that the two Danish and American victims were also staying at Nana Backpackers Hostel.</p> <p>Ms Coyman and Ms Sorensen were reportedly found unconscious on the bathroom floor on November 13th after they had been out drinking the night before. </p> <p>Mr Hutson was reportedly found unconscious in his bed on November 13th after staff noticed he had not come out of his room. </p> <p>All three tourists died in the following days in hospital. </p> <p>Dr Yaher, who first treated Ms Bowles in Vang Vieng, claimed she went from a state of confusion to a coma in just half an hour after consuming the methanol-laced beverage. </p> <p>The doctor told <em>The Times</em> she was confused and fatigued, and didn’t know what had happened when she arrived at his small one-storey hospital at 2am.</p> <p>“We treated her symptomatically,” he told the publication.</p> <p>“We put her on an IV drip and gave her vitamins. But after 30 minutes she had a seizure and went into a coma. I was so surprised. We gave her CPR, because she had difficulty breathing, and we intubated her and referred her to Vientiane.”</p> <p>The Laos government released a statement on Saturday expressing sympathy and condolences to the families of the tourists who died, saying an investigation was underway and promised to “bring the perpetrators to justice according to the law”.</p> <p><em>Image credits: Facebook</em></p> <p> </p>

Travel Trouble

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Tourism hotspot in Italy attracts attention for selling strange souvenir

<p dir="ltr">Italy’s picturesque region of Lake Como has started selling a unique souvenir, making many people raise their eyebrows. </p> <p dir="ltr">The north Italian tourist hotspot has long been known for being the backdrop of many Hollywood films, while also hosting countless celebrity weddings, with many famous faces owning houses in the region. </p> <p dir="ltr">For those travelling to the stunning Lake Como and wanting to purchase a souvenir to remind them of their travels, you can now forgo the classic keyring or magnet for a more unique souvenir item.</p> <p dir="ltr">Communications company ItalyComunica says it has bottled the very air of Italy’s picturesque Lake Como and is selling these cans for €9.90 ($16 AUD) apiece.</p> <p dir="ltr">Each can is said to contain 400 millilitres of “100% authentic air” collected from Lake Como, with the website stating buyers can “Open it whenever you need a moment of escape, tranquillity, or simply beauty.”</p> <p dir="ltr">In an attempt to capitalise on the ever-growing visitor numbers, marketing specialist Davide Abagnale originally created the e-commerce site to sell dedicated Lake Como posters, before delving into the world of the unique souvenirs. </p> <p dir="ltr">His latest initiative of selling canned air aims to “create a souvenir that could be easily transported in a suitcase for tourists” and “something original, fun and even provocative.” </p> <p dir="ltr">Abagnale told <em><a href="https://edition.cnn.com/2024/11/04/travel/lake-como-air-cans-on-sale-intl-scli/index.html">CNN</a></em>, “It’s not a product, it’s a tangible memory that you carry in your heart,” adding that once tourists are home and have opened the can, they can repurpose it as a souvenir pen holder or plant holder. </p> <p dir="ltr">Not everyone was first onboard with the idea, as Como mayor Alessandro Rapinese said it wouldn’t be his first idea for tourists, and would prefer they take home other souvenirs, like the silk scarves the area is known for.</p> <p dir="ltr">“It’s a novel idea, but not for everyone,” he told <em>CNN</em>. “But as mayor of one of Italy’s most beautiful cities, if someone wants to take some of their air home, that’s fine as long as they also take beautiful memories of this area.”</p> <p dir="ltr"><em>Image credits: ItalyComunica/CNN/Shutterstock</em></p>

International Travel

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Chris Hemsworth's new tourism ad triggers major backlash

<p>Chris Hemsworth and his wife Elsa Pataky have come under fire after appearing in a major tourism campaign for Abu Dhabi. </p> <p>The Aussie actor and his Spanish model wife feature both feature in the production, that shows them having an intense day on-set of a fake action movie.</p> <p>While both dangling from the side of a building between takes, the duo claim they could “use a vacation about now”, before the ad showcases the best Abu Dhabi has to offer. </p> <p>With their three children in tow, Hemsworth and Pataky are shown enjoying various tourist attractions in the United Arab Emirates (UAE) capital, including open-top car rides in the desert, surfing, relaxing massages and trips to the city’s National Aquarium and theme park.</p> <p>The video was posted by the official Abu Dhabi Instagram account, and quickly racked up thousands of comments from keen travellers saying the video had convinced them to book a holiday in the UAE. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/DB_XZUvJO8g/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/DB_XZUvJO8g/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Experience Abu Dhabi (@visitabudhabi)</a></p> </div> </blockquote> <p>However, many commenters weren't quite as happy, as hundreds of fans questioned why Hemsworth, who has an estimated net worth of $225 million, would opt to promote a tourist destination that is notorious for restricted human rights.</p> <p>“Is he running out of money?” one person questioned, while another added, “Just got to ignore all the human rights abuses."</p> <p>“Not much of a vacation if you’re a member of the LGBTQIA+ community,” a third wrote.</p> <p>“A country without women’s rights and workers’ rights. An amazing thing to promote with your huge celebrity,” a fourth added.</p> <p>Abu Dhabi has a long and chequered history when it comes to human rights, with archaic laws inhibiting women’s rights, restricted freedom of speech and the continued criminalisation of homosexuality.</p> <p><em>Image credits: Instagram </em></p>

Travel Trouble

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From cheeky thrill to grande dame – the Moulin Rouge celebrates 135 years of scandal and success

