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David Walliams' explosive new claims against BGT bosses

<p>David Walliams has claimed he has suffered suicidal thoughts since being dropped as a judge from <em>Britain's Got Talent</em>, according to court documents. </p> <p>The explosive claims have been documented in the high-profile case with the UK High Court, which began after Walliams was axed from the popular TV show following a leaking of a hot mic conversation. </p> <p>The 52-year-old was unknowingly being recorded when he made <a href="https://oversixty.com.au/finance/legal/david-walliams-sues-bgt-over-leaked-rant" target="_blank" rel="noopener">vile comments</a> about contestants, and was subsequently asked to leave the show after a decade on the judging panel. </p> <p>Now, Walliams is suing Fremantle Media after they allegedly “recorded, transcribed and retained” private conversations for ten years from Walliams and the other judges on the show. </p> <p>He alleges they collected private and sensitive details of conversations throughout his time on the family favourite series, and he claims fellow judges Simon Cowell, Amanda Holden and Alesha Dixon were monitored the same way by production staff.</p> <p>Walliams, who says he has ­suffered suicidal thoughts after being cancelled from public life, is seeking £1 million (A$1.9 million) he stood to get from the prime-time ITV show, plus £1.7 million (A$3.25 million) in lost earnings from the last year.</p> <p>He wants an additional £3.4 million (A$6.5 million) covering future losses over at least the next two years, taking the total to £6.1 million (A$11.65 million).</p> <p>In addition he is seeking further unspecified damages for psychiatric harm, distress and upset and the loss of control over his private information and legal costs, which sources say could bring the total up to as much as £10 million (A$19 million).</p> <p>The court documents claim that Walliams was uninvited from an official royal event to read at the Commonwealth Writing Competition with Queen Camilla at Buckingham Palace, after he was dropped from <em>BGT</em>. </p> <p>He said in that time after he left the show, he has received only one new work booking, having “catastrophic results for his reputation and career”.</p> <p>Walliams says he is now fighting “active suicidal thoughts” and has “lost the ability to be funny” amid fears that whatever he says or does will be used against him.</p> <p>In the lengthy court documents, Walliams says the fallout destroyed his “reputation and career” as a comedian, TV personality and children’s author.</p> <p><em>Image credits: Getty Images</em></p>

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David Walliams sues BGT over leaked rant

<p>David Walliams is suing <em>Britain's Got Talent</em> over a foul-mouth hot mic rant that was leaked. </p> <p>The former <em>BGT</em> judge is seeking significant damages after show bosses stunned viewers with the announcement he had quit the show in November 2022 after 10 years on the judging panel. </p> <p>The comedian abruptly left the show after a transcript of vile comments he made about contestants while his microphone was on during a filming break was made public. </p> <p>In the leaked transcript he called an elderly gentleman a “c***” three times, and said of another contestant, “She thinks you want to f*** her, but you don’t”.</p> <p>The vulgar remarks were made during an auditions round at the London Palladium in January 2020, and were then leaked to the media. </p> <p>After the transcript was made public, Walliams issued a grovelling apology, while his legal team argued he had never intended for his remarks to be heard by contestants or the public.</p> <p>Despite his apology, Walliams resigned from the show two weeks later. </p> <p>Walliams, who is a hugely popular figure in the UK, filed legal proceedings at London’s High Court last week.</p> <p>The star is accusing Fremantle, the studio behind the ITV talent show, of a data protection breach over the leaked transcript which ultimately ended his decade-long judging career.</p> <p>In a statement issued before he quit, Walliams said, “I would like to apologise to the people I made disrespectful comments about during breaks in filming for <span id="U83896596806R9D"><em>Britain’s Got Talent</em> </span>in 2020."</p> <p>“These were private conversations and – like most conversations with friends – were never intended to be shared. Nevertheless, I am sorry.”</p> <p><em>Image credits: Getty Images</em></p> <div class="media image" style="box-sizing: inherit; margin-bottom: 24px; display: flex; flex-direction: column; align-items: center; width: 705.202209px; max-width: 100%;"> </div>

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“Devastated”: Britain's Got Talent star dies at 52

<p dir="ltr"><em>Britain’s Got Talent</em> star Paula Moulton has died at 52-years-old.</p> <p dir="ltr">Paula, who was part of the wheelchair dance act Strictly Wheels, became a fan favourite when she appeared as a contestant on the hit show in 2012 with her dance partner Gary Lyness.</p> <p dir="ltr">Her death was announced on the <em>Strictly Wheels</em> Facebook account on Thursday. “We are devastated to announce the sudden passing of our co-founder Paula,” the post began.</p> <p dir="ltr">“Our thoughts are with her family and friends at this extremely sad time. Paula's legacy will always live in our memories from her utter joy of dance.”</p> <p dir="ltr">Although the cause of death has not yet been confirmed, Paula had been struggling with the effects of her battle with the MRSA superbug, which she contracted in 1995 after suffering from pneumonia.</p> <p dir="ltr">The infection left her with nerve damage which impacted her pelvis, lower spine, hips and femurs.</p> <p dir="ltr">Despite this Paula didn’t let it crush her spirit, and alongside her partner Gary, she has achieved a lot over her lifetime.</p> <p dir="ltr">In 2016 the pair launched the charity <em>Strictly Wheels</em>, as part of their mission to raise the profile of wheelchair dancing and promote “Ability not Disability”.</p> <p dir="ltr">In 2018, they ranked eighth in the world in Latin Wheelchair Dance after competing in the World Para Dance competition at IPC Level.</p> <p dir="ltr">Fans have taken to the comment section to share their condolences.</p> <p dir="ltr">“My heart is broken! My deepest condolences to family and friends! She will be missed,” wrote one fan.</p> <p dir="ltr">“Paula Moulton was a wonderful dancer from Great Britain, who will be missed dearly ♡ she was warm and always welcomed newcomers with open arms. This is a huge shock to everyone involved with paradancesport all around the world. Our deepest condolences to her friends and family.❤️” wrote another.</p> <p dir="ltr">“I’m shocked and saddened to hear this - love and condolences to all, and rest in peace, Paula x” commented a third.</p> <p dir="ltr"><em>Images: Facebook</em></p>

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Tina Turner: an immense talent with a voice and back catalogue that unites disparate music lovers