<div class="theconversation-article-body"> <p><em><a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p>When the Moulin Rouge first opened on October 6 1889, it drew audiences from across classes and countries.</p> <p>The Moulin offered an array of <em>fin-de-siècle</em> (end-of-the-century) entertainments to Paris locals and visitors. Located in <a href="https://www.metmuseum.org/toah/hd/mont/hd_mont.htm">Montmartre</a>, its name, the “red windmill”, alluded to Montmartre’s history as a rural idyll. The neighbourhood was also associated with artistic bohemia, crime, and revolutionary spirit. This setting added a certain thrill for bourgeois audiences.</p> <p>From irreverent newcomer to a French institution, the Moulin Rouge has survived scandal, an inferno and found new ways to connect with audiences.</p> <h2>Red and electric</h2> <p>In 1889, the Moulin Rouge was not the only red landmark to open in Paris. The <a href="https://www.toureiffel.paris/en/news/history-and-culture/133-years-and-1083-feet#:%7E:text=The%20Tower%20would%20open%20to,Eiffel%20workshop%20in%20Levallois%2DPerret.">Eiffel Tower</a>, built as part of the <a href="https://www.britannica.com/topic/worlds-fair#ref1122093">Universal Exhibition</a> and originally painted red, had opened earlier that same year. What set them apart, however, was their popularity.</p> <p>The Moulin Rouge was an instant hit, capitalising on the global popularity of a dance called <a href="https://www.moulinrouge.fr/en/french-cancan-2/">the cancan</a>. Dancers like Moulin Rouge headliner <a href="https://commons.wikimedia.org/wiki/File:Portrait_de_la_danseuse_de_cancan_Louise_Weber_(1866-1929)_dite_la_Goulue_(%C3%A0_gauche)_et_de_Grille_d%27%C3%A9gout_(%C3%A0_droite),_da,_PH41845.jpg"><em>La Goulue</em> </a>(“The Glutton”, real name Louise Weber) were seen as more appropriate emblems for the city than the Tower, which many <a href="https://www.toureiffel.paris/en/news/130-years/artists-who-protested-eiffel-tower">considered an eyesore</a>.</p> <p>In an illustration from <em>Le Courrier Français</em> newspaper, a dancer modelled on a photograph of La Goulue holds her leg aloft, flashing her underwear with the caption “<a href="https://gallica.bnf.fr/ark:/12148/bpt6k1070090h/f1.image">Greetings to the provinces and abroad!</a>”.</p> <p>Every aspect of the Moulin spoke to the zeitgeist, from its design to the performances, the use of electric lights that adorned its façade, and its advertising.</p> <p>Its managers, the impresario team of <a href="https://www.moulinrouge.fr/en/the-great-periods/#:%7E:text=The%20masters%20of%20the%20place%20were%20Joseph%20Oller%20and%20Charles%20Zidler">Joseph Oller and Charles Harold Zidler</a>, had a string of successful venues and businesses to their names. They recognised the importance of modern marketing, using print media, publicity photographs, and <a href="https://commons.wikimedia.org/wiki/File:Cheret_Bal_au_moulin_rouge.jpg">posters</a> to spark public interest.</p> <p>Among the most iconic images of the Moulin is <a href="http://hdl.handle.net/10934/RM0001.COLLECT.339766">Henri de Toulouse-Lautrec’s 1891 poster</a>. At its centre is La Goulue, kicking her legs amid swirling petticoats.</p> <h2>She certainly can cancan</h2> <p>Found primarily in working-class dance halls from as early as the 1820s, the cancan became a staple of popular entertainment the world over.</p> <p>Part of the dance’s thrill lay in the dancers’ <a href="https://commons.wikimedia.org/wiki/File:La_Goulue_y_Valentin_le_D%C3%A9soss%C3%A9_bailando_en_el_Moulin_Rouge,_Th%C3%A9ophile_Steinlen.jpg">freedom of movement</a> and titillation of spectators, as well as its anti-establishment energy. Women used the cancan to thumb their nose at authority via steps like the <em>coup de cul</em> (“arse flash”) or <em>coup du chapeau</em> (removing men’s hats with a high kick).</p> <p>The cancan was not the only attraction at the Moulin. There were themed spaces, sideshows, and variety performances ranging from belly dancers and conjoined twins to <a href="https://www.weirdhistorian.com/le-petomane/">Le Pétomane</a> (“The Fartomaniac”) who was a flatulist and the highest-paid performer. People watching was equally popular.</p> <h2>Scandals, riots, and royalty</h2> <p>Over the years, the Moulin has been no stranger to controversy.</p> <p>In its early years, it cultivated an air of misbehaviour and featured in pleasure guides for visiting sex tourists.</p> <p>In 1893 it hosted the <a href="https://read.dukeupress.edu/french-historical-studies/article-abstract/33/1/69/9638/The-Art-of-Posing-Nude-Models-Moralists-and-the?redirectedFrom=PDF">Bal des Quat’z’Arts</a> (Four-Arts Ball) held by students from local studios. Accusations of public indecency were made against the models and dancers in attendance, and violent protests followed after the women were arrested.</p> <p>In 1907 the writer Colette appeared onstage at the Moulin in an Egyptian-inspired pantomime with her then-lover, <a href="https://daily.jstor.org/the-cross-dressing-superstar-of-the-belle-epoque/">Missy, the Marquise de Belbeuf</a>. When the act culminated in a passionate kiss, a riot broke out.</p> <figure><iframe src="https://www.youtube.com/embed/7N_dvUptKX8?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Historical footage shows the Moulin Rouge as it was.</span></figcaption></figure> <h2>Kicking on and on</h2> <p>Over time, the Moulin Rouge shows changed their format to keep pace with public taste, though the cancan remained. The venue hosted revues and operettas, and various stars including Edith Piaf, Ella Fitzgerald, Frank Sinatra and Liza Minnelli.</p> <p>Famous guests have included British royalty: from Edward VII (while Prince of Wales) to his great-granddaughter, Queen Elizabeth II, and her son, Prince Edward.</p> <p>Since its opening, the Moulin’s fortunes have waxed and waned.</p> <p>In 1915 the Moulin Rouge <a href="https://archive.nytimes.com/iht-retrospective.blogs.nytimes.com/2015/02/27/1915-fire-destroys-moulin-rouge/">burned down</a> but was rebuilt in 1921. Its famous windmill sails <a href="https://www.bbc.com/news/world-europe-68895836">fell off overnight</a> earlier this year but were swiftly repaired.</p> <p>In the 1930s, it survived the Depression and rise of cinema (also <a href="https://www.imdb.com/title/tt0019186/?ref_=fn_al_tt_4">capturing the attention</a> of <a href="https://www.imdb.com/title/tt0025520/?ref_=fn_al_tt_3">several filmakers</a>). It also survived the <a href="https://www.thetimes.com/article/i-took-nazis-to-the-moulin-rouge-they-sent-me-to-auschwitz-s3lzxcwwn8q">Nazi occupation</a> of Paris in the 1940s.</p> <p>By the early 1960s, <a href="https://www.moulinrouge.fr/en/the-moulin-rouge/history/the-great-periods/#:%7E:text=Charles%20Trenet-,F%20FOR%20FORMIDABLE,-In%201962%2C%20Jacki">Jacki Clerico</a> was managing the Moulin’s show after his father had revamped the venue as a dinner theatre destination. The younger Clérico oversaw additions like a giant aquarium where dancers swam with snakes, and its now-famous “nude line” – a chorus of topless dancers – in its shows.</p> <p>In 1963, the Moulin Rouge struck upon a winning formula: revues, all named by Clérico with titles beginning with the letter “F” – from <em>Frou Frou</em> to <em>Fantastique</em> and <em>Formidable</em>. Since 1999, the revue <em>Féerie</em> (“Fairy”, also a <a href="https://dspace.library.uu.nl/bitstream/handle/1874/383977/Feeries.pdf?sequence=1">French genre</a> of stage extravaganza) has been performed almost without interruption.</p> <p>Ticket sales were boosted thanks to Baz Luhrmann’s 2001 film <a href="https://www.imdb.com/title/tt0203009/">Moulin Rouge!</a> and more recently <a href="https://moulinrougemusical.com/new-york/home/">Moulin Rouge! The Musical</a>.</p> <p>Since COVID, the Moulin Rouge management have diversified. The windmill’s interior has been <a href="https://news.airbnb.com/the-iconic-moulin-rouge-windmill-reveals-a-secret-room-for-an-overnight-stay-with-airbnb/">rented out via AirBnB</a> and the Moulin’s <a href="https://www.sbs.com.au/ondemand/tv-series/moulin-rouge-yes-we-can-can">dance troupe</a> has performed on France’s televised New Year’s Eve celebrations. This year, the Moulin Rouge and its dancers were part of the <a href="https://www.tiktok.com/@saskyacnn/video/7398138810984320288?is_from_webapp=1&amp;sender_device=pc&amp;web_id=7384693687676749320">Paris Olympics celebrations</a>, dancing in heavy rain.</p> <p>Though people have come to appreciate the Eiffel Tower too, the Moulin Rouge can still argue its status as the pinnacle of live entertainment in the French capital: immediately recognisable, internationally visible, and quintessentially Parisian.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/239849/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, Teacher and researcher, Art History, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p><em>Image credits: Shutterstock </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-cheeky-thrill-to-grande-dame-the-moulin-rouge-celebrates-135-years-of-scandal-and-success-239849">original article</a>.</em></p> </div>

International Travel

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‘Dark tourism’ is attracting visitors to war zones and sites of atrocities in Israel and Ukraine. Why?

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/juliet-rogers-333488">Juliet Rogers</a>, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p>There is a disturbing trend of people travelling to the sadder places of the world: sites of military attacks, war zones and disasters. Dark tourism is now a phenomenon, with <a href="https://dark-tourism.com/">its own website</a> and dedicated tour guides. People visit these places to mourn, or to remember and honour the dead. But sometimes they just want to look, and sometimes they want to delight in the pain of others.</p> <p>Of course, people have long visited places like the <a href="https://www.auschwitz.org/en/visiting/guided-tours-for-individual-visitors/">Auschwitz-Birkenau</a> Memorial, <a href="https://www.911memorial.org/911-faqs">the site of the Twin Towers</a> destroyed in the 9/11 attacks, <a href="https://www.robben-island.org.za/tour-types/">Robben Island Prison</a>, where Nelson Mandela and others spent many years, and more recently, <a href="https://chernobyl-tour.com/english/">the Chernobyl nuclear power plant</a>. But there are more recent destinations, connected to active wars and aggression.</p> <p>Since the <a href="https://www.newsweek.com/2024/10/11/one-year-hamas-oct-attack-israel-northern-border-1961816.html">Hamas military attacks</a> of October 7 2023, in which around 1,200 people were killed and more than 250 taken hostage, celebrities and tourists have visited the related sites of the Nova music festival and the Nir Oz Kibbutz in Palestine/Israel.</p> <p>The kibbutz tours, guided by former residents, allow people to view and be guided through houses of the dead, to be shown photographs and bullet holes. Sderot, the biggest city targeted by Hamas, is offering <a href="https://apnews.com/article/israel-gaza-hamas-oct-7-tourism-sderot-8b21f590c37fa6780bf9190d6bfb62b7">what it describes as “resilience tours”</a>, connecting tourists with October 7 survivors.</p> <p>Similar places are visited <a href="https://wartours.in.ua/2023/02/25/dark-tourism-in-ukraine/">in Ukraine</a>. The “popular” Donbas war tour, for instance, takes visitors to the front lines of the conflict and offers “a firsthand look at the impact of the war on the local population”, introducing them to displaced locals, soldiers and volunteer fighters. There’s also <a href="https://wartours.in.ua/en/">a Kyiv tour</a>, which takes in destroyed military equipment and what remains of missile strikes.</p> <h2>Solidarity tours</h2> <p>These tours have various names, but <a href="https://touringisrael.com/tour/october-7-solidarity-tour/">one Israeli company</a> calls them “solidarity tours”. The idea of solidarity lessens the presumption of voyeurism, or the accusation of ghoulish enjoyment of pain or suffering. It suggests an affinity with those who have died or those who have lost loved ones.</p> <p>But solidarity is a political affiliation too. These tours are not only therapeutic. They are not only about “bearing witness”, as many guides and visitors attest. They are also about solidarity with the struggle.</p> <p>What is this struggle? Genocide scholar Dirk Moses <a href="https://www.bostonreview.net/articles/more-than-genocide/">has written thoughtfully</a> on this after October 7. Colonial states seek not just security, but “permanent security”. This makes them hyper-defensive of their borders. Israel was created as a nation <a href="https://www.pbs.org/wgbh/americanexperience/features/truman-israel/">by the newly formed United Nations</a> in 1947, two years after the end of World War II and in the shadow of the Holocaust: it was an inevitable product of the <a href="https://theconversation.com/a-century-on-the-balfour-declaration-still-shapes-palestinians-everyday-lives-86662">Balfour Declaration</a> (1917) that carved up the Middle East.</p> <p>The creation of the Israeli state turned relationships between Palestinians and Jewish people into borders to navigate and police, producing a line of security to defend.</p> <p>These borders have long been sites of humiliation and denigration toward Palestinians, whose homelands have been now occupied for many generations. Israeli Defense Force soldiers themselves <a href="https://www.breakingthesilence.org.il/testimonies/videos/29690">have spoken passionately</a> about the brutal and arbitrary violence that occurs there, <a href="https://link.springer.com/article/10.1007/s10978-016-9195-y">including “creative punishments”</a>. These were the borders that protected the sites targeted by Hamas. The Nova music festival was five kilometres from one of these borders.</p> <p>For many Israelis, any breach of those borders, any sense of loss of control, courts the terrors of the past. It raises the spectre of the Holocaust: the destruction of European Jewry, the loss of sovereignty over family, home, and over life, the loss of millions of lives, again. For Israel, as for any colonial state, security is a permanent aspiration, in Moses’s terms. The stakes are high.</p> <p>Dark tourism, seen in this light, is not only solidarity with those who have lost loved ones on October 7. It is solidarity with the border, with those who have lost that security. And that loss is profound, traumatic and, at least psychologically, can provoke violent reactions in an effort to have the borders – geographical and psychological – reasserted.</p> <h2>‘I stand with you’</h2> <p>Transitional justice mechanisms such as the truth commissions in <a href="https://www.justice.gov.za/trc/">South Africa</a>, <a href="https://www.usip.org/publications/2002/02/truth-commission-timor-leste-east-timor">Timor Leste</a> and <a href="https://www.usip.org/publications/1983/12/truth-commission-argentina">Argentina</a> apply legal frameworks to heal nations from the trauma of crimes against humanity. These mechanisms are one choice after experiences of mass violence. Ironically, their catchphrase is <em>Nunca Mas</em> (never again), which was the title of the 1984 report by Argentina’s <a href="https://www.usip.org/publications/1983/12/truth-commission-argentina">National Commission on the Dissappeared</a>.</p> <p>Permanent security of the kind Israel is seeking is another choice – and its catchphrase might well be the same. Never again will Israel’s borders be breached, never again will Jewish life be subjected to mass destruction with impunity.</p> <p>This is what solidarity can mean: not only grieving alongside those who have suffered, but attachment to an identity and borders, which are reinforced through participation. “I stand with you” is perhaps what the visits are for. I stand with you on this land, at this time, and perhaps for all time.</p> <p>But stand beside you in what now? In grief, yes. But also in rage, in pain, in vengeance and, for some, in making Israel great again.</p> <p>The hashtag #standwithus accompanies some calls for visits to the October 7 sites, for this form of tourism. It means stand with us at Israel’s border. From there, you can hear the sound of bombs falling: <a href="https://inews.co.uk/news/world/israel-7-october-massacre-sites-dark-draw-tourists-3101715">in Gaza</a>, a place where no solidarity tour will go. Yet.</p> <h2>Memorials, grief and understanding</h2> <p>Dark tourism is not always for those associated with the events. Some people visit sites of disaster and loss because they want to understand the greater sadnesses of the world and its formidable brutalities. Some want to show their respect to others. It’s not dissimilar to visiting memorials.</p> <p>Memorials collate the disparate parts of grief and reflect it as public memory. They offer fragments of historical pain that can be borne in more than one mind, to create a shared reality.</p> <p>In Pretoria, South Africa, a memorial called <a href="https://www.freedompark.co.za/">Freedom Park</a> depicts the names of every person who died in every war fought in South Africa, as well as those South Africans who died in the world wars. The names are written on a wall that circles the park. It is impossibly long and circular, and you cannot measure it with your own stride. It is disorientating and interminable, like grief.</p> <p>In this memorial-metaphor, you are unable to comprehend – and at the same time are awash with – a history of loss, represented by the names. The walls contain you, and then they cannot. Grief and even solidarity is not always about comprehension or containment. Sometimes it is about proximity. Sometimes, it is about sitting with not knowing. Sometimes, it is about solidarity with something that cannot be made sense of.</p> <p>Trauma, psychoanalysis tells us, is an experience of what we cannot assimilate. If you sit in proximity to people and places where traumatic events have happened, you can learn something. If you see the bullet holes at a site of loss, you can comprehend something. But not everything. Bullet holes in a wall are the very definition of a partial story.</p> <p>People visit memorials and sites of loss to learn and to unlearn. Dark tourism has this quality.</p> <h2>Obscenity of understanding</h2> <p>In my field, criminology and trauma studies, we try to understand why people do the violent things they do. Holocaust filmmaker and commentator <a href="https://www.jstor.org/stable/26303924">Claude Lanzmann has said</a> we must not indulge in what he calls the “obscenity of the project of understanding” in relation to Nazi perpetrators of the Holocaust.</p> <p>He regards curiosity about the minds of perpetrators and the rationale for violence as a violence in itself. Of the Holocaust, he says you cannot ask “Why were the Jews killed?”. It is the result that matters. But it is also the reaction that matters. The state of Israel itself – permanent security and its attendant horrors – is part of that reaction.</p> <p>But understanding can influence the reaction to violence, and contribute something to the promise of Never Again. Understanding allows us to hold more than one story in mind. It allows us to do more than <a href="https://www.ochaopt.org/">count the more than 1,200 killed</a> in Israel, or the 41,689 (plus) Palestinians killed in Gaza. Bodies are always more than numbers. But explanation is one thing, justification another. Justification is best left to the courts, international or otherwise, after the violence has ceased.</p> <p>It is hard to hear about dark tourism in Israel/Palestine and in Ukraine and try to understand it. It is hard not to condemn the tourists. But we are quick to condemn at this time – and even quicker to demand others do the same. Perhaps we should not be so righteous, and we should resist the urge to easily condemn, from our homes in what <a href="https://www.mup.com.au/books/after-mabo-paperback-softback">Tim Rowse has called</a> the “ongoing colonial encounter sometimes called ‘Australia’”.</p> <p>Indigenous people here speak of the lack of memorials on this land. But every bordered property is a site for dark tourism in Australia. Dark tourism is the effort to seek out destinations of violence and devastation, but it is not hard to see genocide from our front door in this country.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/240119/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/juliet-rogers-333488"><em>Juliet Rogers</em></a><em>, Associate Professor Criminology, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p><em>Image credits: Shutterstock </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/dark-tourism-is-attracting-visitors-to-war-zones-and-sites-of-atrocities-in-israel-and-ukraine-why-240119">original article</a>.</em></p> </div>