<p><em><a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a></em></p> <p>On a few rare occasions (often at the end of a night), I’ve confided to my friends that Tina Turner was one of my biggest celebrity crushes. The revelation has usually been met with some surprise, and not unreasonably. Born in 1939, Tina was older than my mother and nearly 40 years older than me.</p> <p>But to me, she was a complete goddess from the moment I first encountered her. I vividly recall a white button-down shirt and figure-hugging blue jeans (probably the Foreign Affair tour of 1990) and an awakening of teenage desire.</p> <p>Turner has died aged 83. Reflecting now on her 50-year-long career, I can see the threads that made her the perfect icon for the young queer feminist I was in the early 90s. She was a strong and resilient woman who escaped the control of abusive men and went on to forge a stronger solo career afterwards.</p> <p>But her music also pushed boundaries of genre in ways that start to defy categories of gender, race and age, thereby changing the way female performers could be thought of.</p> <p>In 1967, Turner was both the first Black artist and woman to appear on the cover of <a href="https://www.rollingstone.com/music/music-pictures/tina-turner-rolling-stone-covers-916255/">Rolling Stone</a>. She remains the only Black woman to have been inducted twice into the Rock and Roll Hall of Fame. In 2013, she became the oldest person (at 73) to appear on the <a href="https://www.thecut.com/2013/03/tina-turner-oldest-vogue-cover-model.html">cover of Vogue</a>.</p> <p>Vocally, Turner was raised in the church, Spring Hill Baptist Church in Nutbush, specifically. However, her voice was different from the others she came up alongside.</p> <p>Unlike Dionne Warwick, Aretha Franklin or Diana Ross, Turner’s voice had a grit and a rasp, qualities that always added an unexpected edge to her early work. It was also a sound that enabled her to move beyond soul and blues in her solo career.</p> <h2>A genre-fluid singer</h2> <p>Turner’s first solo album (in 1974) was country, replete with steel guitars and talk of the bayou. The very next year, she performed the role of the <a href="https://www.youtube.com/watch?v=2rJGX8uqoL8&amp;ab_channel=StevenPrestidge">Acid Queen</a> in film of The Who’s psychedelic operetta fantasy, Tommy. The role gave its name to an album featuring several notable rock covers by Turner, such as Led Zeppelin’s Whole Lotta Love.</p> <p>Famously, she escaped from an abusive relationship with her singing partner Ike Turner, securing the rights to her stage name to her comparative financial detriment in their divorce settlement in 1978. Ike exerted his dominance in plain sight, slipping verbal threats of violence into <a href="https://youtu.be/FqdhfwUd2lk?t=88">a live performance of I’ve Been Loving You Too Long</a> at a concert in Ghana (1971).</p> <p>From the early 1980s, Turner made what has repeatedly been described as one of the most remarkable career comebacks of the century. The chart success of her cover of Al Green’s <a href="https://www.youtube.com/watch?v=4rFB4nj_GRc&amp;ab_channel=TinaTurner">Let’s Stay Together</a> (1983) came from left of field and the ensuing album, Private Dancer (1984) went platinum five times.</p> <figure><iframe src="https://www.youtube.com/embed/d4QnalIHlVc?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Private Dancer represented another musical turn, this time towards the electro-synth pop world inhabited by Heaven 17, whose Rupert Hine and Martyn Ware produced several of the songs.</p> <p>The title song of the album exemplifies the narrative of Tina as a feminist powerhouse. Even 40 years on, the idea of a woman in her mid-40s singing a pop song about sex work is somewhat surprising.</p> <p>It’s not just an allusion to sex work (like, for instance, Blondie’s Call Me). And it’s far from the many songs about female sex workers written and performed by men (take Roxanne by The Police or Killer Queen by Queen for instance).</p> <p>Private Dancer is an explicit and unambiguous declaration of female desire and power in the first person. If anyone were in any doubt that Beyoncé owes a great deal to Turner’s trailblazing, her video for <a href="https://www.youtube.com/watch?v=pZ12_E5R3qc&amp;ab_channel=Beyonc%C3%A9VEVO">Partition</a> is surely evidence, being a direct descendant of Private Dancer with its cage-dancing sex show.</p> <p>Over her 14 solo albums, Turner developed a remarkable capacity to push through boundaries and exist between categories. Along the way, she also changed how a woman in popular music was positioned for consumption. This magic made her fans in all sorts of music listeners.</p> <h2>A musical uniter</h2> <p>Turner’s musical agility allowed her to inhabit contradictory musical spaces simultaneously. For instance, there is the Tina Turner who makes regular appearances on the setlists of DJs at retro club nights, inspiring inebriated patrons to shake their tail feathers in unison.</p> <p>There is an exuberance here that crosses times and identities to bring a crowd together in the ritual of “rolling on the river”. It’s a song that also invites all shades of <a href="https://www.youtube.com/watch?v=GLUJz5xrdds&amp;ab_channel=ThatRPDRChannel">drag performance to honour it</a>.</p> <figure><iframe src="https://www.youtube.com/embed/GC5E8ie2pdM?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>Then there is the Tina Turner who appears – frequently as the only woman, and perhaps uniquely as a Black woman – on compilations targeted at a predominantly male audience.</p> <p>The world of “dad rock” and “driving anthems” is a stronghold of largely white, male baby boomers. Think Robert Palmer, ZZ Top, The Jam and Whitesnake. There alongside them is Turner with songs like The Best, We Don’t Need Another Hero and Nutbush City Limits.</p> <p>Tina Turner’s capacity to transcend these borders of genre, and with them, borders of race, age, and gender, is what made her the absolute legend that she was. To me, it will also always represent a hybridity that calls to my identity as a queer feminist.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206526/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/freya-jarman-535397">Freya Jarman</a>, Reader in the Department of Music, <a href="https://theconversation.com/institutions/university-of-liverpool-1198">University of Liverpool</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/tina-turner-an-immense-talent-with-a-voice-and-back-catalogue-that-unites-disparate-music-lovers-206526">original article</a>.</em></p>

Music

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"What a FIGHTER!": Susan Boyle reveals secret health scare during comeback

<p>Singing sensation Susan Boyle surprised her fans with an unexpected appearance on<em> Britain’s Got Talent </em>for the competition’s extravagant final. </p> <p>Boyle, who had previously appeared on the show herself in 2009, took to the stage with the cast of the West End’s <em>Les Miserables</em> for a performance of the song ‘I Dreamed a Dream’ - the same one she auditioned with when she was a competitor. </p> <p>And fans were treated to one more song, with the ensemble joining Boyle for a rendition of ‘Do You Hear The People Sing?’ too. </p> <p>Once the crowd’s delighted applause had quietened, Britain’s Got Talent hosts Ant and Dec approached Boyle, gushing over her as they welcomed her back to the stage. </p> <p>“It is so lovely to see you,” Dec declared. “It’s hard to believe you appeared on this show in 2009 - fourteen years ago. How does it feel to be back at <em>BGT</em>?” </p> <p>“It feels great,” Susan told him, to further cheering from the audience. </p> <p>She went on to share that the whole affair was “extra special” to her, before revealing that “last April there, I suffered a minor stroke.”</p> <p>The theatre was quiet, everyone taken by surprise, before Boyle announced that she’d “fought like crazy to get back on stage, and I have done it.”</p> <p>As Dec shared that they were “thrilled” to hear of her triumphant return, cheers rang out once again, and applause echoed throughout the room in celebration of Boyle. </p> <p>When judge Simon Cowell - who was present for Boyle’s audition as well - was asked how it felt to see her back on the stage, he noted that it was “unbelievable”. </p> <p>“Susan, we owe you so much,” he said, “and I knew you weren't well, but if anyone was going to come back, you were going to come back, because we wouldn't be the same without you. You are amazing."</p> <p>And when clips from her performance, and following reveal, made it online, fans wasted no time in sharing their love and support for the singer. </p> <p>“Huge huge respect for Susan Boyle,” one wrote. “Post stroke and absolutely smashing it on BGT tonight! Incredible!”</p> <p>“Good for her! Great to see her back!” another said. “Never ever be defined by an illness or disability. Never.”</p> <p>“Aww! Susan Boyle is an absolute superstar in every sense of the word, so humble,” one gushed. “It’s so good to see her back with her microphone!”</p> <p>And as someone else put it, “bless Susan Boyle, she spent her entire life not realising her full potential as a West End singer, to then go on to be one of the biggest stars to come out of #BGT. Her performance tonight had passion; she has real HEART and her having a stroke last year - what a FIGHTER!”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">⭐ STAGEY SMILE OF THE DAY ⭐</p> <p>Here's Lucie Jones &amp; Susan Boyle performing "I Dreamed A Dream" from Les Misérables, for the BGT grand final 🇫🇷 ✨ X x x <a href="https://t.co/nmIB5eo29c">pic.twitter.com/nmIB5eo29c</a></p> <p>— Theatre Fan (@ShaunTossell) <a href="https://twitter.com/ShaunTossell/status/1665467122053443586?ref_src=twsrc%5Etfw">June 4, 2023</a></p></blockquote> <p><em>Images: Twitter</em></p>