Travel Trouble

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Climate change threatens Australian tourism more than is widely believed. Here’s why

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/freya-higgins-desbiolles-181651">Freya Higgins-Desbiolles</a>, <a href="https://theconversation.com/institutions/university-of-south-australia-1180">University of South Australia</a></em></p> <p>Right now, Australia is one of the <a href="https://www.weforum.org/publications/travel-tourism-development-index-2024/">top five</a> tourist destinations in the world, a distinction the World Economic Forum says it shares with only the United States, France, Spain and Japan.</p> <p>So important is tourism to Australia’s economy that the best estimates are it employs <a href="https://www.tra.gov.au/en/economic-analysis/state-of-the-industry">655,000</a> people, 12 times as many as <a href="https://www.abs.gov.au/statistics/labour/employment-and-unemployment/labour-force-australia-detailed/jul-2024">Australia’s coal industry</a>.</p> <p>And most of them are employed in <a href="https://www.zurich.com.au/content/dam/au-documents/files/zurich-mandala-climate-risk-index-the-impact-of-climate-change-on-the-australian-tourism-industry.pdf">regional locations</a>, where jobs are scarce.</p> <p>This month a report by the Zurich insurance group and the economic consultancy Mandala found <a href="https://www.zurich.com.au/content/dam/au-documents/files/zurich-mandala-climate-risk-index-the-impact-of-climate-change-on-the-australian-tourism-industry.pdf">half</a> of Australia’s top 178 tourism assets were at risk from foreseeable climate change.</p> <p>There are reasons to believe its findings underplay what we are facing.</p> <h2>All major airports, all national parks at risk</h2> <p>The Zurich-Mandala report examines the impact of a 2⁰C increase in global temperatures on only eight so-called “climate perils”: wind, flood, heat, storm, drought, bushfire, hail and rain.</p> <p>It found that more than half of Australia’s top tourism assets faced a “significant risk from multiple perils” over the next 25 years, including all of Australia’s major airports.</p> <p>Scheduling disruptions and the closure of airports in extreme weather conditions were set to have major impacts on the transport of goods, the transport of tourists and accessibility for emergency services.</p> <p>All of Australia’s vineyards, national parks, scenic roads and railways were at risk.</p> <p>Queensland had the highest number of sites facing significant risk (79%) followed by Western Australia (69%) and the Northern Territory (63%).</p> <p>The report uses the impact of the 2019-20 <a href="https://www.aph.gov.au/About_Parliament/Parliamentary_Departments/Parliamentary_Library/pubs/rp/rp1920/Quick_Guides/AustralianBushfires">black summer bushfires</a> to estimate that 176,000 jobs might be at risk nationwide from predictable climate change, most of them outside of Australia’s capital cities.</p> <h2>Multiple and interacting threats</h2> <p>Here is why I am fearful that the report underplays the threat Australia’s tourism industry is facing.</p> <p>There are many more threats to tourism from climate change than wind, flood, heat, storm, drought, bushfire, hail and rain.</p> <p>One is the threat to biodiversity. Iconic animals and habitats are an important part of Australia’s brand.</p> <p><a href="https://www.abc.net.au/news/2020-07-28/3-billion-animals-killed-displaced-in-fires-wwf-study/12497976">Three billion</a> animals were killed or displaced in the black summer bushfires.</p> <p>The deaths caused <a href="https://www.theguardian.com/australia-news/2023/apr/01/alexis-wright-black-summer-bushfires-vigil-sydney-speech-3-billion-animals-killed-are-our-relatives-they-deserve-to-be-mourned">loss and grief</a> that risk indexes are incapable of capturing, but that nonetheless might make tourism less attractive.</p> <p>And biodiversity helps in another way by <a href="https://www.australianwildlife.org/wp-content/uploads/2019/12/Hayward-Et-Al.-2016-Could-biodiversity-loss-have-increased-Australias-bushfire-threat.pdf">protecting against bushfires</a>, meaning that as species vanish, other risks to tourism climb in ways that aren’t captured in the assumptions used to evaluate risk.</p> <h2>Threats unexamined</h2> <p>What makes holiday locations unattractive is hard to measure, but is fed by extreme weather events.</p> <p>Although temporary, the smoke and heat from the 2019-20 bushfires made parts of Sydney, Melbourne and Canberra almost unlivable for a while, damaging the reputations of Australian capital cities in a way that is <a href="https://www.smh.com.au/national/nsw/not-a-good-look-bushfire-smoke-threatens-to-pollute-sydney-s-tourist-image-20191206-p53hpl.html">probably ongoing</a>.</p> <p>Another curious omission, especially curious given that the report was prepared by an insurance company, is the damage extreme weather events do to the insurability of tourism assets.</p> <p>The report is also silent on the effort to reduce carbon emissions on Australia’s desirability as an international destination.</p> <p>For many tourists, air travel is the only way to get to Australia and it is likely to become more expensive and also less attractive as tourists try to reduce their <a href="https://www.sciencedirect.com/science/article/abs/pii/S0959652614011810">carbon footprints</a>.</p> <p>Australia might increasingly become an Australian rather than an international destination.</p> <p>Our biggest upcoming international promotion, the 2032 Brisbane Olympic Games, might lose a good deal of its shine, with Queensland tourism assets at the greatest risk from climate change, and those risks set to climb over time.</p> <h2>The higher the temperature the bigger the threats</h2> <p>Zurich and the Mandala consultancy are to be commended for identifying 178 top tourism assets and examining eight types of risk they face.</p> <p>Their finding that just over half of them face serious threats from those risks is likely to be an underestimate because it excludes other risks and fails to examine the way in which some risks can intensify others.</p> <p>And they will be an underestimate if global temperatures climb by more than 2⁰C.</p> <p>The report says if global temperatures climb to 3⁰C above pre-industrial levels, 80% of the Australian sites it examined will face serious threats.</p> <p>Australia could attempt to limit the increase in global temperatures by taking up the opportunity to co-host the <a href="https://theconversation.com/its-a-big-deal-if-australia-and-the-pacific-are-chosen-to-host-un-climate-talks-heres-why-238320">2026 UN climate talks</a> with Pacific nations.</p> <p>It would give us a shot at making a difference and drawing attention to our present status as one of the world’s top tourism destinations.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/238768/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/freya-higgins-desbiolles-181651">Freya Higgins-Desbiolles</a>, Adjunct professor and adjunct senior lecturer in tourism management, <a href="https://theconversation.com/institutions/university-of-south-australia-1180">University of South Australia</a></em></p> <p><em>Image credits: Shutterstock </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/climate-change-threatens-australian-tourism-more-than-is-widely-believed-heres-why-238768">original article</a>.</em></p> </div>

Domestic Travel

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Australia's best regional town revealed

<p>As the weather starts to warm up and people begin planning their summer getaways, more and more Australians are opting for a quaint country getaway instead of a jam-packed city break. </p> <p>According to Tourism Research Australia (TRA), regional tourism numbers have increased overall in the 12 months leading up to March 2024, with many choosing to explore quieter corners of Australia. </p> <p>As a result of this new travel trend, <a href="https://travel.nine.com.au/destinations/aussie-travel-trends-index-best-regional-town-in-australia-voted-by-travellers-9travel-today-survey/0d308119-ede0-495f-9e71-c3b26b267ccf" target="_blank" rel="noopener">9Travel</a> released their results of the <a href="https://travel.nine.com.au/travel-survey" target="_blank" rel="noopener">Aussie Travel Trends Index</a> survey to find out which regional towns are the favourites of Australian travellers, with the top ten towns being crowned.</p> <p>While NSW received the highest number of visitors to regional areas, according to the TRA data, it was in fact Daylesford in Victoria that was voted as Australia's favourite regional town.</p> <p>Located in the foothills of the Great Dividing Range of Victoria, Daylesford is known for its natural mineral springs, Botanical Gardens and quaint city centre. </p> <p>Daylesford and Cairns are the most popular regional towns to visit for around 1 in 4 respondents; followed closely by the Gold Coast, Launceston, Barossa, Bendigo, and Ballarat.</p> <p>Nearly a quarter of respondents, (23 percent) named Cairns as their favourite regional town, Tasmania also received 20 percent of respondents sharing their love for the town of Launceston.</p> <p>Check out the top 10 list of best Australian regional towns below.</p> <p>1. Daylesford, VIC</p> <p>2. Cairns, QLD</p> <p>3.  Gold Coast, QLD </p> <p>4. Launceston, TAS</p> <p>5. Barossa, SA</p> <p>6. Bendigo, VIC</p> <p>7. Ballarat, VIC</p> <p>8. Orange, NSW</p> <p>9. Berry, NSW</p> <p>10. Mudgee, NSW</p> <p><em> Image credits: Shutterstock </em></p>

Domestic Travel

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Crowds, water guns and protests: could ‘slow tourism’ be the answer to an overtourism backlash?