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Top-tier salaries for high-profile talents at Channel 9 revealed

<p>Ray Hadley has been named the highest paid talent at the Nine Network, with his contract extension earning him a reported $9 million. </p> <p>The 68-year-old talk back radio host will remain the morning show host at 2GB until the end of 2026, with the gig lining his pockets with around $3.5 million annually. </p> <p>With the news of Hadley's new contract making headlines, an insider at <em>Media Diary</em> has revealed what the other top talents at the Nine Network are earning in comparison. </p> <p>The second highest paid personality at the network is reportedly comedian and <em>Lego Masters</em> host Hamish Blake, who rakes in around $2 million per year.</p> <p>Coming in with salaries around the $1.5 million per year mark are the likes of <em>Today</em> host Karl Stefanovic, <em>A Current Affair</em> host Allison Langdon, 2GB breakfast host Ben Fordham and <em>The Block</em> host Scott Cam.</p> <p>Earning between $1 million and $1.2 million reportedly include veteran <em>60 Minutes</em> journalist Liz Hayes, <em>The Hundred</em> host Andy Lee, and 3AW presenters Neil Mitchell and Ross Stevenson.</p> <p><em>Nine News</em> journalist Peter Overton is said to make approximately $1 million a year, while <em>Today</em> co-host Sarah Abo and reality show host Sophie Monk are each said to net around $800,000.</p> <p>While the network does not disclose the salaries of each personality, an individual's annual pay is often leaked when star's renegotiate their contracts.</p> <p>When Lisa Wilkinson left the Nine Network in 2017 over a gender pay dispute, she reportedly signed a $2 million per year contract with Ten to co-host <em>The Project</em>.</p> <p>Also defecting from Nine, Sonia Kruger is said to have signed a $1.3 million contract with Seven as the co-host of <em>Dancing with the Stars</em>. </p> <p><em>Image credits: Today / Instagram</em></p>

Money & Banking

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“Incredibly gifted”: Homeless man stuns with piano talents

<p dir="ltr">A homeless man who sleeps in his car has amazed onlookers with his “incredible” piano talent. </p> <p dir="ltr">Shane has been taking to the piano every day and night in a pedestrian tunnel underneath the Queensland Performing Arts Centre in South Brisbane. </p> <p dir="ltr">The “incredibly gifted” man has drawn attention from listeners for his musical talents, despite never having any lessons, and never owning a piano. </p> <p dir="ltr">“I was just walking past and had to stop, absolutely amazing - it blows me away to be honest,” a man walking past told <a href="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_web_copy_link">7News</a>.  </p> <p dir="ltr">“One of the best piano players I have ever seen,” another onlooker said. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Crsn-qCp-Ue/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by 7NEWS Queensland (@7newsqueensland)</a></p> </div> </blockquote> <p dir="ltr">Shane said playing the piano has a therapeutic effect on him, and helps him escape his harsh reality of living in his car a few streets away from the theatre. </p> <p dir="ltr">“It takes me to a place out of reality, away from beyond whatever is around us. I can hear an orchestra in my head, the piano plays me rather than I play the piano,” he said. </p> <p dir="ltr">Shane doesn't know how to read music, or know any of the names of the keys, but couldn’t help being drawn to the instrument that is available for public use. </p> <p dir="ltr">After hearing the sound of a piano coming from a local ballet school in the area when he was a child, he has been enamoured by the piano and dreams of performing with others one day. </p> <p dir="ltr">Shane’s talents have gone viral online, with commenters being “gobsmacked” over the man’s “beautiful music”.</p> <p dir="ltr">“Wow! So incredibly gifted. I hope he gets his dream of playing with others,” one impressed viewer said.</p> <p dir="ltr">“We need more stories like this. What a remarkable man,” another wrote. </p> <p dir="ltr">“I hope someone can help this man, he needs a job in a restaurant playing nice music and getting well paid so he can rent a place to live and a happy life,” a third said.</p> <p dir="ltr"><em>Image credits: 7News</em><span id="docs-internal-guid-4a669515-7fff-a229-1488-381d00420f0a"></span></p>

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Britain’s Got Talent burned by 334 complaints after "insensitive" stunt

<p><strong>Warning: This article contains content that some readers may find disturbing.</strong></p> <p><em>Britain’s Got Talent</em> is in hot water with its 16th season after the second episode drew in a staggering 334 complaints - a total of 400 across both episodes, Ofcom reported. </p> <p>The stunt that caused the ire, dubbed “insensitive” and “unacceptable” by the public, saw a professional stuntman named Thomas Vu cover himself in a fire-retardant gel, before he was set alight and left to solve a Rubik’s Cube.</p> <p>In the wake of the stunt, hosts Ant and Dec were quick to issue a warning to viewers, telling them “do not try this at home, ever.” </p> <p>And when the clip was uploaded to the official <em>BGT</em> Twitter account, the text ‘do not try this at home’ is splashed across the video. </p> <p>However, distressed viewers still took to the comments section to share their distaste, with one writing that it was “absolutely ridiculous and irresponsible [and] should never have been allowed to be televised especially on a family programme!!”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Stuntman Thomas Vu solved the Rubik's cube in the most UNEXPECTED way: <a href="https://t.co/nSEWOokCSb">https://t.co/nSEWOokCSb</a></p> <p>Do not try this at home!<a href="https://twitter.com/hashtag/BGT?src=hash&amp;ref_src=twsrc%5Etfw">#BGT</a> <a href="https://t.co/awPLBTmaEf">pic.twitter.com/awPLBTmaEf</a></p> <p>— BGT (@BGT) <a href="https://twitter.com/BGT/status/1649110690987376642?ref_src=twsrc%5Etfw">April 20, 2023</a></p></blockquote> <p>“BGT totally ill-considered showing a guy setting himself on fire whilst solving a Rubik’s Cube,” tweeted another. “No thought to the fact that impressionable children watch the show.”</p> <p>“Don’t get me wrong,” one began, “people do crazy stuff and it’s their choice and that’s fine by me but maybe that last act should have been well after the 9pm watershed?? Not sure that kind of playing with fire thing is suitable for young kids who probably stay up to watch <em>BGT.</em>”</p> <p>“Like what has <em>BGT</em> come to when we set people on fire for entertainment,” someone else said on the matter. </p> <p>And as yet another user put it, “sorry but showing a man setting himself on fire on a ‘family’ show is not acceptable. Even with the mention ‘do not try this at home’.”</p> <p>Concern for children continued from there, with one tweeting “The Rubik’s Cube fire stunt on <em>BGT</em> was totally inappropriate. Did you not think about burn victims and how seeing this would affect them?”</p> <p>Meanwhile, others simply found the stunt to be insensitive, with one even referencing the 1965 Bradford City disaster when they wrote “I just find this insensitive to anyone that has been through any trauma caused by fire.”</p> <p>Criticism for the episode was so intense, coupled with the volume of complaints flowing in, that the show was forced to issue a statement, telling viewers “<em>Britain’s Got Talent </em>showcases a mix of variety acts to engage audiences. </p> <p>“In this case, it was made very clear on screen that this act should not be tried at home and the programme was subject to strict compliance rules."</p> <p><em>Images: Britain’s Got Talent / ITV</em></p>