<div class="theconversation-article-body"><em><a href="https://theconversation.com/profiles/amy-errmann-1360032">Amy Errmann</a>, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137">Auckland University of Technology</a></em></p> <p>With overtourism in the spotlight as the travel industry continues to rebound after the pandemic, popular destinations around the world are feeling the strain.</p> <p>Bali is overwhelmed by <a href="https://thebalisun.com/concerns-increasing-about-impact-of-trash-and-traffic-on-bali-tourists/">waste and traffic</a>, Australia’s sacred sites have suffered <a href="https://www.bbc.com/news/world-australia-50151344">environmental damage</a>, New York is facing rising rents <a href="https://www.theguardian.com/us-news/2023/oct/23/new-york-airbnb-crackdown-rules-housing">due to short-term rentals</a>, and Singapore’s scenic spots are becoming <a href="https://www.channelnewsasia.com/singapore/overtourism-locals-tourists-sustainable-tourism-stb-focus-4517681">clogged with crowds</a>.</p> <p>Frustrated locals are pushing back – from <a href="https://www.nzherald.co.nz/travel/barcelona-locals-spray-tourists-with-water-guns-during-protest-over-housing-costs/FUFHXKO5X5F5NNPSU6ELNVGSIA/">spraying water at tourists </a> in Barcelona to <a href="https://adventure.com/venice-locals-squatting-against-overtourism-photography/">organising protests in Venice</a>. As the northern hemisphere high season ends, Aotearoa New Zealand is preparing for an influx of visitors ahead of its summer tourism season.</p> <p>And much like those other <a href="https://www.nytimes.com/2024/09/08/world/europe/greece-cruise-ships-tourists-islands.html">tourist hotspots</a>, the government is looking at how to manage the negative effects of tourism on local communities and the environment. This includes tripling the <a href="https://www.theguardian.com/world/article/2024/sep/04/new-zealand-to-nearly-triple-tourist-tax-for-international-visitors">international tourist tax</a> from NZ$35 to $100.</p> <p>The aim of the increase is to <a href="https://www.theguardian.com/world/2022/aug/11/new-zealand-tourism-minister-makes-pitch-to-the-rich-as-he-spurns-10-a-day-travellers">attract tourists</a> who are more mindful of their impact and willing to contribute to its mitigation, while also <a href="https://theconversation.com/welcome-to-nz-now-pay-up-the-risks-and-rewards-of-raising-the-foreign-tourist-tax-232138">reducing visitor numbers</a> to protect the country’s unique landscapes and cultures.</p> <p>But are there other ways the tourism industry can evolve to ensure benefits for both travellers and the communities they are visiting? So called “slow travel” could be the answer.</p> <h2>Hunting the perfect photo</h2> <p>Overtourism isn’t just about too many people in one place. It’s also about <em>how</em> people travel.</p> <p><a href="https://edition.cnn.com/travel/social-media-tourism-effect-scn-wellness/index.html">Instagram-famous</a> landmarks draw massive crowds, <a href="https://www.rnz.co.nz/news/national/406195/visitors-ignore-ban-continue-to-visit-mermaid-pools-in-northland-hapu">disrupting local life</a> and sometimes even <a href="https://www.nzherald.co.nz/travel/vermot-town-famous-for-fall-foliage-bans-instagram-tourists-from-streets/BHKEYKKUTNHORFT6QCZ5TW333A/#google_vignette">leading to closures</a>.</p> <p>Travellers often pack their itineraries with as many sights as possible, racing from one place to another in a frenzy to capture the perfect photo. This hurried approach not only creates <a href="https://www.cntraveler.com/galleries/2015-06-19/barcelona-bhutan-places-that-limit-tourist-numbers">congestion</a> but also limits <a href="https://www.nature.com/articles/s41599-024-02859-z">meaningful engagement with the destination</a>.</p> <p>And it’s not just a numbers game. The way tourists behave also plays a critical role.</p> <p>A <a href="https://www.rnz.co.nz/national/programmes/ninetonoon/audio/2018690535/tropical-trash-the-impact-of-holidaying-in-the-pacific">2019 report</a> from the United Nations raised concerns about trash from tourists in developing small island states, including the Pacific Islands. According to the report, a tourist visiting these communities produced about 7kg of waste a day, compared to about 2.5kg produced by a local.</p> <p>The issue is not necessarily about travelling less, but about <a href="https://www.sciencedirect.com/science/article/pii/S2211973623000284">travelling more responsibly</a>. The tourism industry needs to be encouraging travel habits that allow both visitors and locals to enjoy tourism without compromising the integrity of the destination.</p> <h2>The rise of slow travel</h2> <p>Mindfulness – being fully present in the moment – has gained popularity since the 1970s. The concept has influenced a number of sectors, including <a href="https://slowfoodauckland.co.nz/">slow food</a>, <a href="https://ourwayoflife.co.nz/slow-fashion-101-what-to-buy-and-what-to-avoid-to-reduce-your-clothing-footprint/">slow fashion</a>, and now <a href="https://www.lakewanaka.co.nz/wanaka-stories/how-to-be-a-slow-mindful-traveler-in-wanaka/">slow travel</a>.</p> <p>It’s about <a href="https://link.springer.com/chapter/10.1007/978-3-031-63569-4_44#:%7E:text=Slow%20travel%2C%20mindful%20travel%2C%20or,spiritual%20well%2Dbeing%20of%20people">experiencing destinations</a> at a relaxed pace, focusing on deeper connections with local cultures and sustainability. This often means <a href="https://guestnewzealand.com/about-us/eco-travels-new-zealand/">staying longer in fewer places</a> and choosing eco-friendly transport.</p> <p>Understanding slow travel and mindfulness is important because they create <a href="https://www.forbes.com/sites/rogersands/2024/06/08/the-beauty-of-slow-travel/">richer, more memorable experiences</a>. Fast, <a href="https://www.sciencedirect.com/science/article/pii/S0261517724000487">hectic travel</a> often leaves little positive impact. Slow immersive travel, on the other hand, fosters lasting memories and reduces overtourism, pollution and cultural damage.</p> <p><a href="https://www.tandfonline.com/doi/full/10.1080/00913367.2024.2325144">Research</a> shows when we consciously immerse ourselves in our surroundings we can have more meaningful experiences. Surprisingly, <a href="https://www.sciencedirect.com/science/article/pii/S0261517724000487">even luxury travel</a> – often dismissed as wasteful – can encourage respect and mindfulness for those who invest financially and mentally in their journey, unlike cheaper, mainstream tourism.</p> <p>Activities such as “<a href="https://www.sciencedirect.com/science/article/pii/S2666957921000197">forest bathing</a>”, <a href="https://www.visitutah.com/articles/mindful-hiking">hiking</a> or engaging with <a href="https://www.outofyourcomfortzone.net/a-guide-to-slow-travel-immersing-yourself-in-local-cultures/">local cultures</a> <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6723984/">boost wellbeing and meaning</a>, going beyond just “taking a photo for likes”.</p> <p>This mindful approach can <a href="https://www.sciencedirect.com/science/article/pii/S0160738321001419">change our behaviour on a personal level</a>. By focusing attention on fewer experiences, <a href="https://www.tandfonline.com/doi/full/10.1080/00913367.2024.2325144">travellers can heighten</a> their sense of awe and appreciation, making the travel more memorable.</p> <p>This idea is evident in “<a href="https://journals.sagepub.com/doi/abs/10.1177/002216786200200102?casa_token=PrIQTkCMjx0AAAAA:wtswfg0cuEuQec0zVg-Mbf9MuXYoqhQkWbaQCGdjxWkYUpVOwBu8Op5jC6V4nOghnow3xpwN3fDn">peak experiences</a>”. Disney, for example, creates <a href="https://ideaexchange.uakron.edu/docam/vol9/iss2/6/">emotionally-charged moments</a> that stick in visitors’ minds. Other experiences, such as “<a href="https://journals.sagepub.com/doi/full/10.1177/14614448211072808">digital detoxes</a>” or <a href="https://academic.oup.com/jcr/article-abstract/45/6/1142/4999270">pilgrimages</a> can leave a contemplative impression.</p> <p>By concentrating on a single aspect of a visit, it <a href="https://www.sciencedirect.com/science/article/pii/S0160738320300797?casa_token=Np4PXLk5RqsAAAAA:Q3440A-lsf-XTAWuboPPbIcnvBAhk8nnIoWyF-gynHkSPmyPaykzfpBhTLbFDBHZEX0bbtZJgQ">becomes special and memorable</a>. Even in busy places like Disneyland, focusing on one unique element can make the experience feel slower and more meaningful.</p> <h2>The sustainability of tourism</h2> <p>In the <a href="https://www.sciencedirect.com/science/article/pii/S0261517724000487">Faroe Islands</a>, slow travel helps protect local traditions and landscapes by encouraging thoughtful visitor behaviour, such as using local guides to minimise environmental impact.</p> <p>New Zealand can leverage its natural beauty to offer similar immersive experiences. <a href="https://www.nzherald.co.nz/travel/travel-well-what-is-mindful-hiking-walking-for-wellbeing-boost/67MYS6ZSNXC7ZH6OTZ2DLBGFL4/">Tramping</a> (hiking), for example, can promote a mindful connection with the environment.</p> <p>But even here, there needs to be a focus on balancing tourism with preservation. Popular spots, such as the Department of Conservation huts and the Te Araroa Trail, are <a href="https://www.wildernessmag.co.nz/te-araroa-trail-shows-pressure/">already becoming crowded</a>. It is essential to educate visitors on <a href="https://www.mpi.govt.nz/outdoor-activities/tramping-tips-to-prevent-spreading-pests-and-diseases/biosecurity-considerations-walking-and-tramping/">responsible practices</a> – such as cleaning equipment – to ensure they understand their <a href="https://www.doc.govt.nz/heritage-and-visitor-strategy#:%7E:text=The%20natural%2C%20cultural%20and%20historic,wellbeing%2C%20enabling%20communities%20to%20thrive.">role in protecting nature</a>.</p> <p>Travel that fosters a deeper appreciation for local cultures and environments benefits both visitors and the destinations they explore. The challenge is finding the right balance – encouraging meaningful travel experiences while still ensuring accessibility for all.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/238316/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/amy-errmann-1360032">Amy Errmann</a>, Senior Lecturer, Marketing &amp; International Business, <a href="https://theconversation.com/institutions/auckland-university-of-technology-1137">Auckland University of Technology</a></em></p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/crowds-water-guns-and-protests-could-slow-tourism-be-the-answer-to-an-overtourism-backlash-238316">original article</a>.</em></p> </div>

Travel Trouble

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Outrage as Paralympian gets disqualified for "unfair" reason

<p>Elena Congost, had just finished the T12/B2 run in third place, but was disqualified and had the bronze medal taken from her, for this one simple move. </p> <p>The 36-year-old was running in the vision-impaired category with guide Mia Carol Bruguera. When her guide faltered with a cramp in the final metres before the finish line, Congost instinctively helped him from falling over and let go of the rope that binds them together.</p> <p>This is not allowed within Paralympic rules as all runners must be connected to their guide via a tether. </p> <p>As a result, Japan’s Misato Michishita was elevated to the bronze medal after finishing fourth.</p> <p>In a heartbreaking interview after the race, a devastated Congost said: “It’s unfair, surreal.” </p> <p>“The next athlete was three minutes behind me. It was just a reflex action that any human being would have done – holding on to someone who is falling.”</p> <p>“But that doesn’t mean that there is any kind of benefit or help. In fact, it is clear that I stop dead.</p> <p>“I can’t find any explanation for this. It’s sad because, in addition, I had just been without a scholarship. And I’m not going to get one now. They will leave me out of everything again when I have shown everything I can do.</p> <p>“I have not been disqualified for cheating, but for being a person, for helping someone.”</p> <p>In a separate interview with Spanish outlet Marca, she said that despite being disqualified, she is proud of her actions. </p> <p>“I would like everyone to know that I have not been disqualified for cheating, but rather I have been disqualified for being a person and for an instinct that comes to you when someone is falling and is to help or support them,” she said.</p> <p>“I’m devastated, to be honest, because I had the medal. I’m super proud of everything I’ve done and in the end they disqualify me because 10 metres from the finish line I let go of the rope for a second because a person next to me fell face first to the ground and I grabbed the rope again and we crossed the finish line.</p> <p>“The next athlete is three minutes away from me, so it was a reflex action of any human being to hold on to a person who is falling next to you.”</p> <p>Fans around the world were outraged at the disqualification verdict and have called for officials to overturn it. </p> <p>“Shame on you. Give the medal back to Elena Congost,” one fan wrote on X, formerly Twitter.</p> <p>“Where is the Olympic spirit? Elena Congost was disqualified after running 42km and helping her guide not to fall to the ground. She has lost the bronze medal and her sports scholarship. Disgusting," another wrote. </p> <p>"Give the medal to Elena Congost. This decision ruins the paralympics. How can you be called inclusive if you can’t help a person from falling?” a third added. </p> <p><em>Image: X</em></p> <p> </p>

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Paris makes controversial Olympics decision

<p>The mayor of Paris has caused an uproar amongst locals are announcing plans to keep the Olympic rings on the Eiffel Tower indefinitely. </p> <p>In an interview with Ouest-France, Mayor Anne Hidalgo said the iconic landmark will be keeping the Olympic symbol after the conclusion of the summer Games. </p> <p>“The decision is up to me, and I have the agreement of the IOC [International Olympic Committee]. So yes, they [the rings] will stay on the Eiffel Tower,” she said. </p> <p>The giant Olympic rings, measuring 29 meters wide and 15 meters high, were installed on the Eiffel Tower ahead of the Paris Olympics, which began on July 26th, and were set to be dismantled after the Paralympic Games draw to a close on September 8th. </p> <p>However, Hidalgo is pushing to keep them in place permanently, albeit in a lighter version, replacing the current 30-tonne structure.</p> <p>The plan has drawn mixed reactions from Parisians, with many slamming the idea and calling out the "defiling" of the iconic French landmark. </p> <p>“It’s a historic monument, why defile it with rings? It was good for the Olympics, but now it’s over, we can move on. Maybe we should remove them and return the Eiffel Tower to how it was before,” one local told French publication <em>France Bleu</em>.</p> <p>Descendant of the Eiffel Tower designer Gustave Eiffel even chimed in on the debate, as a family statement read, "It does not seem appropriate to us that the Eiffel Tower, which has become the symbol of Paris and the whole of France since its construction 135 years ago, has the symbol of an outside organisation added to it in a permanent way, whatever its prestige."</p> <p>The SOS Paris group, which campaigns to protect Paris's landmarks and environment, added, "The Eiffel Tower has a history of 135 years and surpasses a sports and media event of 17 days," while the chairman of the association Friends of the Champs de Mars, the park around the Eiffel Tower, said the idea "needed to be the subject of a wider consultation".</p> <p>However, some people were in favour of the rings remaining on the Eiffel Tower, as one local told the publication, “The Eiffel Tower is very beautiful, the rings add colour. It’s very nice to see it like this.” </p> <p><em>Image credits: Aimee Dilger/SOPA Images/Shutterstock Editorial </em></p>

Travel Trouble

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Brave bystanders praised after mass Sydney stabbing