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Junior staff are finding better contracts, senior staff are burning out: the arts are losing the war for talent

<p>In 1997, consulting firm McKinsey &amp; Company coined the term “<a href="https://www.fastcompany.com/34512/war-talent">the war for talent</a>” to define increasing labour shortages that had significant potential to impact organisational performance. </p> <p>The war for talent significantly impacted corporations at the time, creating a scarcity mindset and encouraging a wave of employee-focussed initiatives designed to attract and retain staff. </p> <p>For the most part, the arts and cultural sector have been sheltered from the war for talent over past decades. Global growth in creative oriented higher education coupled with the “<a href="https://blogs.lse.ac.uk/lsereviewofbooks/2016/04/26/book-review-be-creative-making-a-living-in-the-new-culture-industries-by-angela-mcrobbie/">romance of being creative</a>” has led to a steady stream of workers willing to enter the sector on low pay. </p> <p>However, in 2022 things have changed.</p> <p>Faced with labour shortages, arts and cultural organisations increasingly find it challenging to operate. In 2021, it was reported screen productions in Australia were <a href="https://www.abc.net.au/news/2021-09-24/high-demand-creates-film-skill-shortage/100479392">being jeopardised</a> due to lack of technical skills. </p> <p>Now, summer festivals are <a href="https://www.theguardian.com/music/2022/nov/07/will-australias-festivals-survive-a-wet-chaotic-expensive-summer">struggling to find</a> frontline workers, including security, stage crew, ticketing and transport. </p> <p>It’s not just entry-level positions that remain empty. </p> <p>After <a href="https://www.theguardian.com/culture/2021/may/11/australias-culture-of-ideas-suffers-when-we-starve-our-creative-institutions-of-funding">a decade</a> of funding cuts and policy neglect, followed by the stresses induced by COVID-19, I am observing arts leaders leaving to find secure, better paid and sustainable work elsewhere. </p> <p>In Australia’s increasingly tight labour market, the arts are finally facing a war for talent. </p> <h2>A culture of burnout</h2> <p>If we consider the role of the “arts manager”, it becomes easy to recognise why arts leaders are abandoning the industry.</p> <p>Arts leaders do not just support the creation of art. They are marketers, customer service specialists, supply chain and logistics experts, grant writers, human resources managers and – increasingly – risk managers. </p> <p>They are trying to bring back audiences post-COVID while juggling a contentious funding landscape that balances the need for revenue with audience, staff and artist <a href="https://overland.org.au/2021/09/the-arts-in-australia-need-to-break-up-with-fossil-fuels/">expectations</a> arts organisations do not partner with corporations that fail to align with organisational values.</p> <p>I am increasingly seeing young people leaving arts jobs for opportunities that recognise their skills and provide secure, better paid work. Art workers are highly valuable in today’s economy where creativity and innovation are seen as <a href="https://australiacouncil.gov.au/news/speeches-and-opinions/creative-skills-in-times-of-crisis-how-the-arts-can-help/">keys to success</a>.</p> <p>This lack of younger workers increases the workloads of senior staff, causing them to be burnt out and leave the sector, too.</p> <p>Staff shortages jeopardise the sector’s ability to get back on its feet after the brutal impact of COVID-19. Those that remain in our arts companies are exhausted, left trying to rebuild programs and audiences with fewer resources. </p> <p>While “<a href="https://theconversation.com/quiet-quitting-why-doing-less-at-work-could-be-good-for-you-and-your-employer-188617">quiet quitting</a>” gets media airtime, others in the sector are asking arts workers to embrace the mantra of “<a href="https://larsenkeys.com.au/2022/09/26/post-covid-or-post-burnout-less-is-necessary/">less is necessary</a>”.</p> <p>Individuals need to take action to address their wellbeing. Still, it is also necessary to consider the systems and structures that underpin our arts organisations and how they impact workers.</p> <h2>Structural issues</h2> <p>One way to address the war for talent is to increase the labour supply. </p> <p>Higher education providers who develop creative talent are lobbying for more resources to expand programs and are pushing for changes to the Job Ready graduate scheme that <a href="https://theconversation.com/the-inequity-of-job-ready-graduates-for-students-must-be-brought-to-a-quick-end-heres-how-183808">imposes higher costs</a> on arts and humanities graduates. </p> <p>The latest <a href="https://www.aare.edu.au/blog/?p=14754">Graduate Outcome Survey</a> shows that the employment outcomes of creative arts and arts and humanities graduates have increased over 20% since 2019. The high rates of graduate employability aligns with Australia’s historically low unemployment rate, but also demonstrates the value creative skills now hold in the broader economy.</p> <p>What these positive statistics do not tell us, however, is the working conditions of those employed. </p> <p>The arts are the original gig economy. Of the over 80% of arts and humanities graduates employed six months after graduation, how many earn a living wage? How many work in the arts? How many recent creative arts graduates are juggling multiple short-term contracts simultaneously to build skills, grow networks and cope with cost of living increases? </p> <p>As Australia’s labour market tightens, arts workers are realising they can take their skills to better paid jobs with secure contracts, in fields such as health, technology and management consulting.</p> <p>Unless arts organisations respond by providing similar security and career paths, the departure of talented workers will only continue. </p> <p>This loss of staff will not only impact the ability of organisations to operate today, but will also influence the make-up of arts organisations in the future. </p> <p>When only those who can afford to work under precarious conditions remain, the ability of the sector to attract and retain leaders from diverse communities <a href="https://www.artshub.com.au/news/features/how-do-we-stop-losing-artists-from-the-sector-2578669/">decreases</a>. </p> <h2>Decent work</h2> <p>Arts leaders eagerly await the launch of a new <a href="https://theconversation.com/a-new-national-cultural-policy-is-an-opportunity-for-a-radical-rethinking-of-the-importance-of-culture-in-australia-188720">National Cultural Policy</a>, hoping for significant change in how the arts are valued. </p> <p>Yet arts organisations need to also get their own house in order. </p> <p>Sustainable arts careers mean <a href="https://theconversation.com/the-crisis-of-a-career-in-culture-why-sustaining-a-livelihood-in-the-arts-is-so-hard-171732">decent work</a>. This means structural changes in how arts workers are employed, a shift away from the reliance on volunteers and <a href="https://www.smh.com.au/culture/art-and-design/why-is-a-major-sydney-arts-festival-working-with-google-to-offer-an-unpaid-internship-20220516-p5als1.html">incorrect appointment of unpaid interns</a>, low-wage casual or fixed-term roles to more secure and fairly paid employment. </p> <p>Many in the sector are championing change. The National Association for the Visual Arts is campaigning to <a href="https://visualarts.net.au/news-opinion/2022/recognise-artists-workers/">recognise artists as workers</a>, highlighting the need for an award to support this group that often falls under the industrial relations radar. The music sector has made similar calls for minimum wages for artists, <a href="https://www.theage.com.au/national/victoria/paying-musicians-a-minimum-wage-would-kill-live-music-tote-owner-20220923-p5bkgw.html">yet face critics</a>. </p> <p>The pandemic showed us how important the arts are to our lives. For the arts to continue to play a vital role in our national identity and represent our diverse communities, the sector must be funded appropriately. </p> <p>It is also essential organisations create safe, secure and viable jobs for arts workers. </p> <p>If the industry can only exist by systematically exploiting workers, then the war for talent will be lost.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/junior-staff-are-finding-better-contracts-senior-staff-are-burning-out-the-arts-are-losing-the-war-for-talent-194174" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