<p>New details have emerged after multiple people were stabbed following a car crash in Sydney's south, on Sunday. </p> <p>Emergency crews were called to the intersection of Princes Highway and Old Bush Road at about 9am after receiving several triple zero calls about a crash. </p> <p>A 58-year-old man, who was known to police for "a number of matters" and suspected of carrying out the wild attacks, was allegedly found running from the scene by officers. </p> <p>He was later pursued on foot, tasered and taken into custody, and remains in Liverpool Hospital in serious condition, as he appeared to have inflicted a number of injuries to himself before the police arrived. </p> <p>A policeman was also injured during the arrest after the alleged offender stabbed him on his arm. </p> <p>A woman in her 40s, was allegedly being assaulted by the man as he drove, and is believed to be the partner of the alleged offender. </p> <p>“They were in a domestic relationship, there is no history that we are aware of, there is no apprehended violence orders between the two but definitely domestic related,” Superintendent Donald Faulds told a press conference on Sunday afternoon. </p> <p>“We believe the female was being assaulted in the car while the male was driving the vehicle at the same time.</p> <p>“A number of witnesses mentioned the car was driving quite erratically at the time and we believe that’s when the assault was occurring in the car and as result they then collided with another vehicle.”</p> <p>The female passenger was transported to hospital and is in a critical condition. </p> <p>Three other people were also injured, after they had rushed over to the accident to help. </p> <p>It is alleged that he had a box-cutter. </p> <p>“A number of members of the community stopped to assist occupants from both those vehicles,” the Superintendent said. </p> <p>“As community members were assisting one of the females out of one vehicle, a male got out of that vehicle. He was armed with what we believe to be a box cutter.”</p> <p>One witness reportedly told radio station 2GB that he saw a man get out of the car appearing to be armed with a box cutter, yelling “I’m going to kill you”.</p> <p>A NSW spokesman said of those injured, one male patient had sustained slash wounds to his arms and his neck and has been taken to Liverpool Hospital and is now in a serious but stable condition. </p> <p>A woman in her 40s was taken to St George Hospital with multiple stab wounds and is in critical condition. Another woman was hospitalised in a serious condition with a stab wound to the abdomen. </p> <p>The police officer sustained a large laceration to his arm and is in a stable condition. </p> <p>Superintendent Faulds praised the brave bystanders who went to assist those in the crash, without knowing what was about to unfold. </p> <p>“Amazing work, they’ve just turned up thinking it was a normal motor vehicle accident so they’ve obviously have gone to render assistance to both people and then they were faced with a male armed with a box cutter, quite frightening but very brave on those peoples’ behalf,” he said. </p> <p>He has asked the community to reach out to Crime Stoppers or Sutherland Police if they have any information about the incident. </p> <p><em>Images: Nine News</em></p>

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Norway praised for “best tourism commercial” ever

<p dir="ltr">A Norwegian tourism company has been praised after their no nonsense tourism ad for capital city Oslo went viral. </p> <p dir="ltr"><a href="https://www.visitoslo.com/en/" target="_blank" rel="noopener">Visit Oslo</a> shared their new ad campaign that features local 31-year-old Halfdan, who shares all the noteworthy things about his home city. </p> <p dir="ltr">Opening the video, Halfdan bluntly says, “I wouldn’t come here, to be honest.”</p> <p dir="ltr">He goes on to touch on how easy Oslo is to navigate, the uniqueness of the city, how easy it is to explore and how delicious the food is, with a unique style of delivery. </p> <p dir="ltr">“You can just walk from one side of town to the other in like 30 minutes – try that in New York or Paris,” he says.</p> <p dir="ltr">He visits a museum and adds, “If you don’t have to stand in line for a couple of hours is it even worth seeing?”</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/C8eYik2q09F/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/C8eYik2q09F/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Visit OSLO (@visitoslo)</a></p> </div> </blockquote> <p dir="ltr">Addressing the camera in front of Norwegian artist Edvard Munch’s famous ‘The Scream’, Halfdan deadpanned, saying it is “not exactly the Mona Lisa”.</p> <p dir="ltr">When discussing Oslo’s dining culture, Halfdan complains, “Sometimes I just walk right in off the street and get a table, and I’m not even famous. I mean what does that tell you?”</p> <p dir="ltr">The new ad, which launched in June, was led by director August Jorfald, who believes more tourists want authenticity rather than just taking pictures at iconic landmarks.</p> <p dir="ltr">“I don’t want Disney World. I want to be at someone’s kitchen table and drink wine from a milk glass,” he told <em>BBC</em>.</p> <p dir="ltr">The video, which has racked up hundreds of thousands of views across social media channels, has been praised by many with one person saying the video “Might’ve been the best tourism ad I’ve ever seen.”</p> <p dir="ltr">Another comment described the video as “a masterpiece in reverse psychology”, while others said they had booked their flights to the city after seeing the ad. </p> <p dir="ltr">“I think this is the best tourism commercial I’ve ever seen. And yes, it makes me want to visit Oslo,” read one top comment attracting thousands of likes in support.</p> <p dir="ltr">“Norwegian humour is on another level,” said another.</p> <p dir="ltr">“By far the best bit of marketing I’ve seen in a long while. Give them a raise! Oh wait it’s Norway, they’re already paid properly,” quipped someone else.</p> <p dir="ltr"><em>Image credits: Visit Oslo</em></p> <p> </p>

International Travel

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"Just magical": Aussie Olympians return home in triumph

<p>Australia’s Olympians returned home to a heroes' welcome after the most successful Olympic campaign in the nation’s history.</p> <p>Touching down early Wednesday morning, the athletes were greeted with cheers and applause, marking the end of an extraordinary journey from Paris.</p> <p>The first group of Olympians, including gold medal stars pole vaulter Nina Kennedy and boxer Charlie Senior, landed in Perth to an enthusiastic crowd of family, friends and fans. Kennedy, who secured her gold medal in Paris, expressed her joy, stating, "There is one thing on my list of things I always wanted to do was become Olympic champion...No one can take it away from me." Senior, who won bronze, was equally thrilled, saying, “Coming home is the best feeling out of it all."</p> <p>The celebrations continued on the east coast as another plane full of Australian athletes, adorned with "Go Australia" written in green and gold, arrived in Sydney. Prime Minister Anthony Albanese personally welcomed the team, and popstar Jessica Mauboy, along with The Qantas choir, performed to honour the athletes.</p> <p>Among the first to disembark were dual gold medal canoeist Jessica Fox and swimmer Kaylee McKeown, who made history by becoming the first Australian to win four individual Olympic gold medals. Emotional reunions followed, with McKeown embraced by her family and <em>Today</em> host Sarah Abo, and swimmer Ariarne Titmus shedding tears as she reunited with her parents.</p> <p>Titmus, who played a key role in Australia’s success, shared her excitement for the future, saying, "I think the country just revels in the Olympic experience...I'll enjoy that. Forget about something for a while and just spend some time with my friends and family."</p> <p>The athletes, including young talents like 14-year-old skateboarder Arisa Trew and BMX gold medalist Saya Sakakibara, were praised for their incredible performances. Retired Olympic swimmer Giaan Rooney spoke at length on the significance of their achievements, calling the homecoming "monumental" and "magical".</p> <p>"It was just magical. Paris was magical," she said. "Our athletes were incredible. But really I need to tell you, this is enormous because I came home on the charter flight in 2004 after the Athens Olympics, and back then there wasn't social media or anything like that. You didn't understand the enormity of what you had done or what it meant to be an Aussie at that point, until you landed on this charter flight. So for these athletes, this is just going to blow their minds.</p> <p>"Seeing their family, their friends, everyone that's here to support them after what they've done, it's just going to be magical. It was monumental."</p> <p>Australia's medal tally from the Paris Games was nothing short of historic, with 18 golds, 19 silvers and 16 bronzes, making it the country’s most successful Olympics ever. The 18 gold medals surpassed the previous record of 17 from both the 2004 Athens Games and the Tokyo Olympics three years ago. The total of 53 medals also set a record for an away Games, second only to the 58 medals won at the Sydney 2000 Games.</p> <p>Australia’s success spanned across 14 sports, with five athletes defending their Olympic crowns, including sailor Matt Wearn, paddler Jessica Fox, skateboarder Keegan Palmer and swimmers Kaylee McKeown and Ariarne Titmus.</p> <p>As the nation celebrates these incredible achievements, the athletes look forward to a well-deserved break, surrounded by the love and support of their families and fellow Australians. Their remarkable performances in Paris have not only made history but also inspired a new generation of sporting men and women across the country.</p> <p>Images: <em>Today</em></p>

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