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AGT judges moved to tears after "brave" act

<p>An emotionally charged backstory to a card trick has left the judges of <em>Australia's Got Talent </em>in tears. </p> <p>On Monday night's episode of the variety talent show, contestant Michael Webb shared a story about a man named Jack who decided to seek help for his mental health issues. </p> <p>However, the story of “Jack” was Michael’s own story, and it moved the judges immensely.</p> <p>While the story alone brought tears to the eyes, it was the “perfect” card trick supporting the story that stunned the audience and judges.</p> <p>“I have a deck of cards to help me tell the story,” said Michael, who was standing in front of the judges’ desk.</p> <p>He asked Alesha Dixon to shuffle the cards well, before instructing Shane Jacobson to choose any card, sign his name on it and show the other judges and audience the card.</p> <p>Michael took that signed card - without seeing which one it was - and shuffled it into the deck.</p> <p>“I came here to tell you all a story that means a lot to me. And I hope you like it,” Michael began, holding onto the deck of cards.</p> <p>“It’s actually a story about a guy I know named Jack,” he said, as he drew a Jack card from the deck, stunning the audience.</p> <p>“And if you met Jack, you’d probably think he’s the luckiest guy in the world."</p> <p>“He’s got a loving family and plenty of mates. And they think he’s kind of funny, they always think of him as a bit of a joker,” he said pulling out a Joker card.</p> <p>“When he’s out on the town with his mates, they really get around him. They call him the king,” he said, drawing a King card.</p> <p>“Which is kind of ironic,” he continued, as he pulled out a Queen card, “because whenever the night ends up at the karaoke bar, he’s always the one always singing Queen.”</p> <p>The story continued and Michael kept drawing cards that perfectly linked to his story such as “full house” and “flush” and relevant numbers.</p> <p>“But even on the most joyous of occasions, like Christmas, or even his birthday, he would often look around at the full house of family and friends having such a good time."</p> <div> <p>“And he’d stop and think, what’s wrong with me? Like, why can’t I have fun?"</p> <p>“The more he thought about this, the worse he felt, and the worst he felt the more guilty he felt."</p> <p>“And all of a sudden, he’d have shame and become flushed with emotion. So what would Jack do? He’d find a nice quiet room in the house and cry."</p> <p>“You see, Jack was a 28-year-old man and, in his mind, 28-year-old males - they need to be strong, and they don’t talk about their feelings.”</p> <p>Michael said that it was not until “Jack” learned that one in 10 Australians actually sought professional help that he realised he wasn’t alone, and told his friends about his struggles.</p> <p>“(Jack’s friends) thought it showed true heart to talk about his feelings,” Michael said.</p> <p>“So he started to do some research and he was shocked to learn that, in the most recent year, 3318 Australians took their own lives.</p> <p>“That’s 63 people every single week, and, for every person that did, another 20 attempted to.</p> <p>“In Australia, suicide is the leading cause of death for people aged between 15 to 44 - and he didn’t want to become another statistic.”</p> <p>Michael added that "Jack" was inspired by hearing other people's stories, including those from “Australian royalty” such as Miranda Kerr, Julia Gillard and Buddy Franklin.</p> <p>“Hearing these people share their own personal stories about their struggles helped Jack recognise his fears and made him realise he’s not alone,” Michael said.</p> <p>“So do you know what Jack decided to do?"</p> <p>“Jack decided to share his story on <em>Australia’s Got Talent</em>, and by sharing this story today, I hope I can make just at least one person get their head straight,” Michael said, holding back tears.</p> <p>Trying to control his emotions, Shane whispered to him, “You’re doing great, mate.”</p> <p>Michael continued, “I want all Australians genuinely who are struggling with their mental health to remember that without the rain there can be no rainbow.</p> <p>”So I want all Australians to shine bright like a diamond,” he said, pulling on Shane’s signed ace of diamonds card - stunning the room.</p> <p>Shane told Michael that the issue of mental health awareness is very close to his heart, and he praised him for sharing his "incredibly personal" story on such a public stage. </p> <p>“You, my friend, are incredibly brave, know that,” he said.</p> <p>“Thank you so much for sharing your story and making people aware that they are not alone,” Kate Ritchie told the talent.</p> <p>David Walliams said he has never heard the audience so quiet during an act, before saying, “You are magic because you’ll have changed people’s lives.”</p> <p>Michael went on to get four yes votes from the judges, moving on to the next round.</p> <p><strong><em>If you or someone you know needs mental health advice, or help in a crisis, call Lifeline on 13 11 14. </em></strong></p> <p><em>Image credits: Australia's Got Talent</em></p> </div>

Mind

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How a man used a cancer diagnosis to explore his artistic talents

<p dir="ltr">A 70-year-old has spent seven years discovering his artistic talents, after a shock cancer diagnosis forced him into early retirement. </p> <p dir="ltr">Michael Kiely, from the NSW central west, found his love of painting when he was 63, despite struggling to keep the brush steady after living with Parkinson’s disease for 20 years. </p> <p dir="ltr">He didn’t let his ailments stop him, instead using art as a form of therapy to come to terms with his health issues. </p> <p dir="ltr">After a second cancer diagnosis in which he was given just three months to live, the former farmer decided he needed to host an art exhibition. </p> <p dir="ltr">The exhibition, which has been cheekily called <a href="https://www.mykidscoulddothat.com/shop">My Kids Could Do That</a>, will be held in Sydney’s Circular Quay on October 30th. </p> <p dir="ltr">He told <a href="https://www.dailymail.co.uk/femail/real-life/article-11334375/Artist-reveals-turned-art-stage-four-cancer-diagnosis.html">Daily Mail Australia</a>, “I paint every day - if I stop it feels like I am going to explode, but I still feel like a fraud.”</p> <p dir="ltr">“I am amazed when regular people come up to me and tell me they like my paintings. It means more than when they say it, because regular people can't afford to buy them unless they do like them,” he said.</p> <p dir="ltr">As Michael came to terms with his illness, by spending time on his artworks, he was able to embrace his life-long love of creativity.  </p> <p dir="ltr">“I hadn't painted since I was nine years old. But when I got cancer (the first time) and my wife and I decided I should retire I started again,” he said.</p> <p dir="ltr">“When it is working for you then painting is like breathing. When it isn't, it is frustrating - but I find you can only come back to a work a few times before you lose it, then it is for the bin,” he said.</p> <p dir="ltr">Now fulfilling his dream of putting on an exhibition, Michael is focusing on how lucky he feels to be alive to see it. </p> <p dir="ltr">Thanks to experimental immunology, it's been three years since his devastating three-month diagnosis.</p> <p dir="ltr">“He spent two years doing the treatments, and saw his oncologist recently who is really impressed with how things are,” Michael’s daughter Jessica said.</p> <p dir="ltr">While Michael admits he doesn’t understand much about art, including what makes artists popular, he hopes his unique style will strike a chord. </p> <p dir="ltr">“Do yourself and an old man a favour, buy my art before I die. I want to see these pieces going home with people. And just think, as soon as I cark it, they all become limited editions,” he said. </p> <p dir="ltr"><em>Image credits: Supplied</em></p>

Art

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Dannii Minogue reveals the challenges she faced while filming Young Talent Time

<p>Dannii Minogue has shared the challenges she faced while appearing on <em>Young Talent Time</em> as a child. </p> <p>Speaking with Kyle and Jackie O, the 50-year-old entertainer said she felt immense pressure to balance her school work and time spent at rehearsals.</p> <p>"I was the biggest nerd when I was on <em>Young Talent Time</em>. I was in the library at lunch doing my homework so I could go straight to rehearsals after school," she said during an interview on Tuesday. </p> <p>"I was obsessed with getting good grades and if I didn't finish [my homework] at lunch time I'd have to do it when I got home and I wouldn't sleep till 11pm."</p> <p>Dannii starred in <em>Young Talent Time</em> from 1982 to 1988, as well as <em>Young Talent Time: The Next Generation</em> which was launched in America.</p> <p>Following her six year run on the show, she went on to play the role of Emma Jackson in <em>Home & Away</em> in 1989. </p> <p>She stayed with the Aussie soap for a year before launching her music career, like her famed sister Kylie Minogue, in 1990.</p> <p><em>Young Talent Time</em> featured a core group of young performers who would sing both classic songs and hits of the day while hopefuls competed in a weekly talent quest.</p> <p>The series was hosted by Johnny Young and aired from 1971 to 1988, and proved to be hugely popular after spawning no less than 15 albums and a slew of merchandise. </p> <p><em>Image credits: Seven</em></p>

TV

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Chezzi shocked by Grant Denyer's hidden talent

<p>Grant Denyer has shocked his wife Chezzi with a hidden talent she never knew he possessed. </p> <p>Despite being married for 12 years, Grant had never before shared his “exceptional” vocal talent with his partner as he boasted about his Kermit the Frog impersonation. </p> <p>While recording their podcast <em>It’s All True</em>, Chezzi asked her husband if he had a favourite Disney character.</p> <p>“Maybe not a Disney character,” Denyer began, “but if I was a Muppet I’d be Kermit, you know, nice, friendly, likes to sit on a log.”</p> <p>The TV personality then broke into a near-perfect impression of the classic character. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/Cgv8-8xF7Mc/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Cgv8-8xF7Mc/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by chezzidenyer (@chezzidenyer)</a></p> </div> </blockquote> <p>“Oh my god,” Chezzi said.</p> <p>“That’s exceptional. Sign him up,” the podcast’s producer George Sargent said.</p> <p>Chezzi told her husband, “That’s your next job. I never knew that you could do that.”</p> <p>“What, impersonate Kermit?” Denyer laughed. “Standing on a street corner just doing that?”</p> <p>“And then people asking, ‘Why does Grant Denyer have a weird voice and why does he have a guitar case open collecting coins?”</p> <p>“We’ll paint you green,” Chezzi joked.</p> <p>“Oh my god. I never knew you could do that - I loved Kermit.”</p> <p>“I’ve never done that before,” the former Dancing with the Stars contestant said of his impression.</p> <p>“Well you’re very good,” Chezzi added.</p> <p><em>Image credits: Instagram</em></p>

Relationships

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John Travolta's daughter reveals hidden talent

<p>John Travolta's daughter Ella has surprised her online followers with a rare look into her secret talent. </p> <p>Ella Travolta, 21, shared a video of her playing an original song on the piano as she sang along to the melody. </p> <p>Ella said she has been working on the the song for a while and felt "nervous" to share it with her followers. </p> <p>She captioned the video, "There is something I've been working on for the past year that is very dear to my heart."</p> <p><span>"I wanted to share a part of a song that I wrote that will be on my EP coming out next year. Very excited (and nervous). Hope you like it!"</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/tv/CWyhiWYAXq_/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/tv/CWyhiWYAXq_/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Ella Travolta (@ella.travolta)</a></p> </div> </blockquote> <p><span>Her proud dad commented on the video saying "I'm so very proud of you Ella, it's amazing! Your thrilled Dad!"</span></p> <p><span>The video has racked up hundreds of thousands of views, as many people commented saying they were looking forward to the release of her first musical venture. </span></p> <p><span>Ella is the daughter of John and his late wife Kelly Preston, who died of breast cancer in July 2020. </span></p> <p><span>John Travolta has previously </span>discussed the love he has for his daughter in an interview with <a rel="noopener" href="https://people.com/movies/john-travolta-on-his-kids-lives-now-ella-is-generous-and-gorgeous-and-ben-loves-fishing-and-tennis/" target="_blank">People</a>, saying he is endlessly proud of her. </p> <p><span>He said, "She is her own person. She is gracious, generous, poised, graceful and gorgeous. I don't know how she came to be, and I don't take any credit other than just adoring her."</span></p> <p><span>"And maybe that's a valid contribution."</span></p> <p><em>Image credits: Instagram @ella.travolta</em></p>

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Da Vinci’s artistic talent was due to a bung eye

<div> <div class="copy"> <p>Leonardo da Vinci’s artistic genius might in part have been the result of an eye disorder, according to a leading British ophthalmologist.</p> <p>After studying six paintings, drawings and sculptures believed to be of the man who painted the Mona Lisa, Christopher Tyler from the University of London, UK, concludes he suffered from strabismus, a misalignment of the eyes. </p> <p>Some forms of eye misalignment <a rel="noopener" href="http://journals.sagepub.com/doi/abs/10.1177/0956797610397958?journalCode=pssa" target="_blank">are thought</a> to assist artistic work by suppressing the deviating eye, which provides two-dimensional monocular vision advantageous to painting and drawing. </p> <p>Tyler believes da Vinci had intermittent exotropia – a tendency for one of his eyes to turn outwards.</p> <p>This would result in the ability to switch to monocular vision, which may help explain his exceptional talent for capturing space on a flat canvas.{%recommended 3705%}</p> <p>If he’s right, the fifteenth century master joins an impressive club. Rembrandt, Degas and Picasso are among other artists identified as having strabismus on the basis of the eye alignment evident from self- portraits.</p> <p>Another Italian painter, Giovanni Francesco Barbieri, was even known as Il Guercino, or “the squinter”.</p> <p>Tyler’s task was made more difficult because there are few validated portraits of da Vinci from life.</p> <p>“No work has an unimpeachable attribution as his likeness, so attributions are necessarily probabilistic,” he writes <a rel="noopener" href="https://jamanetwork.com/journals/jamaophthalmology/fullarticle/10.1001/jamaophthalmol.2018.3833" target="_blank">in a paper</a> published in JAMA Ophthalmology.</p> <p>He was encouraged, however, by the painter’s own belief that artists’ work is likely to reflect their own appearance, and was thus confident that any of his portraits “may be considered to reflect his own appearance to some extent”.</p> <p>Examination of half a dozen likely portraits and self-portraits in which the direction of gaze of each eye is identifiable shows that most paintings exhibit a consistent exotropic strabismus angle of minus-10.3 degrees.</p> <p>This is supported by a similar angle in the <a rel="noopener" href="https://www.scmp.com/business/money/wealth/article/2144271/meet-man-who-found-da-vinci-sold-record-us450-million" target="_blank">recently identified</a> da Vinci painting Salvator Mundi, which last year sold for a record US$450 million.</p> <p><a rel="noopener" href="https://www.leonardodavinci.net" target="_blank">The most influential figure</a> of the Italian Renaissance, da Vinci was an architect, musician, engineer scientist and inventor, as well as a painter.</p> <p>His other masterpieces include The Last Supper, The Baptism of Christ and The Vitruvian Man. </p> <p><em>Image credits: Getty Images</em></p> <p><em>This article was originally published on <a rel="noopener" href="https://cosmosmagazine.com/science/biology/da-vincis-artistic-talent-was-due-to-a-bung-eye/" target="_blank">cosmosmagazine.com</a> and was written by Nick Carne.</em></p> </div> </div>

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Elderly street artist shocks passersby with musical talent

<p><span style="font-weight: 400;">In a display of age-defying vigour and musicality, an older pianist’s performance has gone viral as she plays for a crowd on a humble street piano.</span></p> <p><span style="font-weight: 400;">The footage, captured by the YouTube channel, Life Goes On In Iran, while travelling through Russia, shows the pianist playing Franz Liszt’s fiendishly tricky </span><span style="font-weight: 400;">Hungarian Rhapsody No. 2</span><span style="font-weight: 400;">.</span></p> <p><span style="font-weight: 400;">Despite the poor condition of the piano, her performance demonstrated her skills clearly.</span></p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/k4nz1Ldhzxw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p><span style="font-weight: 400;">After the clip went viral, the mystery musician’s identity was discovered.</span></p> <p><span style="font-weight: 400;">She is Eleonora Arkadevya Breslav, from Kazan, Russia, who graduated from Kazan’s music college in 1953 and worked as an accompanist there for five years afterwards.</span></p> <p><span style="font-weight: 400;">Eleonora also worked at the Bolshoi Theater in Moscow, one of the great opera and ballet houses of the world, as an accompanist.</span></p> <p><span style="font-weight: 400;">Viewers were amazed by Eleonora’s skill, sharing their praise for her playing in the comments.</span></p> <p><span style="font-weight: 400;">“If her fingers are so nimble at this age, you can just imagine what she was like when she was young,” one remarked.</span></p> <p><span style="font-weight: 400;">“This is a great example of ‘Talent never dies!’” another said.</span></p> <p><em><span style="font-weight: 400;">Image: Life Goes on in Iran / YouTube</span></em></p>

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Unearthed video of Princess Diana shows rare talent

<p dir="ltr">Footage of the beloved Princess Diana playing the piano during her and Prince Charles’ 1988 tour of Australia has resurfaced, sending royal fans into a frenzy.</p> <p dir="ltr">The video sourced from the Nine News archives captured the effervescent couple during a visit to the Victorian College of the Arts in Melbourne.</p> <p dir="ltr">Prince Charles and Princess Diana are seen in a room filled with music students, staff and other members of the media.</p> <p dir="ltr">Then 26-year-old Di is seen gently taking a seat at the piano where she gives an impromptu performance.</p> <blockquote class="twitter-tweet"> <p dir="ltr"><a href="https://twitter.com/hashtag/PrincessDiana?src=hash&amp;ref_src=twsrc%5Etfw">#PrincessDiana</a> playing the piano in Melbourne, Australia. So beautiful 💗 <a href="https://t.co/XbJscVRmpf">pic.twitter.com/XbJscVRmpf</a></p> — Princess Diana of Wales (@DianaPrincessOW) <a href="https://twitter.com/DianaPrincessOW/status/854052461300125696?ref_src=twsrc%5Etfw">April 17, 2017</a></blockquote> <p dir="ltr">She effortlessly plays Rachmaninoff's Piano Concerto No. 2.</p> <p dir="ltr">Charles, who was 39 at the time, was also seen attempting to play the cello.</p> <p dir="ltr">The royal tour that included Princess Diana polishing off the ivories was part of their 1988 visit to Australia.</p> <p dir="ltr">It came five years after the couple first visited Australia together – a tour which remarkably included Prince William when he was just a toddler.</p> <p> </p>

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Simon Cowell recovering after breaking his back

<p><em>America's Got Talent </em>judge Simon Cowell is recovering after undergoing back surgery after an electric bike accident.</p> <p>“He broke his back in a few places,” a spokesperson for Cowell said in a statement to Deadline. “They operated overnight, the surgery went well, and he is in the hospital recovering.”</p> <p>According to sources quoted by <a rel="noopener" href="https://people.com/tv/simon-cowell-recovering-after-5-hour-back-surgery/" target="_blank" class="_e75a791d-denali-editor-page-rtflink">People</a>, the surgery lasted five hours, and the <em>America’s Got Talent</em> judge “has had to have a number of fusions and metal rod put into his back.”</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/BJk_yXtBFxX/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/BJk_yXtBFxX/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by @simoncowell</a> on Aug 26, 2016 at 9:08am PDT</p> </div> </blockquote> <p>The TV personality is reportedly doing fine.</p> <p>“Simon had a fall from his bike on Saturday afternoon whilst testing his new electric bike in the courtyard at his house in Malibu with his family,” a spokesperson for the <em>AGT</em> and <em>The X-Factor</em> creator said.</p> <p>“He hurt his back and was taken to the hospital. He’s doing fine, he’s under observation and is in the best possible hands.”</p>

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Jack Vidgen opens up about fillers, veneers and Botox after shocking viewers

<div class="post_body_wrapper"> <div class="post_body"> <div class="body_text "> <p>Fans of Jack Vidgen were shocked by his appearance when he competed on<span> </span>The Voice<span> </span>last year, which was roughly 10 years after he rose to fame on<span> </span>Australia’s Got Talent.</p> <p>Compared to the quiet 14-year-old that audiences knew and loved, Vidgen was virtually unrecognisable as he now has lip fillers, botox and veneers.</p> <p>After months of rumours, Vidgen has finally spoken out about the extensive cosmetic work he’s received to<span> </span><a rel="noopener noreferrer" href="https://www.news.com.au/entertainment/celebrity-style/jack-vidgen-speaks-about-his-fillers-veneers-and-botox/news-story/d61b4c85575b02be37a7d4e0c457acce" target="_blank">news.com.au</a>.</p> <p>Speaking to James Weir on the podcast<span> </span>Not Here To Make Friends, Vidgen goes into detail about the first time he got Botox.</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/By7HaXCl8zw/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/By7HaXCl8zw/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by jack vidgen (@jack.vidgen)</a> on Jun 20, 2019 at 12:45am PDT</p> </div> </blockquote> <p>“I think I got it first when I was 19. I had these two creases in my forehead … I just tried it and they went away.”</p> <p>He also confirmed that he still gets Botox occasionally.</p> <p>“It’s just because I wear makeup, so the makeup doesn’t get in the (forehead) creases,” Vidgen explained.</p> <p>Vidgen first got veneers during his time on<span> </span>Australia’s Got Talent.</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/B6XCBHjJOZT/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/B6XCBHjJOZT/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by jack vidgen (@jack.vidgen)</a> on Dec 21, 2019 at 7:37pm PST</p> </div> </blockquote> <p>“Between the semi-final and the final (in 2011) I got a full set of veneers, and then when I came back everyone was like, ‘What the f**k?’” the entertainer said.</p> <p>“It was just something I wanted to do and I could afford it all of a sudden and I was like, why not?”</p> <p>Vidgen spoke to<span> </span><a rel="noopener noreferrer" href="https://www.who.com.au/jack-vidgen-admits-having-lip-filler" target="_blank">Who Magazine</a> about the first time he experimented with lip fillers and also explained his blasé view surrounding them.</p> <p>“I’ve been trying to find myself again and I’ve definitely experimented with filler … there’s no denying that,” he said in reference to his lips.</p> <p>“To me, lip filler is like make-up, it’s like doing your hair … it’s not permanent.”</p> </div> </div> </div>

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Tell Me Why review: Archie Roach’s pain is the pain of all of us

<p><em>Aboriginal and Torres Strait Islander readers are advised this article contains images and names of deceased people.</em></p> <p><em>Review: Tell Me Why: The Story of My Life and My Music, by Archie Roach (Simon &amp; Schuster)</em></p> <p>Singer songwriter Archie Roach’s new autobiography <a href="https://www.goodreads.com/book/show/47805151-tell-me-why">Tell Me Why</a>, is a grim portrayal of his life of suffering at the hands of 20th century white Australia.</p> <p>The Australian government eugenics programs against Aboriginal people led to the <a href="https://www.nfsa.gov.au/collection/curated/stolen-generations-dreams-whiteness">removal</a> of many thousands of Aboriginal children from their families: the stolen generations. Archie was one of them.</p> <p>Archie’s many successes in the music industry did not begin until he stopped drinking. Archie sang <a href="https://www.youtube.com/watch?v=aywDT6yHMmo">Took the Children Away</a> at the 1988 Survival Day event in Sydney. Though historian Peter Read had been working on the family tracing and reunion service <a href="https://www.findandconnect.gov.au/ref/nsw/biogs/NE01131b.htm">Link-Up</a> since 1981, it was Archie’s song that brought home the tragedy of the stolen generations for all of us.</p> <p>Archie sings from the heart about what he knows and what he and his family have experienced. Given how much pain is visible, we can only imagine the rest. Archie’s first album was Charcoal Lane and in 1991 he won the ARIA award for Best New Artist and Best Indigenous Release.</p> <p>He was born in 1956 at Mooroopna near Shepparton. Aboriginal people had moved there as a direct result of the <a href="http://608464716852957457.weebly.com/pre-1945.html">Cummerangunja Walk Off</a> on 6 February 1939, when around 200 people left a mission in southern New South Wales to protest poor conditions and government control.</p> <p>However, Archie’s family was from the south and so they moved to <a href="https://en.wikipedia.org/wiki/Framlingham,_Victoria">Framlingham</a> mission. He and his sisters were stolen from there when he was just four. They were placed in separate foster homes, some very bad, until Archie was placed more permanently with the Cox family. A Scottish family with, it seems, good hearts, they fostered Archie and another Aboriginal boy Noel.</p> <p>Life was relatively good for Archie. But, when one of his birth sisters wrote to tell him that their mother had died, he and his foster parents discovered the government had lied to them. The Cox family had been told Archie’s family had perished in a fire.</p> <p><strong>Searching</strong></p> <p>Archie’s choices after this became limited by his inability to trust non-Aboriginal people as well as his deep desire to reconnect with his real family, to learn who he really was. He left the safety and security of his foster parents’ home when he was only 15, never to see them again, and began searching.</p> <p>Soon, Archie was in Sydney. It was here he met one of the ugliest characters of his life story, Albert, an alcoholic living on the streets. To Albert, the young and impressionable Archie, was prey and a potential drinking buddy. Archie had never had alcohol before he met Albert but he writes that Albert turned him into an alcoholic while he was still only 16.</p> <p>Archie had been raised by a good white family. For many people from the stolen generations, the notion of being good then becomes synonymous with being white. The Christian teachings in the missions are also about being good. For many Aboriginal people being good then mistakenly becomes antithetical to being Aboriginal.</p> <p>For many of the stolen generations and later generations who grew up without proper Aboriginal culture, the white trash culture of street living begins to seem the Aboriginal way. While drinking in the streets and pubs of inner Sydney and Melbourne, Archie did find the rest of his family.</p> <p>Most of Archie’s story is about drinking, the depth and the dangers, the epilepsy, and a drunken suicide attempt. For fellow Aboriginal people of the same era, the extent of this drinking and its effects are not new. Archie writes about the consistent choice to drink and his difficulty stopping.</p> <p>He doesn’t explicitly write how his choice to keep drinking was a cop-out, but drinkers don’t have to be responsible for anything or anyone. Perhaps this is why Archie writes so little about his children. He didn’t choose his children — for a long time he chose booze.</p> <p><a href="https://en.wikipedia.org/wiki/Ruby_Hunter">Ruby Hunter</a> is at the heart of Archie’s life story.</p> <p>Ruby and Archie met when they were teenagers, they drank together and got sober together. Ruby was the strength behind Archie. She gave birth alone and raised the boys alone until Archie stopped drinking. But although Ruby (who died in 2010, aged 54) is there in Archie’s story, she is also strongly absent in Archie’s memoir. One senses the pain in the absence.</p> <p>Archie would work for a while but then he would choose the booze again. He loved Ruby, but chose the booze again and again. Archie hasn’t tried to romanticise the drinking culture he was a part of in the book, but perhaps he has in his music. Charcoal Lane, the name of his first album, came from one of the places he used to drink. Can regret be romantic?</p> <p><strong>‘White trash’ culture</strong></p> <p>I recognise the choices Archie and so many others like him made as we grew up in cities or country towns without strong Aboriginal laws that could tell us how to behave right; while at the same time rejecting white colonial laws as a form of resistance.</p> <p>It is an empty space, that in-between place, with the added difficulty of acceptance by white trash - the white alcoholics. The term “white trash” explains the ugliness of the colonisation of the Americas and Australia.</p> <p>Although perceived as classist, <a href="http://www.tandfonline.com/doi/abs/10.1080/09502389700490171">researchers argue</a> it’s more about forms of behaviour determined by a lack of knowledge of how to make good choices. Or how to be a good person - to take responsibility for one’s choices, as his experience with the principles of Alcoholics Anonymous later taught Archie.</p> <p>Song lyrics begin each chapter of Tell Me Why and Took the Children Away, Archie’s first, award-winning song begins his autobiography. In many ways, it is his redemption song.</p> <p>Archie visited the Framlingham mission, from where he was stolen, while he was drinking; but it was not until he stopped drinking that his Uncle Banjo told him what it was like for them, Archie’s parents, the generation left behind with the silence from the absent children.</p> <p>This enabled Archie to stop thinking so much about his own pain, and more about the pain of others.</p> <p><em>Written by Aileen Marwung Walsh. Republished with permission of </em><a href="https://theconversation.com/tell-me-why-review-archie-roachs-pain-is-the-pain-of-all-of-us-127723"><em>The Conversation.</em></a></p>

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